Ben Miller | True Son

Go To Artist Page

Recommended if You Like
Bumblefoot David Fiuczynski John McLaughlin

Album Links
my MySpace page

More Artists From
United States - Pennsylvania

Other Genres You Will Love
Jazz: Modern Creative Jazz Avant Garde: Experimental Moods: Solo Instrumental
There are no items in your wishlist.

True Son

by Ben Miller

American fretless guitarist\'s solo project.
Genre: Jazz: Modern Creative Jazz
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
available for download only
Share to Google +1

Tracks

Available as MP3, MP3 320, and FLAC files.

To listen to tracks you will need to either update your browser to a recent version or update your Flash plugin.

Sorry, there has been a problem playing the clip.

  song title
share
time
download
1. Bump
Share this song!
X
3:42 $0.99
2. Boom
Share this song!
X
5:06 $0.99
3. Bang
Share this song!
X
3:27 $0.99
4. Candor
Share this song!
X
5:10 $0.99
5. Zones
Share this song!
X
7:44 $0.99
6. Nur
Share this song!
X
6:44 $0.99
7. Heavy
Share this song!
X
4:02 $0.99
8. Valor
Share this song!
X
3:19 $0.99
9. Nodus
Share this song!
X
5:12 $0.99
10. Jupiter
Share this song!
X
5:38 $0.99
11. Exit
Share this song!
X
6:13 $0.99
preview all songs

ABOUT THIS ALBUM


Album Notes
Ben Miller's 2008 solo fretless guitar outing. The structure of the CD is like this: the first 3 tracks are a slow, subtle development of an idea I've taken around the country (USA) and played across several different musical styles over the past 5 years. Conceptually, expressing a knowledge of Pythagorean "chordmode" development while simultaneously adding the element of harmonic quartal music a-la modern jazz, underneath a pulsating dotted quarter-quarter-eighth rhythm. I tune the guitar to pure fourths, and the open strings are really saying something on these tracks, if you are listening. The next track after bump(a pseudo name for this groove)bang, and boom ...is violent destruction, smashing an antique 1920's piano with a sledgehammer. You can hear the participants taking turns unleashing aggressions on the 88-key reservoir of undulating overtones and cracking wood. These tracks were recorded by untrained "street people" (myself included) outdoors in southwest Philly. Listen close and you will hear the kids and bewildered parents! After this interlude of destruction, the movement is toward building, with linear improvisation in the free jazz style. I'm sure you will find better linear free jazz playing!! What makes this unique, though, is the instrument itself, leads to unusual sounding glissandos, microtones, and of course it's ME! Hear what I have to "say". The ideas (I wouldn't really call them compositions) juxtapose and develop and transit and generally reflect not only my emotional and spiritual state but my studies and cultural experiences of the recent times. So...who am I? what was I studying? Young guitarist, 24 years old, who has been playing for 13 years. Many wonderful guitarists and musicians have helped guide me to discover my own voice, including, Brandon Ross, David Fiuczynski, Will Calhoun, Dave Stryker, Sid Jacobs, Steve Coleman, Jean-Paul Bourelly, Henry Threadgill, W.A. Mathieu, Erv Wilson, Neil Haverstick, Stephen James Taylor, and many other friends and colleagues. My listening habits are severely structured to encompass heavy doses of the medicine I need to grow, following, roughly, a line of J.I., modern western composition, Jazz, African, Indian, in a complex weave that probably only makes sense to me. I consciously listen to and absorb the ideas from the main movers, shakers, and stylists of the recorded music era, methodically. During the time of making this recording, I was studying Lubicz's metaphysics a bit, learning about phi, studying Italian, Rembrandt, hanging out at jazz clubs, improvising with a local tabla player/experimental musician, studying the Bible, studying Sufism, spending lots of hours at the library, reading Sri Aurobindo, listening to Stockhausen, Anthony Braxton, LaMonte Young, Terry Riley, Lou Harrision...and talking constantly to my Italian family. I wonder if you can hear all that in these three tracks!! I would probably never release anything if I thought I really had to (be perfect)... The main point is absorb, then communicate, try to offer something pure and beautiful to inspire. Following these three tracks of linear improvisation is yet another interlude of violent piano smashing, somehow, strangely, grounding the disc. The 9th track, Nodus, does not move from the D which it begins on, the entire time. Maybe you will like to jam with it, I suggest playing an E. The next track is a melody that I showed my cousins and pentatonic revelations in real-time. Track 11 is the completion, or rather, the demolition of the piano. This album is dedicated to Salihu, an ancient mystic living in SW Philly who is teaching me about the "Nur" (the completion of the light of divine knowledge, ilm).... Peace,, Ben, 1-18-09


Reviews


to write a review