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Blue Bone Express : The Early Years: 2004-2007
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Jazz that is music to party by: the traditional sounds of Mardi Gras, New Orleans funerals, and barrelhouse brothels, as played by some Oakland working boys.
Genre: Jazz: New Orleans Jazz
Release Date: 2008
The Early Years: 2004-2007 Record Label: Blue Bone Express
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Preview Song Name Time Format Price Select
Midnight In Moscow 3:44 Album Only
That's A Plenty 2:10 Album Only
Just A Closer Walk 5:24 Album Only
Shake That Thing 3:58 Album Only
Mouth of the Mississippi Suite I: Omni-Present Blues 4:08 Album Only
Mouth of the Mississippi Suite II: Sweltering Solar Rag 2:33 Album Only
Mouth of the Mississippi Suite III: Dance of Savage Civility 5:36 Album Only
Bourbon Street Parade 4:06 Album Only
Balloon Song 2:50 Album Only
Skeleton Waltz 5:44 Album Only
You Can Depend On Me 5:02 Album Only
Drive My Car 3:12 Album Only
Inside Obtuse 4:08 Album Only
Dead Man Blues 3:19 Album Only
Midnight In Moscow (reprise) 2:56 Album Only
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Album Notes

Formed in 2004 through Jara Queeto’s leadership, Oakland-based Blue Bone Express has been exposing the San Francisco Bay Area to a type of jazz rarely heard beyond the Mississippi Delta. It is a jazz that is music to party by: the traditional sounds of Mardi Gras, New Orleans funerals, and barrelhouse brothels.

Blue Bone Express strives to reveal the spark that created jazz in its beginnings, rooted in the music of New Orleans, by way of Africa, Europe, the Caribbean, and the Louisiana swamplands. Whether parading in the street, or setting the mood for burlesque performers, the configuration of tuba, brass, drums, and piano excites onlookers to dance with wild abandon.

Through a healthy mix of originals and gems of both distant and recent past, Blue Bone Express proves to jumpstart any party.

If Blue Bone Express is playing, then the party has most certainly begun!

The Early Years: 2004-2007 is the release of tracks recorded during various recording sessions over that time. It is an exquisite record of the band\'s development as well as their breadth and adaptability, rising out of a foundation of Dixieland and Traditional Jazz music, into Brass Band Parade Styles and accompanying Burlesque performances, and finally taking cues from the rich New Orleans piano funk traditions of Professor Longhair and James Booker.

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