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Your one click away from real Hip Hop...
Genre:
Hip-Hop/Rap: Alternative Hip Hop
Release Date:
2003
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Indivisible
© Copyright-RealityHipHop.com/Organized Interference
(634479023088)
Record Label: RealityHipHop.com
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These artists have refused to sign to any labels to preserve their creativity and avoid corruption of their self proclaimed "impeccable lyrical abilities".
Includes the controversial title track "Indivisable" which also appears on 88.5's compilation cd "UNIFIED COLLISION".
We are the change that we want to see in HIP-HOP. Tampa's illest M.C.'s unite as HIP HOP's last stand, providing an escape from monotonous commercial rappers, with powerful lyrics that address the politics of the industry, racism, social justice, capitalism, drug abuse, and family issues while demonstrating lyrical superiority on the mic.
"I'm not a huge fan of Hip-Hop, but I do know some of the history and I like what I'm hearing on Indivisible"
Maggie D. Development Director WMNF 88.5 FM
Attn: To any employees or volunteers at local public
radio stations (non-profit) email us @
realityhiphop.com to get your promotional copy and earn
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Addek and Eajae (J-Root, Kasper, producer Robert Schaefer) meld spectacular lyri
author: Scott Harrell of The Weekly Planet
This interracial Bay area hip-hop duo offers a grab-bag of top-notch flow, lo-fi beats, assorted original touches and mixed messages. At their best, Eajae, Addek and friends (J-Root, Kasper, producer Robert Schaefer) meld spectacular lyrics on individuality and quashing the fake-gangsta pose with cool, raw production and entertaining flourishes. Highlights include opening tracks "The Next Chapter" and "CandyMan," with its singsong chorus; in fact, the first six cuts, up through the righteous "Indivisible," are largely untouchable. At their worst, the pair work some generic sounds that might get lost in a mediocre Friday-night urban-radio mix ("Poetic Assault," "Last Man Standing") and contradict their own best themes with thuggish and misogynist rhymes. Even that stuff is better than average, though, on the strength of clear, capable vocal performances and an up-front tone that borders on hardcore, but largely avoids that subgenre's hyperbolic clichés.
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