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State Of Whatever : Lifeless
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Unique sound that blends influences from Guns and Roses, to Staind and Godsmack.
Genre: Rock: Modern Rock
Release Date: 2004
Lifeless
State Of Whatever
Record Label: Stonewash Records
  • Buy CD - $12.97
  • Download Album (MP3) - $9.99
SPECIAL: 10% discount if you buy more than one copy of it today!

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Preview Song Name Time Buy
1. Hopeless 3:15 + MP3 $0.99
2. I Digress 3:53 + MP3 $0.99
3. Walking Back To Me 4:10 + MP3 $0.99
4. Token 3:39 + MP3 $0.99
5. Here I Come 4:10 + MP3 $0.99
6. Far Away 3:13 + MP3 $0.99
7. Goodbye 4:12 + MP3 $0.99
8. Lifeless 4:06 + MP3 $0.99
9. Standing On The Edge 2:59 + MP3 $0.99
10. Down And Out 4:43 + MP3 $0.99
11. I'll Find A Way 4:03 + MP3 $0.99
12. The Game 3:30 + MP3 $0.99
13. + 0:04 + MP3 $0.99
14. + 0:05 + MP3 $0.99
15. Hidden Song 3:57 + MP3 $0.99
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Album Notes

How would you describe State of Whatever's Debut release LIFELESS? Soulful, deep and slightly on the darker side. From the down trodden to the last thread, LIFELESS is an emotional ride that breaks into the spirit of ones self and stirs up anger, sadness and a longing for hope. Unlike many albums that are full of noise and leave you banging your head against a wall, LIFELESS digs into the bowels of music producing rythmatic melodies and crushing guitar riffs.

The brothers Jonathan and James Pugh with Drummer George Bridges, manage to conform altering styles into a sound that grabs from the past, combines with the now, and produces something new. From Hopeless to The Game, you'll find head and body moving to the music with your mind reconstructing the life laid out in the lyrics.


State of Whatever was formed 2 years ago. The Brothers have played together since their teenage years including an earlier CD shot back in 1997 with the band CRIMP. After having local success, CRIMP was primed to venture out. Favorites in high-schools across North Texas, CRIMP played before Protestant - Catholic teenagers who were Emassaries from Ireland to the always hot Bring In The The Weekend Party for Q102 (a local rock music station in Dallas Texas). The band was going strong until the Drummer found a new life and left the group. James and Jonathan went on a 4 year hiatus from the original music scene. Both still wrote and played in other groups before deciding to share their music with the rest of the world again. Enter George Bridges. George grew up playing Jazz and Blues for years with many different bands but always had a love and longing to play rock. After the three got together for one jam session, they realized this could be the start of something special. If you have ever heard any of these three seperately you would never guess it was them on the LIFELESS CD. But together, LIFELESS is a well produced, well written, sad story from the lives of these three. It's about time that good rock music returned to mainstream.

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REVIEWS

Excellent
author: James Moore
                            
Ive known them since Crimp, always Loved them. Ive had the opportunity to hear James play on several occasions being a friend of a friend. Great album glad to add it to my collection. James Moore Fort Worth, TX
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Good Stuff!
author: Dusty Reavis
                            
As an indie artist myself,there is nothing better than hearing a cd that is out of the mainstream that can make you listen and take notice...LIFELESS is packed with everything that a rock album should be.......
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Great CD
author: Spanky
                            
I got this CD and it is GREAT!!! I love the song I Digress i get goose bumps when I hear it kick in.
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There’s something different doing on with this band...
author: Jennifer Layton
                            
This band has a creative approach to songwriting, crafting hard rock songs that get stuck in your head because of catchy quirks in the music. Someone’s been practicing their guitar, because these songs have some of the most impressively intricate melody riffs I’ve heard in a while. They also experiment with interesting sounds, as illustrated by the title track. You’ll wonder what kind of instruments or studio tricks are being used. “Token” is a standout for its Metallica-inspired ominious bassline, and the catchy “Walking Back To Me” sounds ready for radio.
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