Andrew Gross | Forfeit (Motion Picture Soundtrack)

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Classical: Film Music Electronic: Ambient Moods: Type: Soundtrack
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Forfeit (Motion Picture Soundtrack)

by Andrew Gross

A cinematic, ambient, haunting film score for a psychological thriller with religious undertones. Features boy soprano, mazdaphone (made from a hubcap), ambient electronics, electric guitar and world percussion.
Genre: Classical: Film Music
Release Date: 

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Tracks

Available in: MP3, MP3-320, and FLAC file types.

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1. Forfeit Main Titles
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2:46 $0.99
2. I Want You to Rot
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0:54 $0.99
3. Jimmy's Drug Deal
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1:03 $0.99
4. 18 Years
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2:09 $0.99
5. 911 Call
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0:42 $0.99
6. Stealing Files
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1:56 $0.99
7. The Preacher's Theme
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1:36 $0.99
8. Far & Away (Feat. Rachel Haden)
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2:34 $0.99
9. Come Over Tomorrow
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2:00 $0.99
10. Unfinished Business
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1:26 $0.99
11. Truck Robbery
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1:19 $0.99
12. Forfeit
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2:40 $0.99
13. Finger Printing
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1:34 $0.99
14. Borrowed Hand (Feat. Gil Talmi)
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1:43 $0.99
15. Sunrise Over LA
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0:38 $0.99
16. The Big Heist
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8:04 $0.99
17. The Good Deed
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1:45 $0.99
18. You Killed Frank
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1:23 $0.99
19. Our Son
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3:22 $0.99
20. Frank's Sermon
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4:43 $0.99
21. Forfeit (4 Foot Remix)
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2:52 $0.99
22. Solitude Main Titles
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2:00 $0.99
23. Broken Glass
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1:09 $0.99
24. Driving to Nowhere
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1:29 $0.99
25. Solitude Love
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2:21 $0.99
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ABOUT THIS ALBUM


Album Notes
With over 25 film score credits to his name, Andrew Gross, has been making making a name for himself as composer with considerable skill and a unique voice. Known mainly for his comedy scores (8 Heads in a Duffel Bag, The Good Girl, Tenacious D in the Pick of Destiny), Forfeit allowed Andrew to explore his dark musical demons.....

NOTE: This CD also contains 4 bonus tracks from the film, Solitude.

Composer's Notes (from the Forfeit CD booklet):

The scores to Forfeit and Solitude explore beauty inside darkness. The films themselves investigate psychological aspects of humanity. I found that juxtaposing pure, simple sounds against a more complex and distorted background was a successful approach to keep the humanity at the forefront of the film, no matter how ugly the situations became.

Forfeit afforded me the opportunity to delve into the dark world of greed, obsession and revenge. That these are carried out in the name of God, made it especially tantalizing for me. The religious overtones of the film led me to choose a boy soprano as the voice of purity, and a healthy dose of distorted ambient sounds (both synthetic and acoustic) to underscore the psychological turmoil at the heart of the story.

Solitude is the first score that I performed all on my own, without the use of other musicians. The film's style was both gritty and intimate--every shot handheld, every scene lit with available light. Because the film was so unique, it required an unconventional approach to the score. The filmmakers and I elected to use familiar sounds in an unfamiliar way. I chose bowed violin harmonics and piano as my pure sounds; and a combination of electric bass harmonic overtones, synth, and low de-tuned bells to express the darker nature of the film.

--Andrew Gross


Reviews


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the doctor

Beautifully haunting film score
The thrill and tension of this film is greatly enhanced by such a memorable score. Driven by hauntingly dark melodies, the boy soprano contrasts to add a spiritually pure, religious element. Coupled with the more modern, ambient tones, this score really is a remarkable blend of styles. Excellent score!

Lily Carstens

Fantastic Score
Andrew Gross gives Forfeit all it could ever hope for in a score. The music is at once driving yet ambiguous, telling yet elusive. Listeners hear the innocence lost in the boy soprano's voice as it pairs with modern rhythms and get lost themselves in the beautiful contradictions that keep them guessing. An eerie musical rendition of inner turmoil and a wonderful score to top it off!

Trisha

Highly Recommend
The music implies the presence of softness and beauty amidst darkness; sometimes brooding, sometimes haunting. The score elicited a multitude of emotions from me, but always subtly moving from one to another. I love the blend of synthetic and natural sounds and the incorporation of the boy soprano lends an unexpected innocence.