The Final Touch
Bryan Forsloff
© Copyright-Bryan Forsloff
(884501352642)
Record Label: Bryan Forsloff
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1. Smooth One |
5:34 |
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2. As Is |
5:07 |
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3. The Final Touch |
5:59 |
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4. Don't You Worry 'Bout A Thing |
5:29 |
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5. Neighbor Bill |
5:16 |
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6. So Fine |
4:55 |
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7. Alexandria |
4:45 |
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8. Full Throttle |
4:46 |
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9. Isn't She Lovely |
3:56 |
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10. Tune 88 |
3:08 |
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“The Final Touch” fits perfectly into the play lists of Smooth Jazz radio today. Bryan’s guitar style and tone is reminiscent of George Benson/Wes Montgomery and yet he maintains his own voice as well. The tracks are funky, R&B/Soul based grooves that are hip and tight. Forsloff really shines in three areas: His playing, his songwriting and his production skills. His jazz lines give a nod to the players of yesterday and yet they remain fresh and relevant today. The seven originals have catchy melodies that stay with you and yet are sophisticated at the same time. The production of the songs are very contemporary with each song standing uniquely on it's own. Bryan covers two Stevie Wonder songs Don't You Worry 'Bout A Thing and Isn't She Lovely? If you didn't know that Don't You Worry... was a Wonder tune you'd think it was a Forsloff original. He handles the Latin groove nicely. When asked "why the two Wonder covers?" he simply replied, "Don't You Worry... was already in the bag and "Isn't She Lovely ?" has always been such a special favorite of my daughter and I that I just had to do it for her." Tune 88 by Jeff Lorber is an energetic funk driven tune that Forsloff treats in a laid back solo guitar manner. It's as if you caught him on his front porch laying this one down. You will undoubtedly hear more from this artist in the future.
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SmoothJazz.com Review
author: Sandy Shore
Some 90 miles north of Seattle sits the picturesque Bellingham, the last major city before the Washington coastline hits the Canadian border. Residents here are passionate about their community placing a heavy focus on their burgeoning arts and cultural climate. For guitarist Bryan Forsloff, Bellingham is home and the perfect backdrop for inspiration for the deeply rich musical offerings on THE FINAL TOUCH. Bryan is no stranger to guitar playing… or contemporary jazz for that matter. He picked up his first guitar on Christmas morning ‘75 and has been hard-pressed to put it down. While his guitar influences include Wes Montgomery, George Benson and Paul Jackson Jr, Bryan is quite distinctive in his sophisticated jazz style. The new project features mostly original compositions featuring soul-tinged, highly palatable yet multi-faceted pieces that make it very hard to believe that THE FINAL TOUCH is the first recording to ever emerge from this guitarist’s studio.
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