Sunshine on the Front Line
© Copyright-BlowUpBlow
(634479277375)
Record Label: BlowUpBlow
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The Long Beach, CA-based band BlowUpBlow was formed in 2003 and features former members of Action League, Fuselage, Wash / current members of Free Moral Agents & the Bolides, among others.
Critics and fans have drawn a variety of comparisons and descriptions, yet consistantly admit to experiencing difficulty in pinpointing the sound of the band. This is a reflection of the disparate influences of BlowUpBlow's individual and collective members. The band has described it's music as paranoid, moody, progressive garage rock, yet plan to release a 12" vinyl dance single in 2006.
They were cited in the OC Weekly as one of the 10 best bands to watch out for in 2004.
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Excellent review in OC Weekly...
author: Michael Coyle (OC Weekly)
This review appeared in the
OC Weekly (Orange County, CA)
Vol. 11, No. 20, Jan. 20-26, 2006
LOCALS ONLY
Thursday, 19 January 2006
BlowUpBlow - Sunshine on the Front Line
by Michael Coyle
"BlowUpBlow is made up of four guys with some serious local pedigree: Dennis Owens, Bob Kurthy, END and Paul Zansler, if you wanna drop names. Legends, one might even be tempted to call them, since they can be linked back in one way or another to almost everything fun that has happened in Long Beach in the past 10 years. And now they’re all working together as one. Expect greatness, yes? Many people hear BUB and knee-jerk something about Gang Of Four, which is actually still a compliment when it’s done right, as it is here—BUB do indeed rock snappy rhythms and fuzzy-funky bass lines that make you want to dance all herky-jerky. But really we keep thinking of the glory days of old SST Records: this sounds like punk rock that was meant to be played on vinyl, like it coulda been shipped in the same box as everything else Ginn’s label put out in 1985. The guitar is constantly on some crazy melody line, but subtle like how J Mascis would do it under all that distortion, or how D. Boon would just keep piling it on without it ever getting too heavy: the album opens with Lost All Control, a dirty boogie with Iggy desperation, followed by the paranoid car-chase fury of Get Anywhere, and it launches straight up from there, mentioning bombs dropping at least twice. That’s a good sign—they know the kind of damage they can do."
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