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Modern rock with driving guitars, pounding drums and bass, and creative lyrics.
Genre:
Rock: College Rock
Release Date:
2008
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All Of Green
© Copyright-All Of Green
(775020904927)
Record Label: Amorican
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1. Go Now |
4:08 |
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2. On And On |
4:08 |
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3. For Instance |
4:40 |
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4. By Storm |
3:12 |
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5. Sidewalk Chalk |
5:25 |
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6. To This Point |
5:55 |
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7. You Were Playing Solitaire |
5:02 |
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8. Strangers And Friends |
4:56 |
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9. It\'s Got To Stop |
3:20 |
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10. Seven Dwarves |
4:27 |
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11. It\'s Over Now |
5:41 |
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12. Vicious Circle |
7:29 |
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The year was 1986 and Kurt Russell was napping comfortably in the den of his beach house just outside of Malibu when the phone rang jerking him from his peaceful slumber. His agent was calling to inform him that 20th Century Fox casting director Pamela Rack had been assigned the task of tracking down the tennis-shod computer by none other than John Carpenter himself to kick ass as Jack Burton in “Big Trouble In Little China”.
In that tiny moment, history was changed for the better.
Now, more than 20 years later, All Of Green is keeping the spirit of might, magic and martial arts alive with songs about fast-talking road-hardened truckers, kidnapped princesses, swords, sorcery and the evil Lo-Pan. They can really only do two things: chew bubble gum and kick ass; and they’re running low on bubble gum.
Just ask old Jack Burton, he’s seen it all.
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A Must-Have
author: Andrew Maxwell
What can I say? The best live band in Canada get it down on tape. The result is a bit polished but not for the worse. All of Green started as a reggae fusion band playing the typical "saltwater funk" sound of Maritime jam bands in the late '90s and 2000s, and have since progressed toward a more straight-up indie rock sound, a lot like their contemporaries Grand Theft Bus. That's not to say that the older, more esoteric influences don't peak their heads up. Name me another indie CD with this much soul. There are no weirdly automatic guitars or prosaic voices ala Death Cab and Midlake, though AOG love those bands. Instead, we get chunky clean rhythm and distorted leads like in reggae in funk, mixed with the strange, literary sensibilities of Canadian rock like the Weakerthans and the Rheostatics (song subjects including zombies, Archie comics, and the life of Christ). We are also treated to hardcore-style breakdowns, the most notorious of which is to be found on "It's Over Now." If Caleb Crandall isn't an indie hero in a couple years, I'll eat my hat. This album has been four years in the making, what with the numerous lineup changes and all that jazz, but the group still manage to cram in enough oldies to please fans and some new material, as well. Destined to be the best debut and/or album of 2008.
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