Vision
author: Brenna Asami-Howell
Excellent album. Vivacious!
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The Oud, at its most innovative in Banzi's talented hands
author: Backroads Music
The Oud is the quintessential classical Arabic musical instrument. It elicits a warm response from Western musical ears unaccustomed to the its intricacy and subtlety of this ten or eleven-stringed Middle Eastern forerunner of the European lute. Moroccan-born Tarik Banzi has also lived for many years in Spain, and later moved to the USA where he formed the multicultural musical group, Al-Andalus. On "Vision," Tarik explores the possibilities of the Oud, both acoustic and electric, in a true East-West encounter employing the full spirit of improvisation. And there are some unique directions taken, pushing boundaries while retaining the best of his traditional musical training. What really comes through is Tarik's passion for this music and his art in creating soft, lovely, haunting melodies. Besides the occasional percussion or berimbau, all of the music is from the Oud, at its most innovative in Banzi's talented hands
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One of the best East-meets-West bands of all time, and a joy to listen to!
author: World Discoveries
CDs by Moroccan oud players are hard to find, never mind one who does solo improvisational music as well as plays in a band (Al-Andalus). Tarik Banzi's VISION (his musical plan, not just this cd) reminds me a great del of the East-meets-West experiments of the mid- to late-1960s known then as 'psychedelic music': both the music on Tarik's solo VISION and his group Al-Andalus have the spirit, sound, and idealism of that era. The big difference is that this is better.
Instead of a Western guitarist trying to approximate the music of the East, we have someone who grew up in Morocco playing an Eastern instrument (oud), who then spent years in Spain studying Western music, particularly Moroccan-influenced music.
On VISION Tarik overdubs himself on ouds both acoustic and electric. On two tunes he also adds percussion, and on these same two songs he also employs feedback as if he was playing a solid body guitar. I found this a little difficult, but forty years ago I'd have loved it.
On the tenth cut, 'Exodus', he adds that wonderful African-derived instrument from Brazil the birimbao: this is a great touch, and hopefully a sign of things to come.
Review covers 2 cds
Al Andalus is a project of Moroccan-born oud player Banzi and his wife Julia Banzi, who plays guitar. Usually in a group like this a "pretty girl" sings or dances and yes, the group does have two ladies who fill that role, but Julia plays fine backup guitar that helps underline the oud playing of Tarik. She receives some great help from Joe Henieman on piano. Tarik also overdubs on bass, percussion, ney (a reed instrument), sentir and keyboards.
Ranjani Kirshnan does a great job of the mostly-haunting vocals, including one tune from Southern India sung in Tamil - this from a group that claims to be based on the music of Moorish-controlled Andalusia Spain (when Spain was controlled by Muslims, but Jews and Christians supposedly lived in peace and harmony with them. This idylic scene was destroyed by the rise to power of Ferdinand and Isabella, and the Spanish Inquisition).
I got the feeling GENETIC MEMORIES only offers a slice of what this band can really do, but even if VISION is much the same, that's nothing to be ashamed of: Al Andalus is one of the best East-meets-West bands of all time, and a joy to listen to.
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window to look back to our root,door to open to concerve our tradition
author: zahiya khadiri
exelent and overwelming,it took me back to my childhood memories,to the first time i felt in love,to my grandmother house in the medina in morocco.hope and nostalgie,tears and smile,that's what your music does to me and my brother.i'm impressed. keep up the good work
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