With these post scornesque/godfleshesque, psychedelic, intimist layouts you never know what to expect…sure, in the most of the case it's an experimental trip but what more?!. This trio's journey is a multiple one, both for the fact they play many instruments and for the simple reason they take different directions while assembling the tracks, beside that the most of it is the result of "free improvisations acted on impulse". On the whole the dye is quite dark but in a psychedelic way, therefore don't think of any contemporary heavy weight, the most of the songs in some way marry stoned electronics a la Mick Harris with a kraut salsa and a freak taste for impros. Even if everybody plays everything, in the most of the episodes Birke's main occupation is playing synthesizers and programming drums (he does it in a really "neat" way), Leykam is the "string man" and Panasenko is the freaky-string man-polistrumentist. In addition to it all they’ve guest intrusion of Mark (radio, noises, midi trumpet, etc..) but more than that never forget everything is filtered and twisted to the bone. This' could be the best possible soundtrack for your burning joints and like a good work based on improvisation it has more ups ("fog patches" for example) than downs, it pays tribute to Fripp, Eno and Laswell intuitions on the creative use of the studio. (review at www.chaindlk.com / May 07 2006)