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Daniel Carter, Steve Swell, Federico Ughi : Concrete Science
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Legendary NYC improvisors play music as an inspirational dance, full of passion, building notes from the energy of dream and vision.
Genre: Jazz: Free Jazz
Release Date: 2004
Concrete Science
Daniel Carter, Steve Swell, Federico Ughi
Record Label: 577 Records
  • Buy CD - $16.00
  • Download Album (MP3) - $13.49

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Preview Song Name Time Buy
1. Now And Ever Resistance 17:09 + MP3 $0.99
2. Soul's Underwood Tunnels 12:34 + MP3 $0.99
3. Middleclass Madness 18:04 + MP3 $0.99
4. Our Own Fingerprints 7:18 + MP3 $0.99
5. Concrete Science 6:24 + MP3 $0.99
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Album Notes

CD description:

Concrete Science is a rich and cohesive album in which three musicians travel a vast spectrum of sound. They approach the music as an inspirational dance, full of passion and dialogue, building from the energy of dream and vision.
Here they reduce music to its purest form while innovating a return to ancient concepts of creativity and communication. The musicians' rediscovery of creativity in their art form becomes a vibrant recording that is free of the tricks, packages and processes that have come to define the music industry.
This album has been released as recorded, with no editing and no overdubs, with only three musicians in one room creating art. This process has been documented with high quality technology to preserve its true, beautiful and powerful nature.


Daniel Carter-biography

One of the legendary masters of creative music. Born in Wilkinsburg, Pennsylvania in 1945.

PRINCIPAL INSTRUMENTS
Alto and tenor saxophones, flute, trumpet, clarinet.

OVER PAST THREE (+) DECADES HAS PERFORMED WITH MANY ARTISTS INCLUDING:
Sun Ra, Cecil Taylor, Billy Bang, William Parker, Roy Campbell, Sabir Mateen, Sonic Youth, Simone Forti, Joan Miller, Thurston Moore (Sonic Youth), Nayo Takasaki, Earl Freeman, Dewey Johnson, Nami Yamamoto, Matthew Shipp, Billy Martin, John Medeski, Wilber Morris, Denis Charles, MMW (Medeski, Martin, & Wood), Vernon Reid (Living Colour), Options, Spring Heel Jack, Yo La Tengo, Federico Ughi, Raphé Malik, Sam Rivers, Sunny Murray, Hamiet Bluiett, Bob Moses, Jaco Pastorius, Enrico Rava, David S. Ware, Steve Swell, Matt Lavelle, Karl Berger, Don Pate, Gunter Hampel, David Grubbs, the No Kneck Blues Band, Alan Silva, Susie Ibarra, Steve Dalachinsky, D.J. Logic, Margaret Beals, Douglas Elliot, Butch Morris, TEST, Other Dimensions In Music, One World Ensemble, Saturnalia String Trio, Levitation Unit, Wet Paint.



Steve Swell-biography

Steve Swell is a landmark figure in the world of improvised music.

Born in Newark, New Jersey, he has been living, working and performing in New York City for most of his adult life. In an effort to find his own voice on his instrument and to learn to write and arrange in a style of his own, he has sought out, performed and recorded with many of the world's finest composers and improvisors. He has recorded and toured with such diverse jazz personalities as mainstreamers Lionel Hampton and Buddy Rich, to so-called outsiders like Anthony Braxton and Jemeel Moondoc.

Swell first came to public attention performing with Makanda Ken McIntyre in the multi-instrumentalist's concert at Carnegie Recital Hall in 1985. Later, Swell came to international attention while touring in Europe and recording with alto saxophonist Tim Berne and his group "Caos Totale". During this time Steve also toured and recorded with Joey Baron's "Barondown".


Federico Ughi-biography

Federico Ughi is an artist based in New York with a particular interest in improvisation.

During the years, he has performed or recorded as a composer, drummer, and electronic musician with such artists as:
Daniel Carter, William Parker,Steve Swell, Steve Dalachinsky, Andrea Parkins, Matt Lavelle, Michael Evans in New York and Geoff Simkins, Steve Buckley, Phil Durrant, Cinematic Orchestra (Ninja Tune) and Bloody Riot in London, UK and Italy.

He has been based in New York City since 2000, where he lives and plays regularly in venues like the Knitting Factory and CBGB.

From 1994 - 1999, he lived in London, and performed in many venues and festivals. He co-led the acoustic quartet 'After Breakfast' which toured throughout Europe, and was awarded a grant from Jazz Services for the "After Breakfast UK Autumn Tour 1998". He moved to New York inspired by Paul Bley, with whom he studied.

Federico Ughi toured throughout NYC, Europe and UK performing in many festivals including: Vision Festival NYC, Copenhagen Jazz Festival, Brighton Jazz Bop Festival, Relay 1998 UK, Total Eclipse Festival UK.

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REVIEWS

"All in all, quite an impressive trio. "
author: BLG (Downtown Music Gallery)
                            
DANIEL CARTER / STEVE SWELL / FEDERICO UGHI - Concrete Science (577 Records) BLG (Downtown Music Gallery), January 2005 Featuring the ever-present Daniel Carter on alto & tenor saxes, flute & clarinet. Steve Swell on trombone and Federico Ughi on drums. This is the sixth fine release from Italian-born, Brooklyn-based drummer Federico Ughi, who started on Slam and now runs his own 577 Records. He's done a solo disc, duos with saxists & with poet Steve Dalachinsky and then a couple of discs with Daniel Carter, downtown reeds & horn legend that has played with just about everyone, no matter what their background or genre is, appearing on a dozen discs in the past couple of years. This marvelous trio also features the amazing trombone of Steve Swell who seems to really get around in a large of bands & projects, will upwards of ten CDs in the CIMP/Cadence labels alone. This is high-end improv, this trio moves together just right, swirling around one another, intensely concentrating and combining forces. Building to a fury, bending notes around each other and eventually exploding, yet always listening as they combine forces. Although there is no bassist present or needed, there is indeed a fine balance between three strong spirits working together as one solid force. All three get a chance to solo and show off their unique talents, and each digs deep in the well of creativity to unleash their inner forces/spirits. Federico does a fine job of balancing the trio without pushing too hard so that they rarely go over the top into screamsville. All in all, quite an impressive trio.
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"It is the natural unfettered dialogue between masterful improvisers"
author: Sean Fitzell, All About Jazz, New York
                            
Daniel Carter - Steve Swell - Federico Ughi Concrete Science (577 Records) By Sean Fitzell, All About Jazz, New York, February 2005 (www.allaboutjazz.com/newyork) Concrete Science is not a stiff, cerebral test of complex music. It is the natural unfettered dialogue between masterful improvisers - saxophonist Daniel Carter, trombonist Steve Swell and drummer Federico Ughi. Though cerebral in that concentration is necessary to improvise at the lofty levels captured here, the music never sounds forced or wonky. The brisk 17-minute workout "Now And Ever Resistance" is a high-intensity, uptempo piece with swirling horns that Ughi punctuates with stabbing cymbals and rolling drums. As on the rest of the CD, no one overpowers the proceedings and the players comment as they please. The crisp recording, with the horns panned in the mix, allows the listener to readily identify what each musician plays - helpful given the extended techniques and rapidity of notes. "Soul's Underwood Tunnels" explores more spacious and introspective terrains, with quieter dynamics provided by Carter's flute and Swell's mute. The movement is sparse, thought the two horns match wits with unison stops and starts, effectively injecting space and illuminating the players' synchronicity. Blasting density resumes on "Middleclass Madness", though the piece devolves into hushed tones, with Ughi laying out for a stretch. When he returns, the piece builds a startling crescendo to a bombastic conclusion. "Our Own Fingerprints" and "Concrete Science" test opposite ends of the spectrum: the former features a fleet Swell run with drum accompaniment and a blistering Carter clarinet; the latter closes the CD somberly with atmospheric textures and some warm, sustained unison tones. With the uncommon sax-bone-drums lineup, the results are solid and disciplined, perhaps Concrete Science after all.
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