Very good performance and music direction corresponding to my taste.
Arrangements and Sound are good very much.
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This is the first release from new label 10T Records and the second release from Bolt. The band consists of W. Heyard Sims (guitars, synth, loops and vox), Bill Elliot (drums, percussion, vox) and Geoff Maxey (bass, synth, vox). The band combines many ideas in their music including modern raw edged metallic guitar riffs, mixed in some electronica and one of the tightest ryhtm sections I’ve heard in years. 
Bolt is a very forward thinking band that also combines the precision of MathRock, but not as technical. The music has a almost danceable quality to it in a quirky way. Also adding a slice of Post-punk bite and some humor which is sadly lacking in today’s music in any genre.

One band that comes to mind when I listen to Bolt is a Washing state based band called Omni and New England based band called The Screen. All three of these bands, while not progressive rock in the traditional sense, their take on the style is well ‘progressive’ in nature. I’m sure purists will disagree but in all honesty, Bolt doesn’t use it’s influences to emulate, they use them as a springboard to creating new fresh music.

The tracks are brief and concise, clocking between 3-5 minutes. Any long and the songs will lose their integrity and interest. Sometimes, less is more..My favorites are many but Skydiving With A Life Preserver stands out to me. I feel somewhat drawn to the song over and over.

You can hear four of the songs from this debut at their page at MySpace. Bolt is without a doubt one of the better bands to come out in 2006. I can’t wait for more from this Bolt. I have a feeling we haven’t seen nothing yet with them.

Reviewed by Ron Fuchs on August 27th, 2006
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A little bored of run-of-the-mill prog that shows you the same thing over and over again, until you wish that the players would rock out?  With Bolt, each passing second brings something new to gnash your teeth into... riffs all over the place, guitar tone to DIE for, and rhythms that would make a math professor blush.  They have such a knack for guiding guitar melodies, keeping them jumping at all times, allowing them to be surprising without being jarring.  Most of all they're just brilliant.  You can be drawn into the whole thing, listening for the next turn in phrasing, the next playful exchange between rhythm section and guitar.  The drums are severe powerhouse drums, the bass a subtly effective piece of prog excellence.  With everything that can be taken for granted when a record is labeled "progressive" (virtuoso guitar, cohesively insane rhythms, blinding bass), it's pretty rare that we get one that is this completely engaging from start to finish.  These guys haven't sacrificed the rock for the progressive.
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