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New Arrivals

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    Samuelroy
     
    Pi11 Bits
    A unique concept ep that was written and recorded in 3 days. The title is a play on words because of his use of ecstasy and bit-crushing software. This is an electronic wonderland.
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    Bradical Boombox
     
    Fern Avenue
    Avantgaurde Rock, Indie Peasant Organizer
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    Bill Schaeffer
     
    PLATO Computer Music 1977 - 1982
    Early 8 bit monophonic Computer music compiled and performed by the PLATO computer system at the University of Illinois
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    Beaks Plinth
     
    Kai Kohola Leo
    Old exotica records recorded at 8 1/3 rpm to create a dark yet lush "Lagoon Music"
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    Caustic Reverie
     
    Stochastic Resonance
    Mechanized rumbles give way to otherworldly timbres in a fractal meditation on darkness.
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    Peter Baum
     
    Time
    A synthesizer used to voice traditional instruments; the album creates a complex and richly textured dreamscape. Most of the tracks differ widely in emotional tone and style, so you will want to sample from at least half a dozen. Don't miss track 20.
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    Mike Vargas
     
    Tree: Unique Natural Area
    Spanning over 10 years of work, this album contains often austere statements and colors created by a wide variety of means, from dragging a table across a marble floor in Paris, to placing a microphone in front of a fan and running that through effects.
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    Dane Morrow
     
    Rush Hour Christmas
    Jingle Bells to the sound of car horns and rush hour traffic. Christmas music has never been better.
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    Smiling EYE
     
    Metaphysics 101
    electric guitar/electronic/ experimental
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    John Berndt
     
    The Private Language Problem (New Electro-Acoustic Compositions, 2001-2007)
    Electro-acoustic compositions performed on a variety of handmade and sculptural instruments. The compositions vary from filling large rooms with a continuous wash of sound to the heady pans of pure electronic tones.
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    Top Albums

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    Mark Zaki
    Strange Lines & Distances
    Avant garde electronica. Experimental computer music with electronic violin.
    Avant-Garde Mark Zaki is a classically trained composer and performance artist who has carved out a distinctive niche as a creator of interactive electroacoustic and acousmatic music. His compositions include solo works for live electronics and computer-generated pieces, as well as traditional chamber ensembles, mixed media and film music. An accomplished and active violinist, Zaki was one of the first composers to explore the potential of the electronic (MIDI) violin as a creative tool in avant-garde music making. Demonstrating an eclectic range of compositional techniques, his music has incorporated and transformed elements from a variety of traditional and popular musical forms, serial procedures, improvisatory contexts and acousmatic practice into a highly idiosyncratic style. While much of his music is either electronic in nature or intended for his own use as a performer, Zaki's music has also been performed by the Nash Ensemble of London, Speculum Musicae, San Francisco's Earplay, the New York Bachanalia Festival, the Composers Ensemble at Princeton, violinist Nina Beilina and soprano Dana Hanchard. His recorded work includes credits on more than 21 recordings for the Sony/Classical, Newport Classic and Musical Heritage Society labels. He also holds doctorates in composition and music technology from Princeton University and in violin/viola performance from Rutgers University. As a violinist and violist, he plays and records regularly with many of the leading period instrument ensembles in the United States, including Concert Royal, The American Classical Orchestra, The Brandenburg Collegium, Apollo's Fire, the Classical Band, The Philadelphia Classical Orchestra and Musica Angelica, among others. As a chamber musician and soloist he has performed throughout the United States, Canada, Europe and South America. Zaki's festival performances include the Mostly Mozart Festival in New York, Rutgers Summerfest and the Schleswig-Holstein Festival in Germany. Looking to the future, Zaki is exploring the use of computer-generated animation and imagery in his work. His present ambition is to realize the incorporation of visual elements into multimedia and DVD based works that include acousmatic material and/or performers with interactive electronics. His first electronic music CD, Strange Lines and Distances... was released in 1994 to critical acclaim, and he is at work on a new album of acousmatic and electroacoustic music. Currently, he divides his time between Los Angeles and New York City.
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    bateau lavoir, archie shepp
    bateau lavoir + archie shepp
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    Rashied Ali Quintet
    No One In Particular
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    Rashied Ali Quintet
    Judgment Day Vol. 2
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    Paul Fairall
    Trying
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    Editor's Picks

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      Artists You May Know

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      Suzanne Ciani
      Silver Ship
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