Pub Rock

New Arrivals

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    The Fun Police
     
    You Better Run
    An arresting mix of folk-rock, reggea, blues, and punk intertwined with viddle, fiddle, and punchy accordion.
    Rock: Pub Rock
     
     
    Station Eighty-five
     
    Mr. Automatic
    A rocking roller coaster ride of sex, drugs and destiny threatens to fly off the tracks.
    Rock: Pub Rock
     
     
    Erik Bledsoe
     
    God In Search of Man
    Its rock n' roll with a soulful strut!
    Rock: Pub Rock
     
     
    Mercy James
     
    The Best of Mercy James
    Collection of the best indie rock cuts from 1992-2009. Kind of weird perhaps... kind of catchy maybe... interesting for sure.
    Rock: Pub Rock
     
     
    U.S. Mods
     
    Station 7
    This second U.S. Mods release reflects the progression of the band from a power-pop style to a more straightforward rock sound with meaningful lyrics reflecting political issues, while retaining that jamming, garage band feel.
    Rock: Pub Rock
     
     
    Ian Cussick
     
    the Supernatural
    A tight blend of 80´s Rock with a driving European style. euro-beat where you just can´t sit still...
    Rock: Pub Rock
     
     
    The Mercenaries
     
    Addicted to Applause.
    Songs that run the gamut between rollicking classic rock, high lonesome folky dirges, and strummy pop laments. Recommended if you like Marah, Stones, G.B.V. , Westerberg.
    Rock: Pub Rock
     
     
    The Larch
     
    Bat Boy Signs Up
    A retrospective of favorite songs by the NYC power pop band (from 1998 - 2008.) The Larch are purveyors of "Psychedelic pop for now people" - the Village Voice.
    Rock: Pub Rock
     
     
    Dangerous Dick and the Duckbusters
     
    In Too Deep
    Songs of caves, cavers and caving professionally performed, engineered and produced. These songs and the album have been an international hit, and have rave reviews from cavers and non-cavers alike!
    Rock: Pub Rock
     
     
    Spinning Jenny
     
    Eden's Kiss
    Everyone seems to adore our song "Britney Spears" that's on this album. My personal favorite song is "Eden's Kiss".
    Rock: Pub Rock
     
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    Top Albums

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    Saltwater Roses
    Move Over Twice
    This is a fluid quintet of experienced musicians who have mastered the fine art of constructing and delivering a brisk, punchy and pliant acoustic/electric sound that references enduring artists such as Graham Parker,Beatles, Van Morrison and John Hiatt.
    Led by vocalist/writer and guitarist Floyd Anderson,this a fluid quintet of experienced musicians who have mastered the fine art of constructing and delivering a brisk, punchy and pliant acoustic/electric sound that references enduring artists such as Graham Parker and John Hiatt without sounding slavishly derivative. The rest of the band--Tom Loane on bass, Bob Mahar on keyboards, Don Macdonald on drums and Steve Brown on lead guitar--play with a responsive, organic feel that easily pre-dates synthesizers and drum machines. The result is remarkably crisp and direct, exactly the kind of music that you'd expect to come out of your AM radio in the early seventies when the likes of Van Morrison, Janis Joplin and Kris Kristofferson could somehow co-exist on the public airwaves. Anderson's marvelous voice consistently sounds youthful and joyous, and Brown's snappy guitar leads crackle and spit with a tart energy. This is a band that sounds like they've just discovered the secret of playing together, more than ten years on down the line. They've got an ensemble spit-and-polish that puts most of Halifax's vaunted indie scene to shame. Saltwater Roses are also a group that couldn't care a whit about attitude or image. Consequently, their new album--entitled Move Over Twice after a line from the tune One After 909 on the Beatles' sad swansong Let It Be Album--sounds timelessly contemporary. While the band touches on darker material on a couple of tunes on Move Over Twice--Daddy's Gone and the album's opening song It Could Eat You Up--most of the disc's tone is crisply optimistic. There's even some flashes of self-referential humour in the selection I Just Want to Break Even, a song that reveals the group's true intentions in releasing this new CD. Its the common complaint of many a modern-day musician. With a honking horn section filling out a handful of songs on Move Over Twice, and a heavily echoed rock-a-billy selection in C'Mon Sherry, the album reveals Saltwater Roses as a band that puts a premium on having fun. The whole thing started on the marshes of Tantramar in 1981 as the Beatless , doing note for note renditions of nearly all ( even the obscure) Fab Four tunes. Floyd won first place in Music West Songwriting Contest (national) and got a free trip to Vancouver to do a songwriting workshop with Murray McLachlan, Eddie Schwarz and Thomas Dolby. Bob and Floyd came third as well with "Day of Wonder". Two of the tunes on Move Over Twice were produced and recorded completely at Laurence Currie (Sloan producer) 1996 (Baby Ruthe and You Are Who You Are).
    Rock: Pub Rock
     
    Saltwater Roses
    Here Comes the Night
    Rock: Pub Rock
     
    The Pirates Charles
    Live Scallywags
    Rock: Pub Rock
     
    The Pirates Charles
    2nd Edition Subsection B New Steez the Second, Volume Two
    Rock: Pub Rock
     
    Jump & Guy
    Night-Train
    Rock: Pub Rock
     

    Editor's Picks

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      Top Songs

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      1.
      The Caver's Complaint
      Dangerous Dick and the Duckbusters
      Rock: Pub Rock
       
       
      2.
      One More Pitch, But She's a Bitch
      Dangerous Dick and the Duckbusters
      Rock: Pub Rock
       
       
      3.
      On the Surface Once Again
      Dangerous Dick and the Duckbusters
      Rock: Pub Rock