Aranos | Makin Love in Small Spaces

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Makin Love in Small Spaces

by Aranos

Echoes of Kurt Weill and Bertold Brecht are evident as well as East European Gypsy influences, with some visits to Republica Electronica and Music Concrete scrapyard.
Genre: World: Eastern European
Release Date: 

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Tracks

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1. Russian Tanks
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5:42 $0.99
2. Confessions
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6:42 $0.99
3. Steady Job
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7:24 $0.99
4. Grim and Grey
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4:57 $0.99
5. New Guitar
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4:15 $0.99
6. Never So Good
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5:02 $0.99
7. Nervous Breakdown
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6:40 $0.99
8. Black Eyes
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7:31 $0.99
9. Likes Me Too
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5:52 $0.99
10. Beams of Sunshine
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8:09 $0.99
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ABOUT THIS ALBUM


Album Notes
Aranos: "Making Love in small spaces" CD contains 10 songs of startling originality. Echoes of Kurt Weill and Bertold Brecht are evident as well as East European Gypsy influences, with some visits to Republica Electronica and Music Concrete scrapyard. Album powers on for over 60 minutes with relentless energy through some unusual sounds and rhythms. Themes ranging from Russian invasion, in "Russian Tanks", religious scepticism in "Confessions", cruel laugh at conformity in "Steady Job" complete with bizarre oscillating feedback, wah wah squeaking violin and bleating flock of sheep and lambs evidently on the way to an abattoir. "Never so Good" celebrates life on dole or "Welfare Disneyland" with orgasmic moans. Story of a suicidal depressive "Nervous Breakdown" - Bulgarian style harmonies and wild rhythms embellished by heavy metal style distorted violin solos unexpectedly dissolve into a jazz meandering piano. "Likes Me Too" young idealistic love floats in trippy clicks, clangs and hoots with a repetitive dreamy bamboo flute motive. Vampirical lust and submission reverberates in "Black Eyes", while "Beams of Sunshine" exhales boundless optimism carried on a stream of gongs and oriental percussion.

All instruments played and noises sang and produced by Aranos / except for bleating of sheep on "Steady Job".
Note: tha address on cd is no longer valid. to contact aranos: www.brainwashed.com/aranos

Aranos (pronounced aranyosh) was born in Bohemia (now a part of Czech Republic). He has performed as a singer and instrumentalist since the age of 8 in folk ensembles, jazz bands, rock groups, gypsy bands, ceilidh bands and as a solo artist. Written and composed in various styles from classical music to rock.
He has performed and composed in dissident theatres in former Czechoslovakia. Aranos sings and plays violin, viola, cello, bass, guitar, mandolin, piano, keyboards, banjo, Chinese and Japanese flutes, santoor, drums, percussion, etc.
Aranos has recorded Traditional Irish, East European, gypsy and folk albums and CDs. Recently concentrating on experimental electro acoustic music mostly recorded in his own 24 track recording studio and released in Great Britain and France.
Aranos has written soundtracks to videos and fllms as well as theatre e.g. Spell of the Megamall: a multimedia production with Theatre Omnibus and Disabled People of Clare and Spirit: an experimental electro acoustic tone poem mini opera in collaboration with a renown writer and poet Max Hafler.
In live shows Aranos plays violin and sings with a backing he recorded himself, performing East European gypsy music and song and compositions from his recent CDs. For a video of a live performance along with a personal interview, see the visuals section on www.brainwashed.com
Aranos collaborates on a regular basis with Steven Stapleton of Nurse With Wound, David Tibet and Current 93, and has recorded albums with Jon Mueller and Chris Rosenau of Pele/Collections of Colonies of Bees and Crouton and El Monte (Nick Mott of Volcano the Bear).
Pieros is his own small record label, however, he has releases on Soleilmoon, Beta-Lactam Ring Records, Brainwashed, Crouton, Klanggalerie, Noise Museum, and United Dairies.


Reviews


to write a review

wehavenozen.blogspot.com"


Czech artist aranos, known to many for collaboration with Nurse With Wounds, is mainly a virtuoso violonist with an experimental view to music.He can create incredible sounds with violin (and not only) that recall numerous different things, his singing lies left of Tom Waits style, but he is far from being a reminder. His touch on music is magical and unique. Avant garde, german cabaret, easteuropean folk, gypsy music, zen, balkan, traditional or cosmopolitan dance forms, classical, romantism, jazz, blues, early 20th century, improvisation ...are a few only tags to get an idea about.This album is, i think, one of his most song orientated, while others explore more experimental forms.Although he is, generally, influenced by NWW, fortunately here keeps distances from this too much overestimated band. If you are to trust only one of my suggestions listen to this man. For more info and other ARANOS gems visit the "wehavenozen.blogspot.com". aranos, the last of the saltibanques.

Antron S. Meister


Making Love In Small Spaces reels and roams from an evocative description in "Russian Tanks" of the time when Soveit troops arrived in Aranos' native Bohemia to praise of indolence in "Steady Job". As the latter song declares "I'd rather be poor/homeless and insecure/than pay taxes to support your system", reeling in multi-track delight and reedy gloom to a loping string bass rhythm, the violins slipping and gliding with mischeivous high tones as the sheep declare their preference for fresh air over government and city living. As the tempo rises into a bleating whirl for the conclusion, the fantastic imagery of a row of sheep dancing into the twilight of their empire in Irish echo of The Seventh Seal springs irristibly to mind. From time to time Making Love In Small Spaces brings Aranos' concerns with personal freedom and musical ellipsis to the fore so strongly that it becomes quite overwhelming. The descant falling off of melody into a whirl of strings and fragmentary drum machine beat is as likely to speed off into a lugubrious Eastern European Folk dance tune as into avant passages of undefinable abstraction where his keen ear for dynamic maintains an occasionally outr�sense of melody. Sometimes songs like "New Guitar" or "Never So Good" with its resonantly toe-tapping telling of the avoidance of work in a welfare Disneyland hold hints of The West (to Amrica or of Ireland) as much as the East, but Aranos inhabits his own gruff world of surprising arrangements and swinging environmental sounds. While there's plenty of vibrant Gypsy spirit meandering it's own merry way throughout the album, there is as much a sense of immanent gloom too, in the sighing and groaning or the accapella self-sufficent choir of "Nervous Breakdown". Its spasmodic bursts of manic violin and blalaika among the dejected piano which wanders through the Blues and out again where the stream of consciousness flows into the mordant love song "Black Eyes". Whatever the mood though, Aranos displays his compositional and performing talents admirably throughout, polishing things off in darkly eccentric style with plenty of disarming flourishes of brilliance peppered throughout some of the more esoteric stretches. The former promote listening to the latter though; as while some can be less accessible in their arrangements at first, they soon become old friends through a familiarity which derives from taking the challenge they offer to give a proper listen to the hesitant amorousness of "Likes Me Too". It is perhaps an offhand tribute to his skill to say it, but one of the things which makes Making Love In Small Spaces work so well is the instant familiary of several of the songs above which makes it appear as if some are cover versions. That they are all his own work reveals not only Aranos' knowledgable positioning within the various forms he expands upon and references, but also his mastery of the techniques in doing so. - Antron S. Meister

J.G.


Continuing to defy expectations (well, mine anyway), violinist, sound-shaper, and recent Nurse With Wound accomplice Aranos morphs effortlessly into the role of one-man-band and twisted crooner on his third album. Performing a wide arsenal of original songs that evoke the likes of Iva Bittova, Boris Vian, Tom Waits, and even Kurt Weill, Aranos taps into the gypsy soul inside us all. Extra props due for inspired use of sheep! Strange, refreshingly unique and utterly delightful! - JG

Jon Whitney


People into the collaborative efforts between Nurse With Wound and Aranos might be in for a little surprise with this one. Violinist Aranos has released his first solo post-Noise Museum full lengther on his own label, Pieros. On this disc Aranos has tapped more into his Gypsy roots, making a more folk sounding album crossed with influences of his Irish surroundings. It's a great listen but difficult to review for Nurse With Wound fans as it's much simpler and much different than his work with Steven Stapleton. There's no cut up noise nor sound manipulation going on here. Perhaps I'm not used to his singing, but then again how many Tom Waits fans really loved his voice the first time they heard it,...
it's good to be alive. - Jon Whitney