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Brent Randall & His Pinecones : We Were Strangers in Paddington Green
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Timeless Orchestral Cabaret Pop
Genre: Pop: 60's Pop
Release Date: 2009
We Were Strangers in Paddington Green Record Label: Endearing Records
  • Buy CD - $12.97
Preview Song Name Time Format Price Select
Strange Love (Don't Be Lazy) 4:01 Album Only
For in the Shadow of a Moonbeam 2:30 Album Only
Bluebirds, Flowers and Other Things 3:57 Album Only
Snowdrops 4:46 Album Only
The Nightingale and the Rose 2:38 Album Only
Lions Valley 4:39 Album Only
Daylight 2:44 Album Only
This House 3:07 Album Only
Sweet Thames 3:08 Album Only
Slumberjack 4:02 Album Only
This Absence of Mine 3:37 Album Only
In Our Red Balloon 5:21 Album Only
A Sunbeam Song 2:53 Album Only
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Album Notes

Arriving fully formed, Brent Randall & His Pinecones released the expertly crafted debut EP, Quite Precisely, in late 2004. The seven songs on the album showed a style of song and depth in writing rarely seen since Brill Building era pop. Randall quickly became a enigmatic yet renowned character throughout the East Coast.

Along with His Pinecones, made up of Laura Peek, David Ewenson, Joel
Goguen, Brian O'Reilly and Jess Lewis, he played several legendary shows in the years that followed, previewing new songs from an ever forthcoming LP that never seemed to materialize.

Five years later, and the wait is finally over.

From the first listen of "Strange Love (Don't Be Lazy)," it's apparent that the time spent honing the songs on We Were Strangers in Paddington Green was not in vain. The track's cabaret inspired delivery balances camp and beauty with equal grace. Produced by Jason MacIssac (Jenn Grant, The Heavy Blinkers), the song's lush sound is reminiscent of peak era Paul McCartney and Harry Nilsson. Randall's penchant for grandiose arrangements delivered over classic songwriting continues throughout the rest of the album. From the epic chorus of "This House" to the more crestfallen "Slumberjack," We Were Strangers in Paddington Green never reveals the hand print of its formation. It instead is a beautifully complete document, balancing emotion and sound into one forward striding and backwards looking collection of songs.

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