Genres You Will Love
Moods: Type: Acoustic Avant Garde: Free Improvisation Jazz: Avant-Garde Jazz

By Location
United States - Connecticut

Joe Morris, Agusti Fernandez, Nate Wooley

Joe Morris, guitar
For the last 30 years and over the course of well over 50 albums recorded since the early 80's, Morris has been creating a body of work that stands and walks with giants. It is his first-hand awareness of music's ability to transform a listener's mental state outside of the here and now, that has driven him to reach levels of virtuosity and a breadth of expression on guitar which are presently unsurpassed. The silk in the web he weaves is of the absolute finest grade. The web of music itself however, it's intricacies and continually revealing patterns, prompts true awe.

Agustí Fernández, piano
Over the course of his long and successful career, pianist Agustí Fernández has built up an international reputation, not only as one of Spain’s most outstanding performers, but as a reference in the world of improvised music. Fernández was born in Palma de Mallorca, where he studied piano, later continuing his studies in Barcelona, France and Germany. A professional musician since the age of just thirteen, his life changed completely when he discovered the work of Cecil Taylor and Iannis Xenakis when studying with the latter in 1978. Fernández’s career as a solo artist really began to take off at the II Biennial of Young Creative Artists in Thessaloniki, Greece, in 1987, since when he has performed at major festivals all over Spain and Europe, as well as composing for dance, theatre, cinema and television.

Nate Wooley, trumpet
Wooley’s solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings “exquisitely hostile”.