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Paris based Hélène Breschand is among the most creative harpist of today. "Le goût du sel" is her first solo album as a leader. She took interest for musical construction that could represent the hinge between the written music and improvisation. Consequently, the notion of temporality and the tactile sense will interfere in her approach of the instrument enriching her relation to the written music. By putting her at risk, the improvisation enables her to stabilise, to recognise herself and to stenghten herself.
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