Poison Against Poison
Bill Foreman
© Copyright-General Ludd Music
(634479117411)
Record Label: General Ludd Music
SPECIAL: 50% discount if you buy more than one copy of it today!
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Song Name |
Time |
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1. Full Tank of Gas (Bill & Pete version) |
3:19 |
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2. Bad & Good (second demo version) |
3:34 |
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3. What Would Ever (second demo version) |
3:29 |
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4. One of the Lucky Ones (second demo version) |
3:06 |
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5. Dancing With Fat Francesca |
1:36 |
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6. Footsteps |
3:43 |
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7. Imagine You're Flying |
4:10 |
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8. Vandalized (4-track version) |
3:44 |
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9. Vandalized (Little Band version) |
3:46 |
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10. Rare & True |
3:20 |
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11. A Cat's Eye |
5:03 |
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12. Can't Wait to be Free (remaster) |
2:52 |
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13. September |
4:40 |
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14. I Know & You Know |
4:27 |
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15. Have You Seen My Baby? |
3:40 |
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16. As the Night Goes By (remaster) |
2:31 |
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17. For Good Measure (House Carpenters version) |
3:36 |
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18. Across the Windy Distance |
4:21 |
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19. 12 O'Clock Sharp |
4:00 |
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20. Like the Wild Irish Heather |
2:28 |
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21. Lunchmeat |
2:16 |
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22. Queens (remaster) |
1:47 |
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23. St. Louis (remaster) |
3:42 |
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24. You! |
1:57 |
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25. These Pictures on My Walls |
4:50 |
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26. St. Louis (solo version) |
3:42 |
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27. The Candlelight Crept through the Air |
4:58 |
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28. Where the Wind Blows |
4:13 |
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29. Crazy |
3:57 |
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30. The Bathroom Mirror |
2:17 |
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31. Body & Soul |
3:36 |
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32. Flute Tune |
2:26 |
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33. The Snowbank's a Feather Bed (remaster) |
4:59 |
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34. Walls |
2:58 |
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35. Where Has My Blanket Gone? |
2:09 |
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36. Time Slowed to a Crawl |
3:49 |
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37. Tangerine |
4:02 |
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38. Trouble |
3:28 |
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39. The Dance of Electricity |
3:36 |
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40. No Cause For Grieving (4-track version) |
3:08 |
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41. Orange Peel Headache |
2:55 |
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42. The Banks of the River |
3:21 |
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43. The Apocalyptic Traveler |
4:46 |
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44. Smile (remaster) |
1:00 |
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45. The Blue Desert Hills (remaster) |
3:02 |
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46. I've Maintained My Advantage (remaster) |
4:38 |
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47. The Animal Shelter |
3:08 |
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48. The Duck Hunter |
4:20 |
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49. The Sun is a Mighty Lamp (remaster) |
2:32 |
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50. A New, Nameless Beach Town |
3:02 |
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51. The Long Retreat |
7:17 |
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52. The Professah (remaster) |
1:28 |
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53. The Czech Philologist |
5:22 |
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54. The Marine Corps Reject |
6:22 |
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55. San Diego (remaster) |
4:04 |
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56. Building St. Petersburg |
6:00 |
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57. Some Kind of Magic |
5:15 |
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58. The Good Life |
5:04 |
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59. The Canadian Vacation (remaster) |
6:01 |
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60. The Stroke Victim |
9:12 |
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61. The Governor and His Wife |
0:33 |
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62. Making the Papers |
3:11 |
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63. On Every Step of Our Stair |
3:51 |
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preview all songs |
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No items available in your wishlist
Tired of dealing with your pile of Bill Foreman cassettes from days of yore? Heard his music recently, while his back catalogue has been out-of-print? Here it is: 63 songs, 3 CDs, nearly 4 hours worth of music, containing music from throughout Bill's career, excepting Chevy w/Balding Tires, which stands, as it was intended, on its own. Lyrics and information are provided in a 90-page booklet. Nothing squashed into a little book in a font that's too small to read.
The collection draws from Bill's early demos, the collaborations La Petite Orange, The Little Band, ¡Hey Rhumbahead!, and In the Choir of Primates, and includes all the original music from his four solo albums--The Bathroom Mirror, Tangerine, The Duck Hunter, and Building St. Petersburg--prior to Chevy, as well as two tunes Bill wrote in 2002 and 2003.
Bill has taken great care and incurred innumerable headaches remastering this music from the best available source material. The songs included here represent, when paired with Chevy w/Balding Tires, Bill's ouvre as he wants it represented. This is not an "everything and the kitchen sink" boxed-set: every song included here bears Bill's seal of approval, and indeed some songs were left off as they were not up to snuff.
Poison Against Poison is more than a decade of work from one of the finest, most idiosyncratic, least patient with the music-machine writers around. As Bill puts it in the liner notes: "These songs are the result of much labor and much love. If they might serve some purpose, let them demonstrate that one can produce compelling music in the late 20th and early 21st century United States by one's own efforts. One doesn't need the approval of various corporations, factions, trends, or markets to be good." Listen and hear why.
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