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Primarily acoustic hill country trance blues sets the backdrop for some colorful tales from the Delta
Genre:
Blues: Acoustic Blues
Release Date:
2005
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Underneath the Kudzu
© Copyright-Bob Bogdal
(825346948829)
Record Label: Kudzudisc
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Personnel: Bob Bogdal (vocals, guitar,harmonica,resonator); Mark Ross (mandolin); Davida (background vocals)
While on the road with Johnston he would pay close attention to Richard Johnston and bandmate Mark Simpson. After shows and back at the house they would teach him the hill country guitar style. Now three years later Bob has emerged with his own CD reflecting his personal vision into the mystery we call the Delta. The passion and history of the area unfolding and nurturing his original mission, Bob became absorbed into the trance like qualities of Hill Country Blues. His release "Underneath the Kudzu" 2005 is described as a haunting and personal poetic recollections of this period of transformation.
This is what Bob had to say:
" Mule Won't Kick" is based on a story told to me by Calvin Jackson about the great Othar Turner workin' the mules at his farm.
" Preachers Daughter" is based on Jesse Mae Hemphill and her wonderful dual nature.
" The Calling" is a recollection of a service I attended with the use of serpents as a means to redemption.
One cannot put fairly into words the experience of sitting under the stars at Sherman Coopers farm with RJ playing some chilling version of Hank Williams late at night . Or sharing moments with Jesse Mae Hemphill at her place looking at videos of the day when she reigned as Queen. Meeting the Kimbrough's and the Burnsides, Mark Simpson, and bless his soul Othar Turner. These folks are the Holy Grail, the primal pulse of the origin of great music, and as Richard Johnston will tell you we stand on the shoulders of the great many that travelled this path before us.
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He has managed to capture the beauty and the underlying sorrow that a person fee
author: Tweed Blues aka Rick
Bob Bogdal, who I'd met a couple years ago, emailed me out of the blue and asked would I listen to a record he'd put together and maybe do a write up for the Revues section of this place. I said sure and it was laying on the welcome mat in front of my door a couple days later. I've not taken it out of the cd player since then and that was four or five days ago.
His "Underneath the Kudzu" is an intensely personal collection of poems and recollections set to ethereal Mississippi hill country music. He has managed to capture the beauty and the underlying sorrow that a person feels when they experience the lands east of the 51 Highway throughout Tate and Panola Counties for the first time. In those regions of the Holy Lands Where Blues Began life runs on a simpler level. No botox injections, no viagra, no superficial pharmaceutical lifestyle enhancers to clutter up the mind there. Religion, work, music, pay the rent, get some money for groceries....that's what it's all about, and when a person comes back to the regular world, they are somewhat altered in their priorities. Bob went there and he came back altered, just like most everybody else that visit the hill country, except he went a step further and set his visions to music.
Read the interview at Tweed Web Site
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Captures something essential about the blues through musical imagery
author: Guillermo
Bob Bogdal's opening track "Cure This Disease" sent my mind to a dusty plain before a stranger with a loaded revolver with my own finger on the trigger. This song is charged with tension delivered by the almost ominous rhythm of Bogdal's strings. As the album goes on, the tension mounts and descends with the artist's moods; both bittersweet and not sweet at all. This, I felt, is the strength of "Kudzu". Here, Bob is capturing something essential about his blues through a musical imagery not often attained by contemporary blues artists. There is something genuine about this guy playing these songs. There are unique guitar lines with just the hint of well-placed dissonance here and there. I am looking forward to another disc from this guy.
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