as something of an electronica snob (motto: 'tweak yer loops!!'), it's a genuine pleasure to discover a disc like this. Triple Acid Foot is engaging from the offset.. lots of weird breaks, clear production.. great for driving or any sort of hellraising.

Probably not a release for the tender of heart or the weak of ear, “Triple Acid Foot” is part glitch-core, part noise, and yet even has this dorm/indie rock thing going on too. Will Redmond’s Blipvert project will no doubt turn many heads for its genius and raw intensity if not for his overt sense of structureless mayhem. One could compare this to Otto Van Schirach without a blink but never could you call this clever masterpiece derivative. If you like your blips and bleeps with a big helping of balls-to-the-wall pandemonium, than Blipvert is your sweetened ice tea.

BlipVert is another name for Will Redmond, formerly a guitarist for Ron Anderson's great band PAK. BlipVert claims he is here to split our heads open and that he does! Twisted, noisy, warped drum machine and strange samples squished through the sonic blender. Fast paced electronic eruptions tightly wound and ever-changing. Will sets his sequencers on stun as they constantly shift and bend the beats, rarely giving us any time to rest. Bits of melodies and odd voices are often spinning in the mix, adding a recognizable theme or thread. This sounds like it was done on an old tape recorder, splicing tape, going backwards and forwards at different speeds, the way Zappa used to do it in the mid-to-late sixties. BlipVert does a fine job of turning sounds inside-out, stretching those electronic sounds into all types of strange shapes, blowing minds and providing a glimpse of things to come, when computers take over and spoon feed us all electrical energy direct.