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Live 2CD show of entertaining Folk, Country, Americ-kinda. Great songs, great guitar playing.
Genre:
Country: Country Folk
Release Date:
2006
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In The House
© Copyright-Audrey Auld Mezera & Nina Gerber
(678277123625)
Record Label: Reckless Records
SPECIAL: 20% discount if you buy more than one copy of it today!
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Audrey Auld Mezera is an Australian singer/songwriter in the ‘Americ-kinda’ style.
“She writes and sings songs with a worldly truth... She not only sounds like she grew up on Music Row in Nashville, but she writes the kinds of songs that built Music Row in the first place.” ~ Gabe Meline, North Bay Bohemian
After marrying and relocating to California it was only a matter of time before Audrey crossed paths with one of the greatest accompanists in the world, Nina Gerber.
The magic created by the two was evident from the start and after hearing the recording of their second show together they realized they had something special. ‘In The House’ a live double CD is the result.
“When presented with the opportunity to host Audrey Auld Mezera and Nina Gerber in concert, I couldn’t say “Yes” fast enough. I became a fan of Audrey’s about two years ago and have hosted her and seen her numerous times, always totally enthralled with her shows. Audrey’s songwriting, singing and performances are quite captivating - with the songs touching on a variety of subjects, making us laugh and feel sorrow, inspiration, pain and love – all delivered with her beautiful voice. She always creates a good concert and lights up the room with her gorgeous smile and stories. It's no wonder there's a growing group of “Audrey-Heads.”
I’ve seen Nina Gerber countless times since the 1970's when she first played with Kate Wolf. I know I’m not alone when I say she is absolutely incredible and anyone that gets to hear her play live is fortunate.
Through the years it’s been a pleasure to hear Nina accompany different musicians, representing a variety of genres, always amazing with her sensitive, effortless playing, never “getting in the way,” but always adding immensely. I never tire of witnessing Nina’s talents.
So, the thought of hearing Audrey and Nina together in an intimate theatre setting was so exciting I found myself counting the days for the concert to happen. The show exceeded my wildest expectations! The chemistry between the two women was electrifying. Nina played a variety of acoustic and electric styles, “stretching out,” even for her, complementing every nuance in Audrey's songs. Coupled with Audrey’s fabulous songwriting, glowing smiles, gorgeous voice and giggles, the night was nothing short of magical. I know the sold-out crowd was as blown away as I was.
I’m thrilled that the concert from Studio E is being made available for the world to hear (“In The House”). No matter how hard I try to describe the night, no words can convey what we heard. I suspect you’ll be able to hear Audrey’s smiles and Nina’s voice in her guitars. I hope that you enjoy the concert as much as I did!”
Laurie Schaeffer, Schaef-Abel Productions www.northbaylive.com February, 2006
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Thoroughly recommended listening.
author: Jim Low
If prejudicial barriers against country music go up on hearing the first couple of songs on this two CD live performance, I strongly urge you to hang in there. If these two very talented performers do not win you over, regardless of your musical bias, I would be very surprised. The concert is a delightfully refreshing, musical experience.
Singer/songwriter Audrey Auld Mezera, now living in northern California, is Australian. After listening to the CDs I felt there was a certain irony in the fact that, as an Australian, I really knew more about her American collaborator in this musical venture. I was familiar with Nina Gerber’s superb guitar and mandolin playing on the late Kate Wolf’s recordings and more recently on Greg Brown’s collection of live performances from Kate Wolf Music Festivals. I had heard a couple of Audrey’s songs during a radio interview a number of years ago and that was unfortunately the sum total of my acquaintance with her music. I say ‘unfortunately’ because after listening to this concert recording, I now realise what I have been missing.
This double CD concert recording showcases the songwriting talents of Audrey Auld Mezera. She has a definite flair when it comes to the self deprecating song about life’s low points (eg I’d Leave Me Too and Drinking Problem). Her humour and positive take on such subjects is refreshingly engaging. Losing Faith (which recently won her a songwriting award) is a strong, confronting song, full of biblical imagery. Two standout songs for me are her beautifully moving love song Love You Like The Earth, with its very memorable melody, and Half A World Away, which is about homesickness. There are some fine interpretations of other songwriters’ works including songs by Patty Griffin, Mary Gauthier and Fred Eaglesmith.
Gerber’s wonderful, sensitive guitar playing is further highlighted by the inclusion of three instrumentals, including a beautiful interpretation of John Lennon’s Imagine. Her ability on both acoustic and electric guitar and her proficiency in a variety of guitar styles enhance the listening experience. During the concert we are informed that this is Audrey and Nina’s second public performance together. Nina’s seeming familiarity with Audrey’s songs and the enrichment her thoughtful playing brings to them are quite amazing.
There is just enough appropriate dialogue between songs and Audrey Auld Mezera’s infectious giggle delightfully peppers her passionate, assured and engaging vocal performance. This is a refreshingly honest recording, with both performers firing off each other to reach those magical heights which live performances can sometimes attain. Thoroughly recommended listening.
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A document of pure fluidity.
author: Gabe Meline, North Bay Bohemian
“She writes and sings songs with a worldly truth... She not only sounds like she grew up on Music Row in Nashville, but she writes the kinds of songs that built Music Row in the first place.
’In The House’ is a document of pure fluidity. Second to Mezera’s songwriting is her expressionistic phrasing, something that Lucinda Williams and Patty Griffin share. When she sings that “you’d leave me stra-a-nded” it feels as if her entire body were supported by tiny twigs, each slowly starting to crack. When this delicacy is augmented by Gerber’s sprawling atmosphere of arpeggios, absolute chemistry is at play.”
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