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Bill Leyden (Memo) : Celestial Medicine
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Enticing and healing musical textures featuring the Native American style flute.
Genre: New Age: Shamanic
Release Date: 2011
Celestial Medicine
Bill Leyden (Memo)
Record Label: Sage Journey
  • Download Album (MP3) - $9.99

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Preview Song Name Time Buy
1. Celestial Medicine 2:52 + MP3 $0.99
2. Pillars of Light 4:11 + MP3 $0.99
3. Invisible Knights 4:28 + MP3 $0.99
4. Dragon's Tail 3:07 + MP3 $0.99
5. Slide Rock 3:15 + MP3 $0.99
6. Wolf Moon 3:32 + MP3 $0.99
7. Celtic Thunder 3:10 + MP3 $0.99
8. Echoes from Altair 2:53 + MP3 $0.99
9. Gone But Not Forgotten 2:50 + MP3 $0.99
10. Spent Wishes 2:11 + MP3 $0.99
11. Lasuntay Lullaby 2:46 + MP3 $0.99
12. Un Par de Estrellas 3:42 + MP3 $0.99
13. Suspiros de Salkantay 2:51 + MP3 $0.99
14. Cascade 3:31 + MP3 $0.99
15. Monomyth 2:54 + MP3 $0.99
16. Retrospect 3:23 + MP3 $0.99
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Album Notes

"Traveling to the Yucatán changed me. When I returned to Northern Arizona, the experience seemed to have unlocked for me an unrequited artistic urge that has not yet been quenched. During the trip, I had heard for the first time the term ‘celestial’ used when talking about one’s quest to lead a meaningful and balanced life. At the time, I did not fully appreciate its meaning, thinking it was only part of the rich and mysterious Mayan lore. Now I believe the young shaman who invoked the word was speaking about his longing for the divine.

I was curious about the ‘secrets of the Maya,’ but nobody that I met was talking very much. But nonetheless I felt magic in the Yucatán, albeit both invisible and unspoken. Sometimes it returns to me when I play the Native American flute. I felt it when recording this album.

I was about half way through the recordings for this album when I went to the closet a pulled out a Fender Stratocaster guitar that I had not played in many years. I went immediately to the studio and started to record. The result was the track “Gone But Not Forgotten.” I continued to pepper the orchestrated tracks with some guitar here and there. I hope you like the results.

For this album, I relaxed and let the music come at its own pace. I would start an orchestration and let it marinate for a while and return with a fresh perspective. Most of the solo flute work I kept in the lower keys, including mostly Low G through mid C. I think this is a reflection of the stillness that I was seeking from the flutes. Many thanks for allowing me to share this work with you!"

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