Temporal Mechanics Union | All Hands

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Avant Garde: Free Improvisation Classical: Percussion Ensemble Moods: Type: Experimental
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All Hands

by Temporal Mechanics Union

Avant-garde percussion ensemble plays traditional rhythms, experimental music, free improvisation, and the art of noises
Genre: Avant Garde: Free Improvisation
Release Date: 

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Tracks

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1. All Hands
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3:42 $0.99
2. Cookin'
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5:34 $0.99
3. Earth Tones
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8:42 $0.99
4. Drum Dance Song
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2:51 $0.99
5. Lux Rhythmus
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4:02 $0.99
6. Technocacaphanon
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4:18 $0.99
7. Tempus Arcanum
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8:04 $0.99
8. Place of Fire
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5:26 $0.99
9. Chronomusicology
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7:46 $0.99
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ABOUT THIS ALBUM


Album Notes
This debut recording from Temporal Mechanics Union presents the best of the percussion ensemble's eclectic repertoire. Traditional rhythms meet experimental composition and performance techniques, played on a variety of instruments & unexpected objects.

The title track All Hands is built on traditional kpanlogo rhythms, and features brief solos on djembe, talking drum, congas & berimbau.

Cookin’, by Bryan McChesney, fuses the art of noises with free improvisation, using kitchen utensils.

Mike Fell's Earth Tones is a free improvisation on clay instruments built by the Mechanics.

Drum Dance Song is another traditional/improvisational fusion based on gahu rhythms.

Lux Rhythmus is a very quiet soundscape embodying the movement of light, featuring a free-improvisation melody on the turtle pan, an instrument designed and built by Dave Lowry.

Technocacaphanon is a composed work in the art of noises style. The sounds of a vintage video game provide the "melody" to an accompaniment by kitchen appliances, metal grinder, air compressor, circular saw, vacuum cleaner and an air raid siren.

Tempus Arcanum is a percussion quartet composed using the cut-up method. The players randomly draw cards containing rhythms or other instructions, and play simultaneously to a "hidden time."

Place of Fire evokes classical Persian rhythms & mode in a flowing, meditative improvisation.

Chronomusicology is a minimalist composition for chromatic percussion.

Listeners should note this project was recorded using primarily open-air and binaural techniques, with very little post-production enhancement, producing a very “live” sound.


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