Istanpitta
Pilgrimage to the Shrine of Saint Mary
Medieval Songs and dance music of the Blessed Virgin performed on historical instruments from the Cantigas de Santa Maria and Llibre Vermell de Monsterrat. Performed on Oud, Medieval harp, Bagpipes, Vielles, recorder and shawms.
"Pilgrimage to the Shrine of Saint Mary" is a collection of songs about Saint Mary and the Miracles she performed in Spain. It is told by travelers making their way to the annual Christian celebrations in various parts of Spain dedicated to the Blessed Virgin. Many stories of miracles performed by Holy Mary were exchanged among these travelers during the middle ages.
During the mid-13th century, King Alfonso X ruled over large portions of Spain, which he had recaptured from the Moorish nations. By the time Alfonso inherited the thrones of Castile and Leon in 1252, he was already considered a wise scholar. His court became a centre for research, knowledge, and the arts, which was characterized by a rare open-minded
fusion of three existing cultures in Spain: Christian, Jewish, and Islamic. Although a devout Catholic, Alfonso relied heavily on his Jewish advisors, and employed Moorish musicians known as mudejars. Alfonso's best known legacies to history are the written collections of knowledge in areas of astronomy, astrology, games, and music, as well as
numerous other minor works. Of these collections, the most famous is the Cantigas de Santa Maria, a compilation of 427 songs in honour of the Virgin. Although Castilian was the official language at the time, the Cantigas were written in Galician, or Gallego-Portuguese, which was considered a more courtly language and better suited for artistic poetry. The subjects of the Cantigas range from songs of praise, historical incidents, and moralistic stories, to numerous tales describing miracles performed by Holy Mary. The miracles recorded are not exclusive to Christians, but also involve both Moors and Jews alike and many are pointedly satirical in nature.
Many of the songs are believed to be the product of a process known as "contrafacta", which involves taking a pre- existing melody and providing it with new words. A good example of this process is the early American song, The Battle Hymn of the Republic, and uses the melody from a song called John Brown's Body (and later went through another transformation to become the high school favourite Glory, Glory, Hallelujah, Teacher hit me with a ruler). Some scholars believe that many of the melodies used for these Cantigas were more than likely Moorish folks songs commonly sung by Islamic Moors who chose to stay in Christian- occupied Spain. The Cantigas are beautiful and lyrical and provide an excellent example of combining the Christian and Islamic traditions. We hope you enjoy listening to this recording as much as we enjoy performing this music.
Al Cofrin
(from Pilrimage liner notes)
Classical: Medieval