Halfway Home
Alicia Wiley
© Copyright-Alicia Wiley
(707541067898)
Record Label: Alicia Wiley
SPECIAL: 10% discount if you buy more than one copy of it today!
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Time |
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1. Halfway Home |
4:36 |
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2. New Love |
4:00 |
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3. Chasing Shadows |
3:44 |
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4. Spell |
4:07 |
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5. Flame |
4:01 |
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6. Black and White |
4:31 |
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7. Little Green |
3:44 |
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8. Seasons |
4:29 |
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9. Blind Spot |
3:30 |
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10. La Jugadora |
4:45 |
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11. Warm Disguise |
3:50 |
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12. Lost |
4:00 |
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13. Dreaming Eyes |
4:19 |
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Alicia Wiley, short and simple, could blow a hurricane back out to sea. That’s the kind of chops she got. She played tasty keys and sang like an angel, seducing with her trademark sardonic melodies. It being the release gig for her new CD, Halfway Home, she anchored the set with material from that album. And killed. In cold blood. When she was recording the disc, Alicia advised me it would depart from her characteristic melancholy, getting off more on the sweetly sentimental tip. Well, don’t tell her I said so, but, sweet sentiment and the whole nine, Wiley’s stark sensibility remains evident on Halfway Home, angst heartrending enough to make Sylvia Plath seem optimistic.
This is good a time as any to throw in a conflict-of-interest disclaimer. I’ve been an Alicia Wiley fanatic since I first caught her, years ago, opening for Willie Walker & The Butanes at the Cabooze. And I rave about her every chance I get. When I heard her waxing sultry as summer heat on “Halfway Home” off Pachyderm’s So Large We Ran Out Room compilation, I had to ask (actually, I begged) whether she’d sing with me in the studio. I’m still pinching myself that she agreed. Further, for the Varsity gig, Alicia had Yohannes Tona on hand, killing bass so bad he need to be arrested for murder. As with Wiley, I begged and he too agreed to record with me. Let it not be said top-flight Twin Cities musicians have no charity in their hearts.
It was one hell of a night. Varsity Theater management should conduct a clinic in customer service and half the Twin Cities clubs should be made to attend on pain of losing their license to serve the public. I found out about the Zmo Trio and got to see Alicia Wiley. Like I said, too bad some experiences can’t be stowed away for a rainy day.
Dwight Hobbes (February 2009)
She describes herself as open-minded when it comes to music, enjoying everything from ballads to hip-hop. Her open minded tastes in music translate to her own sound, which doesn't fit squarely in any category."
--Plymouth Magazine
"With a voice soft and low as a shag carpet, Wiley's soothing music will prove the perfect New Year's Day hangover cure."
--Duluth News Tribune
"Wiley was one of the musical highlights when I saw her perform at the Minnesota Music Awards earlier this month, where she one Best Female Vocalist and Best Self-Released Recording after receiving 4 nominations. Just seeing her perform once is enough to realize she deserved them all."
--How Was The Show (Mpls, MN)
"There's a melancholy bliss to this world-weary angel..a waif whose voice resonates in those hidden places where love and pain share the same space. She is a conjurer who impishly reveals the secrets of the human heart."
--Robyne Robinson, Fox 9 news
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author: Robert from Frankfurt/Germany
There is somethig indefinable in Alicia´s distinctive voice, that I don´t get tired of listenig to it. It is a kind of positive energy, which deeply touches me. "Halfway Home" is an outstanding recording.
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Halfway Home
author: Bonita Brianas
Alicia Wiley reminds me of a Joni Mitchell, still, with a sound of her own. Her lyrics touch your soul, and her voice is sultry and true.
This is a brilliant CD, and she is a true artist!
p.s. I luv FLAME!
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