Heart-like vocals... Stevie Nicks-like quality...can be played over and over aga
author: Neufuture Magazine
Alaria Taylor is perhaps the most decorated musician that you have never heard. Among these accolades are winning the VH-1 Song of the Year Contest and the Billboard Magazine World Song Contest. The five tracks that are on “Bread or Water” show the reason why Taylor has received all of these accolades. While the guitars start off strongly during “Nobody Else Like You”, it is the Heart-like vocals of Taylor that come to dominance during the track. The high energy of the arrangements during this song lay the foundation for a compelling and intense EP. Aside from the vocals, the linkages present between the different instruments are something to admire; the guitars, bass, and drums link together to provide the perfect pallet for Taylor’s vocals to shine on.
The production of “Bread or Water”, done by Joe Puerta (bassist for Bruce Hornsby and Ambrosia) is the final element that is needed to make “Bread or Water” into one of the strongest EPs of 2007. The audience that can appreciate “Bread or Water” is large because of the constellation of Puerta’s production, Taylor’s vocals, and the rest of the act’s instrumentation. These factors make it easy for music fans of all stripes to find something that they like; while the music is vibrant and current, Taylor’s compositions here draw heavily on the styles from the seventies and eighties. The disc’s best track has to be the title cut; the instrumentation steps up its’ game by putting forth a scintillating riff that has never been heard in music before.
These riff forces Taylor’s vocals to make that additional step and achieve a Stevie Nicks-like quality. Where “Since You Been Gone” and “Time of Angels” represent strong tracks on the EP, “Bread or Water” is the song that should be present on any rock station’s rotation. Alaria Taylor will undoubtedly win more awards in the years to come, and if she is allowed to go and really create the same impressive work as is the norm on “Bread or Water”, it will only be a matter of time before she is right up there in popularity with Kelly Clarkson and other popular female stars. There may only be 5 cuts on this EP, but these songs can be played over and over again without it sounding tired or played out in the least. Give the disc a go if you like solid rock music.
Top Track: Bread or Water
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The driving force behind women’s music in the Milwaukee Area takes centre stage
author: www.jimbohn.com
The driving force behind women’s music in the Milwaukee Area takes centre stage with a new voice. From a gutsy plea to embrace yourself to a smoky midnight lounge lament, Alaria hits a nerve with every tune.
The genius of this CD is linking the lyrical intent to the right musical style. The pulsing, rocky insistence of “There’s nobody else like you” works well with lyrics like “You grab the bottle and disconnect the phone.” I love the way she sings this song… first time I heard the rough cut, it was like “Yeah!”
The brilliant addition of a haunting cello on “Since you’ve been gone” draws the listener into the gripping numbness of lost love. Callarco’s drums are killer… the man just knows how to lay down the bedrock. The gentle guitar duet works beautifully across the cello. The end of the song is exquisite, just exquisite.
On “Bread or Water” you get the sense that Lindsay Buckingham walked in for the session…and when she kicks in with “I need your smile, I need your touch…” the analogy of the basics of bread and water shoots a chill up your spine. “I neeeeeed you…” the title cut has all the elements of great song writing. There is yearning and passion in this song. Alaria’s vocal riffs around the chorus are reminiscent of Phil Collins on “I can feel it comin in the air tonight”. I have only one recommendation on this song… turn it WAY up!
“Time of Angels” does some tricky things with the female harmony. She layers two part, then three part, then a delicate four part. The intent of hearing angelic strains works… just enough of that delicate Carmen Nickerson harmony to carry the eerie idea that we are not alone in the midst of our many trials. The Latin beat does exactly what is intended, carrying you to a place of Spanish ritual that goes past your head deep into your soul.
“Blue Thing That Chases Me” is an unexpected but welcome closer to this CD. This is a complex tune, bluesy via Susan Julian, jazzy through A’s voice. It is the kind of song that, frankly, is nearly impossible to write … so many changes, so many chords, but it is a flawless composition. Again, the lyrics and style work together so well.
Outstanding production (Joe Puerta, need I say more?), excellent musicianship, lyrics inspired through struggle and the message is expressed in that lovely, clear tone of Alaria Taylor’s voice. Plug it in the dashboard and wear it out. It will take you that long to discover all the multi-textured nuances on this CD.
- Jim Bohn
www.jimbohn.com
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