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Grievous Angel Band : Grievous Angel: The Legend of Gram Parsons
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Highlights from the hit musical about the original cosmic cowboy, who lived fast and died young.
Genre: Country: Americana
Release Date: 2010
Grievous Angel: The Legend of Gram Parsons
Grievous Angel Band
Record Label: Hickory Wind Records
  • Buy CD - $12.97
  • Download Album (MP3) - $9.99

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Preview Song Name Time Buy
1. Wheels 3:01 + MP3 $0.99
2. Sing Me Back Home 2:59 + MP3 $0.99
3. You Ain't Goin' Nowhere 2:25 + MP3 $0.99
4. Dark End of the Street 4:07 + MP3 $0.99
5. Brass Buttons 3:29 + MP3 $0.99
6. She 4:24 + MP3 $0.99
7. Cash on the Barrelhead 2:55 + MP3 $0.99
8. Return of the Grievous Angel 4:04 + MP3 $0.99
9. Sin City 3:08 + MP3 $0.99
10. Love in Vain 3:15 + MP3 $0.99
11. Love Hurts 3:13 + MP3 $0.99
12. In My Hour of Darkness 2:51 + MP3 $0.99
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Album Notes

Songs from the acclaimed musical about the original cosmic cowboy, who lived fast, died young and left a charred corpse. The creative force behind some of the most important recordings of the late ‘60s and early ‘70s, Parsons pioneered country rock with The Byrds’ Sweetheart of the Rodeo, schooled the Rolling Stones in American roots music, created The Flying Burrito Brothers and recorded two classic solo albums, GP and Grievous Angel, with his musical protégé, Emmylou Harris.

He never had a hit record and never became a star in his lifetime, but Parsons is today hailed as a patron saint of alt-country and Americana. His influence is acknowledged by artists as disparate as Keith Richards, Elvis Costello, Steve Earle, Norah Jones and Beck. In 2004, Rolling Stone ranked him #87 on their list of the 100 Most Influential Artists of All Time. Gram has been the subject of five biographies, four tribute albums and a documentary film, Fallen Angel.

Parsons was born into a southern gothic tragedy straight out of Tennessee Williams—his family owned 18,000 acres of Florida orange groves, and they had all the infidelity, addiction, self-destruction and insanity money could buy. His father, “Coon Dog” Connor, committed suicide when Gram was 12 years old. His mother drank herself to death five years later. Gram’s stepfather, Bob Parsons, had his younger sister, Avis, committed to a mental institution. She was later killed in a boat crash. Bob died of cirrhosis of the liver.

As for Gram, his extraordinary talent, great looks, charisma and heartbreaking voice ultimately took a back seat to a morbid compulsion to go out, like his hero, Hank Williams, in a haze of glory. On Sept. 19, 1973, in a cheap motel on the edge of the Mojave Desert. Parsons OD’d on morphine and tequila. He was 26. But in death, his tale took another bizarre turn when his road manager, Phil Kaufman, stole his body from Los Angeles airport, took it to the desert and burned it. A rock legend was born.

Grievous Angel: The Legend of Gram Parsons, stars Anders Drerup and Kelly Prescott as Gram and Emmylou Harris. The show was inspired by Michael Bate’s March 1973 interview with the doomed singer in Boston. It was Parsons’ last recorded conversation. The theatrical concert is produced and directed by Michael Bate, written by Michael Bate with David McDonald.

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REVIEWS

Grievous Angel: The Legend of Gram Parsons
author: David Olds, The Whole Note
                            
One of the most pleasant evenings I spent in recent months was at Hugh’s Room for a show from Ottawa entitled Grievous Angel – The Legend of Gram Parsons. A mixture of song and monologue, the well crafted production manages to convey the tragic story of Parsons’ life while presenting dynamic (and true to the original) versions of the songs which have become his lasting legacy. The excellent five-piece backup band provides a rhythm section that just doesn’t quit.
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Legend of Gram Parsons
author: Fred Pantalone
                            
I'm not a huge fan of 'country', nor could I have named you one Gram Parsons song before I went to see 'Grievous Angel', but given the reputation of the all the players involved in this theatrical concert, I was curious and approached it with an open mind. I was knocked out! The biggest single compliment I could pay is to say that I'll be at the very next show they play in my area.
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