Aurelio Voltaire | Riding a Black Unicorn...

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Rock: Acoustic Folk: Anti-Folk Moods: Mood: Fun
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Riding a Black Unicorn...

by Aurelio Voltaire

Named by a fan, Riding a Black Unicorn (etc etc) is Voltaire's most epic album to date, revisting and improving upon many of the musical genres he's toyed with in the past. Steampunk, Cabaret, Blues, Jack Skellington-like jazz and Goth are all present!
Genre: Rock: Acoustic
Release Date: 

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Tracks

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1. Riding a Black Unicorn...
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5:07 $0.99
2. Innocent
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4:47 $0.99
3. The Mechanical Girl
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3:51 $0.99
4. The Straight Razor Cabaret
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3:27 $0.99
5. Don't Go By the River
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4:30 $0.99
6. The Dirtiest Song That Ain't
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4:49 $0.99
7. Cathouse Tragedy
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4:27 $0.99
8. Oh Lord (Wake the Dead)
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6:33 $0.99
9. When the Circus Came to Town
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4:18 $0.99
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ABOUT THIS ALBUM


Album Notes
Formally known as simply ‘Voltaire’, Aurelio Voltaire has stood the test
of time as a musician. For nearly twenty years and through eleven
full-length CDs (and several shorter ones), he has maintained a loyal army
of fans, some of them sticking with him from his very first release. To
this day he continues to add new legions to his following. Some of that is
due to his consistency as an artist who delivers finely crafted songs with
meaning, soul and a unique, wry wit. But those who know him know he keeps
very close ties with his fans both new and old. He runs his own Facebook
page, runs his own Twitter and Youtube channels and stays for hours after
shows, diligently standing at his merch booth meeting and greeting all
who’ve come to the show. For this reason, it may come as no surprise that
Riding A Black Unicorn Down the Side of an Erupting Volcano While Drinking
from a Chalice Filled with the Laughter of Small Children is perhaps his
most fan-driven album to date. The lengthy title was given to him by a fan
simply describing Voltaire’s music on his Facebook page. And at a time
when Voltaire had covered so much musical territory from cabaret to
country, from ska to reggae, he reached out to his fans and asked them
what THEY wanted to hear him do next.

“Some told me I should write some blues songs, some said cabaret, some
said Goth and steampunk and dark folk, one even said heavy metal! So… I
did my best to do it all,” says Voltaire.

The result is an album that takes all of the musical genres that Voltaire
has traversed in the past, polishes them and takes them to a whole new
level. The musicianship alone is amongst the best of any Voltaire album
with Brian Viglione of the Dresden Dolls on drums, Melora Creager of
Rasputina on cello and David J. of Bauhaus on bass.

Fans of Steampunk will love the ballad The Mechanical Girl while fans of
Voltaire’s dark cabaret will enjoy Cathouse Tragedy and The Straight Razor
Cabaret. Those who asked for Voltaire to return to his earliest acoustic,
dark, Gothic folk were answered with When the Circus Came to Town and the
heart-wrenching, anit-bullying track Innocent. Don’t Go By the River, The
Dirtiest Song that Ain’t and Oh Lord (Wake the Dead) will absolutely
thrill those lively yet morbid souls who count the Cab Callaway-meets-Jack
Skellington stylings of Ooky Spooky as one of Voltaire’s best albums. And
that one person who asked for a heavy metal album might just find
Voltaire’s epic homage (albeit all acoustic) to Iron Maiden, the title
track, Riding a Black Unicorn… to be their favorite track.


Reviews


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D

Love this album!
This album is incredible, its very different from the Voltaire I once knew, a perfect evolution. I love the melancholy NOLA-esque horns, a far cry from the string-dominant orchestration of his earlier work. Perhaps the use of the name "Aurelio Voltaire" is a signal of this new evolution, and I welcome it with open ears

Andrew

Amazing Album
One of Voltaire's best albums that he has put out.

Angela Smith

NO ENEMIES LEFT ALIVE
Voltaire has once again managed to move me to tears of joy, sorrow, love, hate, hope and despair. I laughed so hard I cried while I drank the blood of my enemies! Well, only in my mind, but once again, the lyrics are so memorable! And that voice! Oh, superb!

Murray W

Amazing!
Another incredibly fun, humorous and awesome album. Nothing else needs to be said. Get it.

Eric

Awesome!!!
Yet another great album...buy it now!

Shawnee

Love it
can't stop listening to it. . . makes me just want to dance and sing along

Andrea

Voltaire'll Make Ya Shake a Leg
If you have never experienced the joys of Voltaire, his latest is a FANTASTIC place to star. Genre-wise, I'd call it dark humor acoustic cabaret folk rock. These songs are hands-down some of the best songs he's ever done, and with an album title and artwork this awesome, how could you resist?

This album features the truly hilarious tune "The Dirtiest Song That Ain't", which may get you in trouble if you sing along with it in public, and "Cathouse Tragedy" is the best brothel song I've ever heard. "The Mechanical Girl" is straight-up steampunk tastiness, "Oh Lord (Wake the Dead)" will make you shake your booty while questioning God, and "Innocent" is a departure from the humor and is genuinely endearing. Every song is truly great, and while there are only 9 songs, they are ALL amazing, so who cares?!

You'll laugh. You'll cry. You'll shake a leg, fall in love with a robot, and drink the laughter of small children.

If you're a new fan or have been one for years, this is Voltaire at his utmost best. The lyrics are great, his voice is better than ever, and his backing band are sensational. JOIN THE SENSATION!

Odin

FANTASTIC!
The new CD is fantastic! Each album gets better and better Voltaire! Great stuff!! :)

Thomas

Excellent album!
This is definitely my favorite album by Voltaire (but not by much! Every album of his is so great). I'd recommend anyone, both old and new fans to get this album.

Samuel

An awesome album from an awesome artist!
I just got my album today and I must say I'm impressed. I've come to expect the quality of Voltaire's work from his previous album, but this one threw me over the top. The songs are simply wonderful, with a band composed of exeptional musciens. Voltaire's mix of dark humor, coupled with the extraordinary ensemble of artist grouped into this album have made it my favorite piece of work from Voltaire.
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