One of the few professional lute song duos in the United States, Mignarda's fresh and engaging approach to historical music has set a new standard for interpretation, authenticity and musicianship. Based in rural upstate NY, they have produced ten critically-acclaimed CDs and a series of editions of historical music for voice and lute.
Reviewers have described their music as "radiant", "bewitching". and "laden with elegance". The Lute Society (UK) has called Rota Fortuna "essential listening", and Au pres de vous their "lute disk of the year". Divine Amarillis, their recording of French music from the early 17th century, was selected from a pool of 42,000 recordings for the award of first place for Best Album in the 2009 Just Plain Folks awards. Their recordings have been featured on the internationally syndicated "Millennium of Music", hosted by Robert Aubry Davis, and several have also been selected as Choice CDs by Cleveland, Ohio's mainstream classical radio station WCLV. All are included among CDBaby's top 40 best-selling classical CDs. Mignarda was featured in a one-hour live concert produced by Binghamton, NY PBS affiliate WSKG TV, which has been aired frequently and is available from PBS.org on DVD
Lutenist Ron Andrico has been a professional performer of historical music and music in theatre for more than 30 years, discovering the lute while completing a degree in composition. He promptly divested himself of all modern musical trappings and set about researching the context and subtleties of early music. His research has led to publication of a growing series of important music editions and scholarly articles that have to do with identifying, elucidating and performing the sources of 16th century lute music. In addition to his 11 editions of historical music for voice and lute, Andrico has edited and published the original lute solos of virtuoso lutenist Ronn McFarlane. His publications also include an exhaustive errata list for the complete works for lute by John Johnson (Editions Orphee) in conjunction with noted Harvard musicologist, John Ward; several articles identifying new concordances published by the Lute Society (UK) and by the Lute Society of America, for which he served as a director from 2000-2002. He is the author of the internationally-popular blog, Unquiet Thoughts.
Mezzo soprano Donna Stewart, known for her warm tone and crystalline delivery of text, has received critical acclaim for awakening modern audiences to an appreciation for historical music. Her firm grounding in the practical application of Gregorian chant and medieval and renaissance polyphony stems from more than a decade with a five-voice schola cantorum dedicated to providing liturgical music for a weekly Latin Tridentine Mass. Drawing on the unique experience of singing this music in its liturgical context, she has developed an understanding of the use and form of historical sacred music, which lies at the very heart of all early music. In addition to her solo work with Mignarda, she has performed and recorded on the Koch and Onda labels with internationally-renowned Baroque orchestra Apollo’s Fire, and is recognized as having the ideal voice for renaissance lute song and crossover folk styles.
The couple met in Cleveland, Ohio, singing Gregorian chant & renaissance polyphony in a small schola for a weekly Latin Mass. Their first concert came a few months later. After a year of intense rehearsal in a remote log cabin in the wilderness of the Siskiyou Mountains, they sought and received advice from Nigel North, Hopkinson Smith, and Anthony Rooley, and toured for a year as a trio with the Baltimore Consort's Ronn McFarlane. Now in their 12th year as a duo, they have travelled tens of thousands of miles to share this music with audiences across the U.S., and they make their home in a handmade house in the forest of rural upstate New York.
Duo Mignarda is unique in that their musical background mirrors that of the typical musician of the Renaissance: They bring the music to life because they live the music. Together, the duo specialize in performing music that resides in the grey zone between folk and art music, with interpretations that follow the renaissance ideal of 'moving the passions' of the listener. Capturing the nuance and intricacy of early music with warmth and flair, Mignarda’s performances remind 21st century audiences that at one time this was pop music.