Anthony Elliott and Polina Khatsko | The Complete Beethoven Sonatas and Variations

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Classical: Traditional Classical: Beethoven
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The Complete Beethoven Sonatas and Variations

by Anthony Elliott and Polina Khatsko

Beethoven the revolutionary is compellingly rendered in the hands of Anthony Elliott and Polina Khatsko.
Genre: Classical: Traditional
Release Date: 

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Tracks

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1. Twelve Variations on a Theme from Handel's Oratorio Judas Maccab
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11:52 album only
2. Sonata in F Major for Piano and Cello, Opus 5, Number 1 (1796),
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17:08 album only
3. F Major Sonata continued, Rondo, Allegro vivace
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6:42 album only
4. Sonata in G Minor for Piano and Cello, Opus 5, Number 2 (1796),
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20:13 album only
5. G Minor Sonata continued, Rondo, Allegro
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8:14 album only
6. Twelve Varitions on the Theme Ein Madchen oder Weibchen from Moz
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9:28 album only
7. Seven Vritions onn the Theme Bei Mannern, welche Liebe fuhlen fr
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8:56 album only
8. Sonata in A Major for Piano and Cello, Opus 69 (1807/1808), Alle
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11:42 album only
9. A Major Sonata continued, Scherzo, Allegro molto
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4:49 album only
10. A Major Sonata continued, Adagio cantibile, Allegro vivace
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9:02 album only
11. Sonata in C Major for Pianno and Cello, Opus 102, Number 1 (1815
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7:45 album only
12. C Major Sonata continued, Adagio Allegro vivace
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7:08 album only
13. Sonata in D Major for Piano and Cello, Opus 102, Number 2 (1815)
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6:34 album only
14. D Major Sonata continued, Adagio con molto sentimento d'affeto,
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13:40 album only
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ABOUT THIS ALBUM


Album Notes
Anthony Elliott enjoys a multi-faceted career as a conductor, cellist, and teacher. He has conducted for symphony, opera and ballet, including sharing podium duties with Christoph Eschenbach at the Texas Music Festival, and with Leonard Slatkin at the Kent/Blossom Music Festival. Recent performances include an acclaimed concert of the Sphinx Chamber Orchestra in Carnegie Hall, described by the New York Times as “first rate in every way”. He has conducted the Scott Joplin Chamber Orchestra, the Sphinx Symphony Orchestra, the CAMMAC Orchestra, Vancouver Chamber Players, the Prince George’s Philharmonic, the Plymouth Symphony, the All Northwest Orchestra, numerous all state orchestras, in Holland, Germany, and Austria, and at the Marrowstone and Guelph Spring Festivals.

The first Grand Prize winner of the Emmanuel Feuermann Memorial International Cello Solo Competition, Anthony Elliott has appeared as a soloist with the New York Philharmonic, the Minnesota Orchestra, the Detroit Symphony, the Vancouver Symphony, and the CBC Toronto Orchestra. A number of his CD recordings are available at www.cdbaby.com, and his recent recording of the complete Beethoven Sonatas and Variations is available from Block M Records at ITunes. His recent performance of Dmitri Shostakovich’s First Cello Concerto with the Ashland Symphony Orchestra was hailed as “sterling” by the Ashland Times. He appears regularly at major festivals including Sitka Summer Music Festival, Aspen Music Festival, Seattle Chamber Music Festival, Texas Music Festival, Musicorda, New York’s Bargemusic Series, Chamber Music International of Dallas, Houston’s DaCamera Series, the Victoria International Festival, and the Gateways Festival.

Cello students of Anthony Elliott hold prominent positions in major symphony orchestras including the Cleveland Orchestra, the Chicago Symphony, the Los Angeles Philharmonic, the Detroit Symphony, the Houston Symphony, the Milwaukee Symphony, the Vancouver Symphony, as well as the Chiara, Pacifica, Anderson, and DaPonte String Quartets. Many have won important competitions and awards, including the Avery Fisher Career Grant. He has given master classes at the Cleveland Institute of Music, Eastman School of Music, the Shepherd School of Music at Rice University, Indiana University, Oberlin Conservatory, Peabody Conservatory, Meadowmount School, and Interlochen Arts Academy. Anthony Elliott is a member of the faculty at the University of Michigan School of Music, and the Aspen Music School.


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