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Bop Tribal : Bop Tribal
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BOP TRIBAL showcases the fierce improvisational prowess of its members weaving modal jazz, bebop, post bop, and even hip hop. This is quintessential New York jazz, transported to the Honolulu stage.
Genre: Jazz: Post-Bop
Release Date: 2008
Bop Tribal Record Label: Pass Out Records/Bop Tribal
  • Download Album (MP3) - $9.99
  • Buy CD - $15.00
Preview Song Name Time Format Price Select
One Bad Song A Day 4:58 $0.99
Melancholic Toes 7:07 $0.99
Manoa Mist 5:25 $0.99
Jellyfish 8:18 $0.99
Bop Tribal 8:17 $0.99
Tune 4 April 8:22 $0.99
On The Edge 9:56 $0.99
Lemon Flavored Suede Shoes 5:05 $0.99
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Album Notes

Jazz will always be considered a place for individualism or mavericks. That being said at the heart or the core of the music there’s a selfless spirit, a sense of common goals that were collaboratively pursued. That’s Bop Tribal, a local Honolulu Jazz group consisting of very talented young musicians.

To be considered a “Jazzer” today is not the same as it was 15 or more years ago. Then it was Miles, Lester, Marshall, Sonny, Count, Bird, Trane etc. etc. etc. If it wasn’t them it wasn’t Jazz. Even today there is a core who feels that way. Boy, are they missing out. Take the group Bop Tribal for instance. They are missing out on a group who meld and make music you will “get into” from the first few bars of the opening tune, written by tenor man; Reggie Padilla not aptly titled but humorously “One Bad Song A Day”. Reggie also wrote “Tune 4 April” and “Lemon Flavored Suede Shoes”.

The leader, pianist Satomi Yarimizo wrote the next tune “Melancholic Toes” and shows her ability to weave a melody. What’s most striking to me is her melodic and structural integrity in both her playing and writing.

If there is a centerpiece to this project it is DeShannon Higa’s trumpet work, flugelhorn playing and writing. “Manoa Mist”, “Jellyfish”, “Bop Tribal”, “On The Edge” were four tunes he wrote for this project and each has it’s own exciting and emotional feel.

Rounding out the players we find Abe Lagrimas, Jr.. on drums (a soon to be national Jazz superstar, you heard it here first). If you haven’t already, just wait until you hear him play vibes. On bass Shawn Conley whose technique wraps the ribbon around the gift of this group’s first project.

Enjoy!


Don Gordon, KIPO - Honolulu

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REVIEWS

Bop Tribal
author: Dan Freedman
I really enjoyed the original bebop compositions on this album, especially those of DeShannon Higa, who flows melody so well with the underlying bop harmonies. The playing is fluid from all instruments. It's nice to hear an avant garde group that keeps the audience in mind, never allowing anyone's solo to leave the listener behind. Looking forward to the next release!
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