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Roger Hanschel Heavy Rotation

Roger Hanschels Heavy Rotation

Roger Hanschel - Saxophone
Markus Segschneider - Gitarre
Dietmar Fuhr - Kontrabass
Bodek Janke - drums

In times in which it is increasingly difficult to press on into unheard-of tonal landscapes, creative heads are needed to make out the hidden interfaces of the already known. Among these keen researchers belongs the alto saxophonist Roger Hanschel, whose name has been closely connected with the Kölner Saxophone Mafia for over 20 years, and in which he has stepped out into all degrees of musical freedom.

His band Heavy Rotation is a further declaration of independence in the quartet format. Thanks to his persistent inquiring mind, he composes subtle connections between chamber music, jazz and rock. Into these syntheses, he breathes life and a pleasure of playing. Precision and passion are not contradictory for him. With Heavy Rotation, it is not a question of WHAT is played, but rather much more of HOW. The sound makes the music, and it is powerfully heavy, heavy and all right!
Berliner Jazztage 2010

With Heavy Rotation, Roger Hanschel is pursuing a long-term project. Among other things, it is about enlarging the area that his music’s tributaries feed into. The larger of these tributaries are as follows: firstly, contemporary jazz with its tonal, expressive and compositional riches, as it has developed in the circle of the Kölner Saxophone Mafia or in the duo Hasler Hanschel; secondly, the concentration on the sound and phrasing that Hanschel has cultivated in his solo projects and with the trio Triosphere; and thirdly, contemporary chamber music, whose horizons he has gauged with the contemporary quartet Ensemble Modern in Frankfurt.

The project consists of dealing with apparently diametrically opposed ways of expression in such a way that they don’t drown each other out or interfere with each other, but rather enrich each other and, one has to think of this, mutually give each other discipline. Heavy Rotation accommodates everything in one space: the sounds of the guitarist and the art of phrasing and articulation of the saxophone player, the multi-lingual, tonally intensive sophistication of the rhythm section, jazz techniques and minimal persistence, con arco techniques and swinging, marching pizzicati, tonally sensuous drum work, lush solo line playing and musical content serving the group. An ideal space for chamber music. Here, fresh, illuminated clarity dominates. The doors are open, the music rotates with energy from the spirit of rock, enlightened by contemporary jazz, formed by compositional intelligence at the height of the times. The chamber of this music has an astounding expansiveness.

Hans-Jürgen Linke

“A strong and intensive album.” Mauretta Heinzelmann, NDR, 6/2007

“... virtuosic music, powerful and sophisticated.” (H.J.Linke, Frankfurter Rundschau, 7/2007)

“The condensation that this band reaches far away from the musical-linguistic norm is substantial, the precision admirable.” (Stefan Michalzik, Frankfurter Rundschau 8/2007)

“...wide open, the music is stylistically far from disdainful populism, and it opens itself to the listener. Seriousness and entertainment pair up in an ideal way. (Sebastian Hansen, Offenbacher Post, 8/2007)

“The new disc is sensational.” (Dieter Dorer, Jazzclub Villingen, 9/2007)

“Heavy Rotation is thrilling and exciting music that one cannot simply turn a deaf ear to. Hanschel’s compositions are intensive tonal puzzles of enthralling emotional weight – full of energy and peppered with surprising turns.” (Klaus Mümpfer, Jazzpages 09/2007)

“ One has to enwrap oneself in this music many times in order to grasp all the external branches and inner connections.” (Jazzpodium, 10/2007)

“Although his pieces are based on complex rhythmic structures and refer to the harmonics and melodics of new music and the avant-garde, they sound neither aloof nor intellectually undercooled. These four do their band’s name credit and sometimes actually rock with powerful grooves and juicy riffs, which one would have rather expected in rock and heavy metal.” (Martin Laurentius, Jazzthing 11/2007)

“Hanschel counts among the virtuosic saxophone players in the country. He loves the sounds above alto and masterfully conveys their melodic suppleness; what’s more, again and again he searches for the threshold of sound and technique with breathtaking flights of improvisation. With his rotation music, Hanschel clearly refers to the European music tradition and uses fewer Afro-American idioms. A music mixture emerges that is full of tension and, above all, full of surprises over and over . ” (Friedhelm Schulz, Südkurier 10/2007)

“Fascinating.” (uhr, Saarbrücker Zeitung, 10/2007)

“In fact this music has the advantage of being catchy, has warm, friendly melodies and is supported by a harmonics that is neither servant nor curries favor with the listener, but rather is always served willfully. This unconventional album is really idiosyncratic and original.” (Gitarre&Bass, 1/2008)

“Heavy Rotation is the title of this fascinating project, in which contemporary classical music encounters rock, both of which are unified into first-class jazz through Hanschel’s delicate and yet powerful compositions. The musicians play extraordinarily chamber music-esque, weave themselves into the musical tissue, and then leave it, to dash off to daring solo improvisations , all the while displaying a great sense of alertness and presence. Never are there any musical fractures in the pieces, instead the basic patterns transform into more and more colorful images …. And when Roger Hanschel opens his eyes at the end of the piece, he looks into faces that bear witness to having experienced a jazz evening of excellent greatness.”
Dorothea Feuchtgruber, Passau pnp, November 2008

“… young, serious, delicate and soulful music. A band with an extreme bandwidth in extreme quality.“
rmr, Passauer Neue Presse, November 2008

“The Cologne saxophonist Roger Hanschel has created a sound that immediately takes you prisoner and yet does not become completely accessible until the end of the evening. Next to the extraordinary, tricky play with the musical units of time, the sound of the quartet and the virtuosity of the members give the audience the opportunity of listening attentively. No question: the four musicians, who have been working together since 2005, are crossover artists, combining jazz with new classical music, offering precisely composed pieces in addition to soloist freedom, which come from finely tuned interpretations …. Then the four virtuosos drive into a musical melee which only they seem to be able to see through; they are masters in lending the music an unbelievable drive forwards with the greatest vertical density. Forward, in the future, lies the new album, which will incorporate the works premiered this evening. And certainly other musical discoveries.”
Bettina Schröm, Südkurier May, 2009

“What inspiring moments arise when avantgardistic jazz goes hand in hand with an aesthetic connection to a manor house in the style of the Weser Renaissance!”
Everything revolves around the compositional axis ‘Hanschel,’ but the solo passages rotate in equal stature and are not frozen around the saxophone.
Hanschel’s compositions are not based only on complex rhythms or on harmonic and melodic structures, but rather captive listeners in particular by making unusual accents.
The audience enjoyed a concert that spoke to nearly all the senses – exciting.”
Christoph Guddorf, Neue Westfälische, July 2009

“The Cologne saxophonist Roger Hanschel of his current album Vin with his quartet “Heavy Rotation,” released in December on JazzSick Records. At one point Hanschel dashes through sophisticated scales with an enormous sense of fluency, at others he seems to be looking at the inside of tones with a telescope and to then unfold them with all the time in the world. Virtuosic, sophisticated themes and free playing hold balance with a pleased honesty, which lets the fractures stand, unpolished. What predominates are melancholy sounds of enormous intensity, which represent a new expression of contemporary blues."
Mauretta Heinzelmann, NDR, February 2010

"In the course of their existence, the band has grown together; the sound stands like a block, and yet is flexible and supple. In his compositions Roger Hanschel solders widths of dynamics between whispering and downright loud rock. Guitar and saxophone are woven together in melodies, whereas at times the saxophone joins into a percussive voice and gives the band precedence. Hanschel’s compositions are very complex; they go right into the fringes of music, to the limits of instrumental, but not to the possibilities of the musicians. The four fly through the pieces and bring the listener along: this is not the music to get cold feet by (the band can be seen on the cover photograph with their feet in water), but rather it is important for both musicians as well as listeners to keep a cool head. A remarkable CD!"
Angela Ballhorn, Jazzthethik, February 2010

“… stepping forward as composer and instrumentalist in many other projects, Hanschel stands for subtle, chamber music-like jazz, which comes across as delicate as expressive and defines itself by the pleasure of experimenting with form and sound. With RHHR, all of this comes together, but sounds freshly different – on Vin, the second record of the quartet, the sound is even denser and more compact than on the debut. Intensive, exciting music, complex in its form and full of energy.”
Bertholf Klostermann, FonoForum, April 2010
Music HHHHH, Sound HHHHH

“Clever, easily marketable and attractive: Roger Hanschel’s quartet bubbles over with ideas on its current album, Vin, and Hanschel confirms once again that he is extremely eclectic and innovative. The Cologne saxophonist creates his own sound with the compositions he wrote for this album. Without doubt, the four musicians belong to the first choice of professional jazz musicians, are brilliant in playing together and convince the listener through their soloist qualities. Roger Hanschel’s Heavy Rotation is among one of the new pleasant releases, entertaining and listenable for everyone."
Volkmar Joswigr, Jazzpodium, May 2010

“… a very independent and an extremely variable ensemble.”
ju, Gitarre & Bass, June 2010

“The alto and soprano saxophonist Roger Hanschel is one of the most recognized musicians of his instrument, and not only when one’s talking about the German jazz scene. With his projects, Hanschel covers a spectrum from meditative chamber music to head-over-heels ensemble acrobatics. In all of his constellations, the saxophonist demonstrates a radical courage to take risks, both intellectually and emotionally. As the critics see it, Hanschel creates a music that stimulates both the gut and the head. His consistent tonal trademarks are his present tone, into the highest register, and his breathless phrasing. But not only is he known as a brilliant instrumentalist and imaginative improviser, in the meantime Roger Hanschel has also made himself an excellent name as an independent composer."
Odilo Clausnitzer, Deutschlandfunk, July 2011