"In the Wake," a metaphor for life, is pianist/composer Ann Sweeten’s ninth album (plus two Italian compilations). Co-produced by Will Ackerman (who plays guitar on two tracks) and recorded at Ackerman’s Imaginary Road Studios, the album features several acoustic instrumentalists on strings, flute, oboe, and English horn. Sweeten’s graceful touch and fluid playing style are beautifully expressed on a Steinway baby grand (model B), and the sound quality of the music is flawless. Often tinged with melancholy, Sweeten’s compositions have a dreamy quality that encourages the listener to kick back and just listen for a while, becoming immersed in the music and soothed by the gentle waves of sound. Ann Sweeten draws from vast life experience in the arts with her acting, singing, and dancing in addition to her music. She is also a staunch environmentalist, animal activist, and vegetarian. With so many means of self-expression available to her, it is no wonder that her music communicates so effortlessly.

"In the Wake" begins with “Was It Yesterday?” a nostalgic ballad for piano, guitar, and flute (Trisha Craig). Wistful and dreamy, the gentle flow of the three instruments sets a mood of calm repose and reflection. “Falling Leaves” becomes even more soothing and relaxed, and Akane Setiawan’s English horn adds the perfect counterpoint to Sweeten’s graceful piano. “Metamorphosis” weaves a series of musical themes together to create a lovely tapestry that tells a story of change and inter-relatedness. Sometimes flowing and almost harp-like, sometimes quite rhythmic, and sometimes quiet and still, it is a very effective piece. “Love Remembered” is an introspective daydream with a passionate undercurrent. Andrew Eng on violin and viola enhances the poignance of this piece. As the title suggests, “A Chance for Goodbye” is deeply emotional and sad, and Liz Ehrman’s cello is the perfect accompaniment to the piano. “On Wings of Light” feels lighter and more optimistic, and Setiawan’s English horn keeps the piece soaring to new heights. “Out of Embers,” Ackerman’s second appearance, is a favorite. Exquisitely gentle and dreamy, it seems to tell of hope and renewal - beautiful! My favorite track on this album is the more classical “October Sky,” a passionate and bittersweet piece for piano and viola that would be an amazing tear-jerker in a movie soundtrack. “Now and Again” closes the album much as it began - wistful and peaceful. Cello and oboe make this a gorgeous, heartfelt trio that leaves the listener feeling refreshed and renewed.

"In the Wake" is sure to be another chart-topper for Ann Sweeten! Recommended!
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In a recording career that has spanned 14 years and includes 9 best selling albums and 2 Italian compilations, Ann Sweeten has managed to achieve a level of success that many musicians only dream of. In addition to her music consistently placing high on the charts, receiving extensive radio airplay, and winning numerous awards, she holds the prestigious title of an official “Steinway Artist/ Composer,” placing her in the company of some of the most distinguished pianists in the world. 

Her latest release, “In The Wake,” is a showcase for the skills that have elevated her to such lofty musical heights. The album is co-produced by Windham Hill Records founder and Grammy award winning producer Will Ackerman, who also plays guitar on two tracks. Additional instrumentation includes flute, English horn, oboe, violin, violoa, and cello, all of which are used sparingly to lightly season and subtly enhance the flavor of her rich piano compositions. Among her inspirations she lists one of my all-time favorite pianists, Suzanne Ciani, as well as composers Stephen Sondheim, Erik Satie, Tchaikovsky, and Debussy, revealing her classical background and new age influences. 

As I put on the CD to listen, the heartfelt warmth of the opening notes, inspired me to draw in a deep breath and settle back to luxuriate in the elegant music that was unfolding. Delicate acoustic guitar by Will Ackerman shadowed Ann’s playing with graceful understatement on the first song, Mid-way through, an airy flute soars above the rising and falling melody like a sea bird gliding just above the waves. On the solo piano composition, “Metamorphosis,” I appreciated the contrast between spaciousness and Ann’s tinkling harp-like glissandos that adorned the arrangement. On the wistful “Love Remembered” violin and viola add a poignant touch to the ambience. The last song on the recording, “Now, and Again,” makes a fitting finale as oboe and cello intertwine with Ann’s exquisite piano artistry in a piece that would make an enchanting film soundtrack. Her music is both contemplative and emotionally evocative, providing a world-class listening experience.

To read a full-length review of this CD, please visit: www.michaeldiamondmusic.com
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