BY SCOTT YANOW
Alaadeen, who is equally skilled and original on tenor and soprano saxophones, has made a major impact on the Kansas City jazz scene ever since he settled in K.C. in the early 1970s. He has the ability to caress melodies with a great deal of warmth, yet is never shy to stretch himself and take chances, pushing the music forward. He is heard at his very best on his recent 'ASR release And The Beauty Of
Born in Kansas City, Alaadeen grew up around music. "I listened to all types of styles. I went to Philharmonic concerts, loved Lester Young, liked T-Bone Walker and was crazy about Eddie "Cleanhead" Vinson." He began on the saxophone when he was in sixth grade, in time also mastering flute, clarinet and oboe. Alaadeen took important
lessons from Leo H. Davis, a well-respected music teacher. "The way he taught improvisation was to sing the melody in my ear when I soloed so I'd always keep the melody in mind." Alaadeen debuted as a professional with Davis' band when he was 14 and his first major job was playing baritone sax with the great pianist-bandleader Jay
McShann. In later years he would rejoin McShann on tenor.
Alaadeen studied at the Kansas City Conservatory of Music (studying flute since the educators did not think of the saxophone as a legitimate instrument), St. Mary's College (where he studied oboe) and DePaul University. He served in the military during 1957-59, being the jazz saxophonist and principle oboist with the 4th Army Band. After his discharge, Alaadeen spent time in Chicago, playing in
a program led by pianist-composer Richard Abrams that was the beginning of the AACM; other members included trumpeter Lester Bowie and bassist Malachi Favors.
The saxophonist picked up a lot of experience living and playing in such cities as Chicago, Denver, Houston, San Antonio, New York and St. Louis. In addition to McShann, he had opportunities to work in a countless number of settings including stints with Billie Holiday, Ella Fitzgerald, the Count Basie Orchestra, Eddie "Cleanhead" Vinson and
with Motown stars Gladys Knight, Smokey Robinson, the Temptations and Sam Cooke.
After returning to Kansas City, Alaadeen not only played music locally but became a very significant educator, teaching jazz in both the school system and privately. "I always tell my students that playing jazz is a hard life, that it is important to always study and be current,
and that they should not be afraid to make mistakes." His skills as a teacher were recognized when he was inducted into the RT Coles/Lincoln High School "Outstanding Alumni Hall Of Fame."
Alaadeen worked with local big bands and the City Lights Orchestra. During 1990-91, he won songwriting competitions sponsored by Billboard for his songs "Big Six" and "Blues For R.C." Along the way he recorded with Jay McShann, Crown Prince Waterford, the City Light Orchestra and the Joe Cartwright Quartet. He led the Deans Of Swing in the 1990s and the ensemble was picked in 1996 as Musician Magazine's Best Unsigned Band.
To document his music, Alaadeen started the 'ASR label. Each of his CDs, which include Blues For RC And
Josephine Too, Time Through The Ages and New Africa Suite, features him with some of Kansas City's top young jazz players. And The Beauty Of It All has him heading a quintet that also includes pianist Harold O'Neal, bassist Seth Lee (both O'Neal and Lee were students of Alaadeen's when they were in high school), drummer Brandon Draper and percussionist Ray Stewart.
"For this CD, I tried to pick out all of the beautiful notes that I could muster up," says Alaadeen. "This is not a CD for critics to pick apart or one that is exclusively for the musicians. It is for the everyday person to listen to and enjoy. I emphasize the melodies and I think women in particular will enjoy this album since there is a lot of
feeling in it."
And The Beauty Of It All is a set that alternates original ballads with some standards. While the emphasis is on
ballads, some of the selections are taken at a medium-tempo pace, including the opener, Michel Legrand's "The Summer Knows," which has Alaadeen taking a passionate soprano solo. He hints at John Coltrane a little on the title cut and benefits from the modern harmonies that Harold O'Neal gives to "Dearly Beloved." The melancholy "When Love Has" displays the beauty of Alaadeen's soprano while "Free Man" was written for O'Neal, who is originally from igeria. "Detour Ahead," a song long associated with Billie Holiday, is a warm tenor-piano duet while the closing "They Say It's Wonderful" is given a warm unaccompanied tenor statement.
Alaadeen, who is now 73 and still very much in his musical prime, has in recent years been the recipient of the
Jazz Heritage Award, the Missouri Humanities Council's Community Heritage Award, and the Missouri Arts Award.
In 2006 he was presented Kansas City's "Lifetime Achievement Award."
Alaadeen looks towards the future with enthusiasm. "I've been traveling with my band, playing as often as
possible and enjoying life." Having created a strong musical legacy that inspires younger generations, Alaadeen
is ready to create further musical milestones.