A Patch of Blue
Christian Anthony
© Copyright-bent antenna records / eleven 27 music
(661103270228)
Record Label: bent antenna records
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Ten years ago, my best friend and I left New Jersey, to travel the country and move to Los Angeles. Our shared goal... make music and the cover of Rolling Stone. I released two EP's between 1995 and 1998 and the first full-length album Naked and Alive in 1999.
I hit the road in January of that same year determined to rival Ani DiFranco's tour schedule and to build a fan base outside of the LA scene. During the next few years of touring, folks were taking notice and helped cement opportunities to open for Dave Matthews, John Mayer, Chris Isaak and Natalie Merchant. Reviews were equally exciting:
"Fabulous. Phenomenal. Spectacular. Breathtaking. Unbelievable. He has the look, the sound and the talent. ...Christian is going to be the beginning of a new craze of solo male performers." Carol White, The Pacifican
But after nine national tours through 33 states and Europe, I decided to take a sabbatical from performing, and focus on writing and recording new material. I took a day job to pay down debt and met my future wife (got a wee bit distracted), when suddenly the above-mentioned best friend passed away. That knocked the wind out of me in a bad way... but I eventually started breathing again, one song at time, ever focused on a patch of blue breaking through an overcast sky.
Two years later, the new album is here. A Patch of Blue was aided by co-producers Wade Biery and Jean Marie Horvat, some great musicians and the budget-wonders of digital recording.
I'll be hitting the road again - so see you out there.
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A great disc that grows more satisfying with each play
author: Randy H
Some thoughts on a few of the tracks...
Samsonite and Misery: both songs get stuck your head... they really grew on me.
Would you Break: some of the most impressive vocals (to me anyway)... I found myself joining in without half knowing it.
Again: Kind of Crowded House sounding-- in a great way... the guitar and percussion make it sound like it belongs in the movie Magnolia.
Half A Mile: my wife says she hears a little Elvis Costello.
My Name is Was: Solid all the way through. Really smooth.
Whoa Whoa: I really like this song. Again, I hear some Crowded House in this... especially at the "There's a time for last words..." transition.
Alone: This is a great song... I particularly like the lead in instrumental part. Unavoidably catchy...
Last Now: A solid closer. Sentimental and satisfying. The brass bit is clutch. Very nicely produced.
I'm really impressed.
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