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Asylum Street Spankers : What? And Give Up Show Biz?
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Double live album combining a musical revue with tales of the ups and downs of life on the road. \'\'Tapdances on the thin line between stunning virtuosity and goofy farce, an eight-person dervish minimally amplified for maximum impact.\'\' -Village Voice
Genre: Blues: Dirty Blues
Release Date: 2008
What? And Give Up Show Biz? Record Label: Yellow Dog Records
  • Buy CD - $14.99
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Preview Song Name Time Format Price Select
Ladies and Gentlemen... I\'ve Wasted My Life 2:02 Album Only
Everybody Loves My Baby 3:20 Album Only
Nice Theater 0:16 Album Only
My Country\'s Calling Me 0:48 Album Only
Winning the War on Drugs 4:16 Album Only
Blue Prelude 5:40 Album Only
It\'s good to be here in, uh.... 0:50 Album Only
Why Do It Right? 3:41 Album Only
Stanley and Wammo 1:49 Album Only
Since I Met You Baby 6:25 Album Only
Gig from Hell 1:09 Album Only
Monkey Rag 3:42 Album Only
The Morning Moron Mob 1:01 Album Only
Medley of Burned Out Songs 2:45 Album Only
Beer 3:50 Album Only
Strange Talents 1:38 Album Only
Leaf Blower 3:55 Album Only
The Bus Story 7:10 Album Only
Think About Your Troubles 3:15 Album Only
Daddy Drinks Because You Cry 0:57 Album Only
You Only Love Me For My Lunchbox 6:27 Album Only
Y\'all like love songs? 1:36 Album Only
My Baby in the CIA 5:39 Album Only
Read thinner books. 1:07 Album Only
Asylum Street Blues 5:15 Album Only
Breathin\' 3:07 Album Only
bathroom break 0:40 Album Only
Big Noise From Winnetka 4:10 Album Only
Hick Hop 4:56 Album Only
Got My Mojo Workin\' 4:04 Album Only
take a good look... 1:21 Album Only
My Favorite Record 5:47 Album Only
Encore! 1:12 Album Only
Blade of Grass 4:21 Album Only
Requests? 0:47 Album Only
Pakalolo Baby 4:10 Album Only
Tight Like That 5:10 Album Only
Wake and Bake 3:22 Album Only
TV Party 4:14 Album Only
goodnight 0:36 Album Only
Stick Magnetic Ribbons on Your SUV 3:30 Album Only
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Album Notes

A man works long hours at the circus, cleaning up after the animals and giving enemas to constipated elephants. A friend, observing the menial nature of the work, offers to help the man find another job. The man replies, \"What? And give up show biz?\"

The punch line to that worn-out vaudeville joke served as the title when the Asylum Street Spankers set up shop for two weeks in January 2008 at New York\'s Barrow Street Theatre to look back on their underwhelming career and complain about their place in the music world. Juicing their acclaimed live show with a double shot of theatricality, the Spankers presented a musical revue and memoir of the troupe\'s fourteen year history. Featuring many of the most popular songs in their large repertoire along with tales of the ups and downs of life on the road, the show ran for fourteen performances, garnering good critical response, strong ticket sales and many free drinks for the band.

All fourteen shows were recorded, then edited to make this album.

\"What? And Give Up Show Biz?\" contains adult humor, including frank discussions of sexuality, drug use and/or rock and roll, and language that some may find offensive. It also contains four-part harmonies, blues, country, pop, jazz, rock and hip-hop songs, inventively clever arrangements, and a musical saw.

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REVIEWS

Great release
author: Charles Wood
It comes closer than any other Spankers album to showing the magic and fun of their live shows. I've seen them several times in Austin and loved them. Now I wish I'd seen them in New York as well.
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B&T Diss
author: C. E. Zinsmaster
When I heard Bob & Tom diss your throat singing, I told myself I'd buy your album for my wife for Christmas. I did. She's got it in her car... that's saying something. UGuysRock. Keep on it. Z
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author: Chrisr at CD Baby
Anyone with balls big enough to call themselves “God’s favorite band” had better back up the boldness of such a statement with more than just bravado. Thankfully, The Asylum Street Spankers (from Austin, TX) deliver the goods. Bluegrass barbershop quartet? Junkyard jug band? Gypsy jazz jokesters? Cow-punk pranksters? Whatever they are, these “legendary purveyors of magnificently mellifluous musicianship” have put together a hilarious double live album recorded at New York’s Barrow Street Theatre. The record is a true testament to the kind of magic that can be created by a group of players gathered together in the same room at the same time. It’s a rockin’ retrospective, a revue of the troupe’s 14-year career as troublemaking, traveling troubadours. In the best of bawdy vaudevillian traditions, nothing is sacred, no topic too taboo (sex, drugs, politics, religion). They are peaking under the skirt of proper, polite society to reveal the carnival show behind the curtain. And they’re serving up their satire with a generous dose of adult humor, dirty drunk dancing, stellar songs, and populist theatricality.
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