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Brother Maniac : Still Rising
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Rap,Hip Hop, R&B, Funk, go-go Music with a message
Genre: Hip-Hop/Rap: Alternative Hip Hop
Release Date: 2009
Still Rising Record Label: MC3 Records
  • Download Album (MP3) - $9.99
  • Buy CD - $10.00
Preview Song Name Time Format Price Select
Intro: Big Hitz and Miesha 0:59 $0.99
We Get Out Hustle On 3:58 $0.99
Roll Wit Us (Remix) 3:17 $0.99
Superstition 5:37 $0.99
2 Make Things Right 4:09 $0.99
The Ghetto 3:45 $0.99
Blessed 3:47 $0.99
We Come to Party 4:27 $0.99
Big Moe 0:52 $0.99
Light That Tree 4:53 $0.99
A Lil' Mo Big Moe 0:37 $0.99
Get Ur Groove On (Tk9) 2:27 $0.99
Still Rising 3:15 $0.99
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Album Notes

Born & raised in Washington, DC, this brother is on a mission to create awareness in his community by way of the hip hop culture; he is a brother who mesmerizes the ear with a sound that’s all his own; a brother who has a distinctive style of body moving beats and rhyme; a brother that’s not your conventional rapper.
If you haven’t guessed, this brother is Brother M.A.N.I.A.C. – a Brother Mainly Addressing Negative Information About the Community.

On top of telling symbolic stories of life, struggle, dreams, goals, aspirations and the plight of society through his music, Brother M.A.N.I.A.C. is constantly creating music for the Indie Community to reflect, vibe, and party to. This music inspires and grabs hold of all ages, genders, and ethnicities. As many indie artists continue to go with the flow of the music industry, Brother MANIAC makes it his business to go against the grain. He speaks out against issues such as drugs, crime, police brutality, homelessness, and many others.

Brother M.A.N.I.A.C. has many accomplishments. In 2006…. Brother M.A.N.I.A.C. was nominated for the (Best Rap Recording) “Wammie” Washington Area Music Awards. His music created such a buzz from 2005 to 2006, he was awarded “Artist of the Year” by Hype Magazine. During his Army stint from 2003-2005, Operation Iraqi Freedom, he received numerous awards; 4 Army Commendation Medals and 5 Army Achievement medals for his dedication to the Maryland Army National Guard.

Brother M.A.N.I.A.C. has also performed throughout the United States. Some notable performances have been at the Hip Hop Palooza Tour 2006(New York, NY; Philadelphia; Baltimore; Washington, DC; and Atlanta, GA); The Upper State Tour (Syracuse, NY; Rochester, NY; Toledo, OH); and The Grinders Tour of 2007(Washington, DC-Charlotte, NC- Atlanta, GA). Brother M.A.N.I.A.C. has opened for Petey Pablo and Bone Thugs in Harmony, just to name a couple. Brother M.A.N.I.A.C. mentions:
We had a huge show in NC at the Triangle Record Pools Annual Summer Jam. The audience was like 10,000 people! The reaction was like something from a Jacksons Tour back in the day!!

Conspiracy, his 2006 thought-provoking album, steadily climbed the charts and contained the Top 30 hit single “School No More” along with other smooth, R&B/hip-hop singles such as, I wonder, Eye Don’t Know (Reached #1 in Australia), Imagine, and Get Ur Groove On. These singles not only made people dance, but more importantly it touched on those important issues that he has continually worked to bring awareness to. His soon to be released project is entitled “Still Rising.”

So other than the obvious. What are his career goals??? He firmly states:

My goals are to continue to build Brother M.A.N.I.A.C. Music as a promotion company to assist artists in building their buzz and selling music either CDs and/or digital downloads along with merchandise, such as T-Shirts. I want to tour and have chart singles nationally for Brother M.A.N.I.A.C. and many of my closest associates & clients. My intentions are to complete a Hip Hop for the Homeless National Tour in at least 8 cities and in at least 3 international cities. I want to increase sales of CD’s and digital downloads around the globe. I also would like to continue to build upon the DMV Music Awards. I am definitely looking to maintain a presence on the national scene for 2009 and beyond.

Brother M.A.N.I.A.C. is not afraid to express issues that truly affect society, and he does it well. “Hip-Hop music is not a thing of the past.” He declares. Brother Mainly Addressing Negative Information About the Community will not allow it to be.

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REVIEWS

Still Rising
author: Hip Hop Hot Spot.com
Some critics will critique the introduction and tracks nine and eleven which feature “Big Moe” for breaking up the flow of the album and music. Most times introductions and skits are undesired as they rarely add creativity that warrants a disruption; however, Still Rising is one of those exceptions where the introduction is well put together and the skits are kept short and add creativity and concept to the album. After countless rotations of the album, there was never a thought or movement to hit skip. The production is always on point and hot. There is a spectrum of creativity that shines in distinct shades like the colors of the rainbow. Brother Maniac, Big D Makin Tracks, Rico Da Don, Mike Hughes, Thurston King and Hitmaka get credit for the exceptional production that blesses the gems that stud this release. Each beat is laid perfectly and fine tuned to compliment the well written and delivered lyrics that strike fans hard with impact. Brother Maniac is not only an exception song writer, he is a gifted performer. The music blossoms as entertainment being more than simply music. The level of creativity is as impressive as the flawless execution of the lyrics. The majority of the tracks are imprinted with a fun vibe which to describe as catchy is an understatement. For example, after listening to songs such as “Superstition” fans are head nodding and grooving even when the decks are off. The album, “Still Rising”, has exceptional flow and is one of those albums that can loop forever. The music is never dull and the songs mesh extremely well without sounding the same. The flavor is always delicious. The music is about good times, life and love. This album is not hard core gansta rap where gun shots are delivered between words. The music and lyrics are not full of anger, hate and foul language spit with rage. The music isn’t a broadcast to promote violence. The music is something everyone can listen to, appreciate and relate to. You do not need to be an impoverished renegade to get jiggy with this album and, or Brother Maniac. This is heavy rotation material and quite possibly the best hip hop album you’ve never heard. Still Rising is gold worth every ounce of listening attention and deck injection. Highly recommended listening.
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"Brother Maniac’s delivery is hardcore, but his philosophy is practical and wise
author: Jennifer Layton(Indie-Music.com)
I almost didn’t review this when I saw it was a rap CD. I had a million excuses. I’m too white, I’m too old, and I have to get to the post office to mail my Nerd Quarterly subscription payment before it closes. Thankfully, I had enough curiousity to put Still Rising on my CD player before sending it to another writer. Lord. Have. Mercy. To simply call this “rap” is shortchanging Brother Maniac in the worst way. This is skilled musicianship, blending rap, hip-hop, funk, jazz, soul, and in the case of the title track, a bit of reggae. The one-minute intro gives you plenty of warning. Orchestral with a hint of danger. Lush keyboards, a powerful female vocal, a mood of building excitement. THIS is how you want to be introduced. In track after track, the music is not just a beat for the rappers to yell over. It’s powerful, infectious, and seductive enough to pull someone like me right in. It helps that I connect with what he’s saying. I’ve been writing about indie artists for over ten years, and “We Get Our Hustle On” should be officially designated as the National Anthem for Independent Artists. The lyrics are about street teams, touring, selling merchandise, and basically working his ass off. I hesitated before I played “Supersition.” Stevie Wonder’s song is one of my top three favorite songs. It has been in the top three since I was a kid, and I just turned 40, and it still hasn’t budged. I get tense when people start remaking songs I consider sacred and perfect just the way they are. I reluctantly settled in to listen. Again, Lord. Have. Mercy. I don’t think Stevie would mind. I sure as hell don’t. This is the most soulfully joyful version of this song I’ve heard outside of Stevie himself. Brother Maniac slows down the tempo a bit and lets a midnight jazz groove emerge. It doesn’t feel like he’s adding anything to the song at all. It’s like he’s simply slowing it down to let us hear another side of it, another vibe that was always there, but we just didn’t hear it over the horns. He even raps over it without turning it into background music. I can’t wait to play this in my car. What connected me most of all, underneath the powerful music and glorious vocals of all these tracks, was the positive message. Brother Maniac’s delivery is hardcore, but his philosophy is practical and wise. The underlying theme of each track is hard work, staying clean, setting a good example for the kids, and staying close to your Highter Power, whomever that may be. “There’s more to life than cars, money, and guns,” he says firmly in “The Ghetto,” and that’s where this suburban middle-aged white girl can stand right with him. Well, I’ll only be standing for a few minutes. At some point, if he keeps playing stuff like this, I’ll have to start dancing again.
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