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The full-length CD debut from sound artist Mike Hallenbeck's "musique plastique" project. Derived entirely from location recordings of water and water-related occurrences; features both untreated audio documents and long-form abstractions.
Genre:
Electronic: Soundscapes
Release Date:
2004
Immersion : Water Works
Archive (Mike Hallenbeck)
© Copyright-Mike Hallenbeck [BMI]
Record Label: insides music
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Time |
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1. dogpaddle |
1:12 |
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2. timeshare |
14:52 |
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3. splat on a not-tin roof |
1:56 |
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4. some other day |
13:52 |
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5. crunch time |
0:51 |
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6. hear no shovel |
20:44 |
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"Immersion: Water Works" is the full-length CD debut from Archive, sound artist Mike Hallenbeck's "musique plastique" project. The music explores minutiae, margins, and slow changes over time, imagining new sonic spaces for the listener to inhabit.
Experimental label Insides Music proposed the release of an Archive disc, and Hallenbeck chose water as a subject. Given its array of manifestations, water provided a wide spectrum of sound and musicality to investigate.
Hidden harmonies and rhythms emerge in "Timeshare" as gurgling lake water under a dock unravels at various speeds and tumbles through digital scrambling. "Some Other Day" evolves from lush rainfall into a chorus of overtones and turntablism derived from individual raindrops. "Hear No Shovel" plunges the scrape of shovelling snow into a chasm of booms and crunches as audio dissolves at a fraction of its original playback rate.
These long-form abstractions are bridged by brief untreated field recordings: dogs splash around on the banks of the Mississippi River, rain splats on a metal roof, snow crunches underfoot on a still night. Imagining music-making as a dialogue with one's environment, "Immersion: Water Works" offers an opportunity to experience an unknown world concealed within the everyday.
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Haunting. Awesome. Amazing.
author: Hap Mansfield
Immersion:Waterworks is an ambitious project for the listener attention span of our era. It is not sonic wallpaper to accompany cooking, scrapbooking or video gaming. It requires attention to both what is going on within the sounds and within yourself. I'd say it was meditative except this belittles the sonic fictions that will arise with patience in your mind's eye. Meditation is about clearing the mind. Immersion fills it. This is a haunting work which terrifies and amazes. Of course, this only works if your inner landscapes are substantiative enough to be the shoreline for the water's music. Puts me in mind of Paul Lansky's computer work (Idle Chatter, More Idle Chatter). Immersion puts back into attentive balance the music we hear all around us that we often ignore. The universe wants music like this. Good stuff.
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