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Mitchell & Harris : Traveling By Moonlight
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The debut album by Anna Mae MItchell and G. Pat Harris steeped in Americana and folk.
Genre: Folk: Folk-Rock
Release Date: 2011
Traveling By Moonlight
Mitchell & Harris
Record Label: Wiggle Stump Records
  • Buy CD - $12.99
  • Download Album (MP3) - $9.99
SPECIAL: 20% discount if you buy more than one copy of it today!

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Preview Song Name Time Buy
1. Run from the Ocean 3:36 + MP3 $0.99
2. New Day 4:33 + MP3 $0.99
3. Home 4:54 + MP3 $0.99
4. Dry Your Eyes 3:33 + MP3 $0.99
5. The Canyon 5:39 + MP3 $0.99
6. Spring 1:57 + MP3 $0.99
7. Left Me Like You 3:53 + MP3 $0.99
8. Lost At Sea 4:12 + MP3 $0.99
9. Glue 4:00 + MP3 $0.99
10. Before the Rain 3:32 + MP3 $0.99
11. The Overgrown Graveyard 4:47 + MP3 $0.99
12. Waiting for Tomorrow 4:09 + MP3 $0.99
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Album Notes

Having performed together on and off since 2004, Anna Mae Mitchell and G. Pat Harris have finally teamed up to release their debut album, Traveling By Moonlight. Containing 12 original songs steeped in Americana, and recorded at Austin’s own Greenhaven Studios, Traveling By Moonlinght will be available in local stores and online retailers on Tuesday, November 8, 2011.

From the opening newgrass stylings of “Run from the Ocean,” to the back porch closing of “Waiting for Tomorrow,” Traveling By Moonlight displays Harris’ songwriting and production skills though a cohesive listening experience, from spacious ballads like “Home” to the arena rock anthem “Lost at Sea.” On tracks like the reflective “Dry Your Eyes” and outlaw tale “The Canyon,” Mitchell employs a restrained elegance in her delivery, while on rockers “New Day,” and the bluegrass tinged “Overgrown Graveyard,” she unleashes her full vocal prowess. With a refreshingly live and spontaneous feeling throughout, these hook heavy songs capture the sense of the players delighting in each other’s musical company and convey a sense of optimism even on the album’s most somber songs.

Mitchell and Harris are joined by some of Austin’s finest musicians to bring this collection of original music to life. Mandolin virtuoso Paul Glasse (Allison Krauss, Lyle Lovett, Willie Nelson) and ace violinist James Anderson (Austin Piazzolla Quintet, 16 Strings) make appearances while Wayne Salzmann (Eric Johnson) and Graeme Francis (Austin Symphony Orchestra, American Repertory Ensemble) drive the music forward on drums and percussion. Aaron Goldfarb (Leah and the Moonlighters) and Downbeat award winner Carter Arrington (Malford Milligan) provide the guitars that range from subtle acoustic fingerpicking to ripping solo lines.

Anna Mae Mitchell and G. Pat Harris bring a unique excitement to the world of roots music. Their superb musicianship, captivating songs, charming stage presence, and love of performing create a lasting connection with every audience. Their music maintains a tie with traditional Americana while creating a freshness through musical curiosity and exploration with the inclusion of jazz, classical, and world music influences, and they have been getting positive attention from music lovers and critics though playing some of the best rooms in central Texas. "Mitchell’s clear, powerful soprano is a dream for the soulful kind of songs that Harris composes." – Bangor Daily News

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REVIEWS

Traveling By Moonlight
author: Beth Trahan
                            
I love the cd. All the songs have such wonderful instrumentation. Anna Mae's voice is beautiful and has great range . My favorite song...The Overgrown Graveyard..love it!! Next favorite ..Home.
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Superb Debut Release!
author: James Fusik
                            
I knew Anna and Pat back when they lived in Michigan. I'm normally not the biggest fan of Folk/Americana unless there is a good jam or rock influence, so basically preferring the Allmans, the Grateful Dead and Skynyrd over Bob Dylan and Joni Mitchell. However this album is the right amount of each of these influences for my taste. Upon repeated listens I grasped different poetic beauty from the lyrics, and the musical arrangements are engaging and ever-evolving over the 12 songs. The harmonic progressions used for most of the album are not merely 1,4, and 5 chords, which I appreciate as a Doctoral Student studying contemporary music. Of particular note are the tunes "New Day" and "Lost at Sea" which feature electric guitar (I am a white person after all). The Austin musicians Mitchell and Harris use for their band are really sensitive and tight. Here's hoping everybody supports the projects so some tours with the whole band become a reality and we hear these great artists at larger music festivals in the summer BUY THIS AND TELL ALL YOUR FRIENDS TO DO SO
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