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Carmel McCreagh : Nice Girl
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Contemporary Love Songs and Classic Jazz Standards
Genre: Jazz: Jazz Vocals
Release Date: 2007
Nice Girl
Carmel McCreagh
Record Label: All Time Records
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  • Download Album (MP3) - $10.99

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Preview Song Name Time Buy
1. Nice Girls Don't Stay for Breakfast 3:20 + MP3 $0.99
2. Loving You 2:48 + MP3 $0.99
3. Odds and Ends 3:24 + MP3 $0.99
4. Just One of Those Things 2:30 + MP3 $0.99
5. If I Had a Dime 3:27 + MP3 $0.99
6. Black Coffee 3:30 + MP3 $0.99
7. It's Over 2:21 + MP3 $0.99
8. I Should Be Laughing 3:52 + MP3 $0.99
9. We Love Love 3:15 + MP3 $0.99
10. Good Morning Heartache 4:54 + MP3 $0.99
11. Wistful Romantic 2:39 + MP3 $0.99
12. I'll Be Seeing You 2:52 + MP3 $0.99
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Album Notes

Nice Girl, the new album from singer Carmel McCreagh, is generating significant interest amongst the Irish music media.

"A late night record for all hours of the day." (Tony Clayton-Lea, music writer, The Irish Times)

“A canny collection of languid scene-stealers that ably showcase her chameleon vocals… McCreagh slithers to just the right side of femme fatale…” (Siobhán Long, The Ticket (Irish Times))

"A debut album [from] a consummate singer in the classic style, backed by a first-rate band… Lovers who wish to cling to each other and spin slowly across the kitchen floor will love it." (Cormac Larkin, The Sunday Tribune)

“Carmel McCreagh, think torch singer with a bit of slow dancing. Or, if you want to pin her down, think jazz-blues crossover… But it's clear that she has developed a style that is her own. Many of the songs she sings are old favourites — I'll Be Seeing You, Good Morning Heartache, Someone to Watch Over Me — but the treatment is her own. You don't think, ah, Nina Simone or Billie Holiday. You think Carmel McCreagh…” (Mary Russell, The Irish Times Magazine)

Carmel began her singing career performing jazz and swing standards and has appeared at the world-famous Guinness Cork Jazz Festival and many other festivals and venues throughout Ireland. Recently she has broadened her repertoire to include more contemporary and original songs. Nice Girl contains six new songs: two co-written by Carmel, two by Dublin-based songwriter, Celine Carroll, and two by Virginia, USA, songwriter, Jan Ince. Also included are two rarely heard songs from the late 1960s: “Nice Girls Don't Stay for Breakfast”, written for Julie London by Bobby Troup, and the Burt Bacharach/Hal David song, “Odds and Ends”, featuring a distinctive new arrangement with string quartet.

Carmel was born in Nenagh, Co. Tipperary, but at an early age moved with her family to London. There she became involved in drama and music groups. She studied dramatic arts at Middlesex University. Since returning to Ireland in 1991, Carmel has been performing and writing with Fiachra Trench.

Fiachra Trench, producer and arranger of the album Nice Girl, is the composer of many scores for film and television, including A Love Divided, Dear Sarah, The Boys and Girl from County Clare, the BBC/WGBH series People’s Century and the BBC/RTÉ series A Celebration of Seán O’Casey. He assisted Hans Zimmer on the score for Pearl Harbor. As an arranger Fiachra has worked with numerous recording artists, including Van Morrison, The Chieftains, Paul Brady, Elvis Costello, The Corrs and Thin Lizzy.

The Carmel McCreagh Band includes Fiachra Trench (piano), Keith Donald (saxophones and clarinet), Joe Csibi (bass) and Desi Reynolds (drums). Guests with the band have included leading Irish jazz luminaries, Michael Buckley, Richie Buckley and Dave Fleming.

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REVIEWS

Recording Artist
author: Evelyn Thomas
                            
I not surprised about the quality of the Carmel McCreagh's Band after working with Fiachra myself I'm glad to have had the pleasure. EVELYN THOMAS
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A record that makes you think differently about jazz standards
author: Tony Clayton-Lea, Cara (Aer Lingus inflight magazine)
                            
Every once in a while, a record comes along that makes you think differently about the archetypal jazz standards album. Nice Girl, the debut album from Irish singer Carmel McCreagh, is different for a number of reasons, not least being that it doesn't contain a version of that hoary old karaoke-at-dinner song, Summertime. Not only that, but the album subverts so-called 'jazz' standards by featuring songs that ostensibly do not fit the bill but [actually] make the album come alive. Tracks such as Nice Girls Don't Stay for Breakfast, Just One of Those Things and Black Coffee prove that the familiar doesn't have to be banal, while McCreagh's co-written Wistful Romantic and It's Over testify to her own confidence and talent. And have we mentioned McCreagh's voice? It's fab. Tony Clayton-Lea, Cara (Aer Lingus inflight magazine), July 2007
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A canny collection of languid scene-stealers
author: The Ticket (Irish Times)
                            
Long in gestation, Carmel McCreagh's knowing debut is a canny collection of languid scene- stealers that ably showcase her chameleon vocals. Coming on like Ava Gardner on Loving You, McCreagh slithers to just the right side of femme fatale, her relaxed phrasing suggesting a classic come hither that would have withered Dietrich in her prime. Produced and arranged by Fiachra Trench, Nice Girl is the musical equivalent of a post-coital cigarette to Norah Jones's squeaky clean pre-clench warm ups. Joe Csibi's hairline bass and Keith Donald's sax steer the entire collection into that twilight zone where greys outperform the dogmatism of black and white every time. Unhurried and relaxed enough to slip a McCreagh/Trench original (It's Over) without breaking the mood or, indeed, a sweat, this is music for grown-ups. Siobhán Long
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A consummate singer in the classic style
author: The Sunday Tribune
                            
This may be a debut album, but Wicklow-based singer Carmel McCreagh sounds like she's been doing it for years. And so she has, if only in the safety of her own home. As it's a home she shares with arranger and pianist Fiachra Trench, the rehearsals have been going on since the 1970s and it shows. So, far from being a vanity project, this is the testament of a consummate singer in the classic style, backed by a first-rate band that includes saxophonist Keith Donald. Lovers who wish to cling to each other and spin slowly accross the kitchen floor will love it. Cormac Larkin
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