"With this record, Barbara Fasano proves that she is not just a great Italian crooner, an heir to Sinatra for our time, but a jazz singer of the first rank."
-- David Hajdu, music critic, The New Republic
"Here's more proof that the fusion of jazz and cabaret is one of the healthiest trends in the music business ... taste, built-in dramatic chops, the ability to manipulate time, and above all respect for lyrics ... Ms. Fasano has plenty of the above."
-- Harvey Siders, JazzTimes
"The good news today is that we now have another Arlen collection that can be played alongside Harold's. Fasano brings us Arlen treasures both familiar and non ... praise the band, and the singer, and thank them for a bluesy, jazzy, swinging album of Arlen."
-- Steven Suskin, PLAYBILL
"Ms. Fasano is a charistmatic stylist who effectively channels the living spirits of the great uber-divas Lena Horne and Barbra Streisand."
-- jazz critic Will Friedwald
"An album that demands repeated listening and appreciation ... Barbara Fasano is the real deal! A natural romantic interpreter ... the beauty of the Arlen songs and the breathlessness of Fasano's beautiful singing comes fully through."
-- Michael P. Gladstone, AllAboutJazz
"A warm, beautifully paced, lush album ... one of the year's best"
-- David Finkle, Back Stage
Awards include: New York Nightlife Award, MAC Award (Female Vocalist of the Year, Album of the Year for "Written In The Stars", Vocal Duo with Eric Comstock), New York Back Stage Bistro Award (Record of the Year for "The Girls Of Summer", Outstanding Female Vocalist), 2010 NEW YORK NIGHTLIFE AWARD WINNER
Barbara Fasano has been hailed as one of the nation’s most stunning and soulful singers. Frank Scheck of The New York Post raves, "Fasano is a gorgeous, soulful singer who has an actor’s intensity in whatever she sings." Whether singing a song by Joni Mitchell or Harold Arlen or Cole Porter, Fasano takes her audience on a spellbinding, emotional musical journey. A 2010 New York Nightlife Award winner, and a regular performer at New York’s most prestigious supper club, The Oak Room at The Algonquin Hotel, her new show with Eric Comstock, “HELLUVA TOWN: A New York Soundtrack”, enjoyed an acclaimed and sold-out run earlier this year. The New York Times’ Stephen Holden called it “exhilarating”, singling out Fasano as a “lyrically sensitive interpreter” and comparing her to one of her idols, Lena Horne. “Mr. Comstock and Ms. Fasano are turning the neighborhood into a hotbed of pleasure.”
Fasano’s exquisite voice reaches deep into the soul of humanity. “She illuminates with torchlight,” according to David Finkle of The Huffington Post. “The slim, raven-haired Fasano continually allows feelings to simmer and crackle, singing Cole Porter's ‘In the Still of the Night’ as well or better than anyone has ever sung it.” Rex Reed of The New York Observer notes, "She gives off palpable electricity”, and NEXT’s David Hurst declares , “Fasano is nothing short of a revelation, with the poise and jazz chops to go with her beauty to create a formidable singer.” Theatermania’s Brian Scott Lipton simply states, “Fasano, who sounds better than ever, once again proves herself to be a remarkably expressive singer.”
Wall Street Journal jazz critic Will Friedwald calls Barbara “a charismatic stylist who effectively channels the spirits of the great über-divas Lena Horne and Barbra Streisand” in his new book The Biographical Guide to the Great Jazz and Pop Singers (Pantheon, 2010). On her CD, “Written In The Stars”, a Harold Arlen collection, she surrounds herself with an A-list jazz ensemble, including John di Martino on piano. The CD has garnered praise in publications as diverse as JazzTimes and Playbill, and receives radio play around the world. The New Republic’s David Hajdu raves, “With this record, Barbara Fasano proves that she is not just a great Italian crooner, an heir to Sinatra for our time, but a jazz singer of the first rank.” Barbara’s previous CD, “The Girls of Summer”, is an eclectic mix ranging from Springsteen to Sondheim, and based on her one-woman show of the same title. Both of these CDs were named Record of the Year by the Manhattan Association of Cabarets and Back Stage Bistro awards, and her work as a live performer has twice earned her awards for Female Vocalist of the Year.
Barbara grew up in a spirited Italian Catholic household – excellent preparation for a life in show business! From her early childhood, music and stories were a way of life. Her mother made the Sunday lasagna while listening to Italian American singers like Jerry Vale on the radio. Her father listened to Louis Armstrong, Ella Fitzgerald and Bing Crosby and sang along in an effortless baritone, teaching Barbara many of his favorite songs. From the early Streisand albums, she learned the music of her favorite composer, Harold Arlen, and learned to play the guitar, memorizing recordings by Paul Simon, Joni Mitchell and other singer-songwriters. Combine all this with her grandparents’ stories of Neapolitan singers and vaudeville and you see how her musical identity was forged. Within her eclectic choices, what remains consistent is her ability to invest a lyric with deep emotional truth, creating virtual one-act plays out of each song.
Barbara’s many New York headline engagement include concert appearances at Carnegie Hall, Lincoln Center’s American Songbook at the Allen Room, Rose Hall, Town Hall and New York’s 92nd Street Y’s Lyrics and Lyricists series. Starring engagements in cabaret and nightclubs include The Algonquin, Feinstein’s, The Carlyle, Birdland, Iridium, and Café Sabarsky. Arts centers and music festivals across the country include Caramoor, Arizona Jazz Festival, Jersey Jazz, Kanbar Center, Cooperstown Music Festival, and Kerrytown Concert House. She earned a degree in theatre, has worked as an actress across the country, and is the recipient of Hofstra University's prestigious Estabrook Alumni Achievement Award. Barbara's work as a teacher includes private coaching, workshops and masterclasses in the art of performance and song interpretation.
In the words of jazz critic Ira Gitler, she “has it all, and then some … artistic, swinging, and superbly entertaining.”