BRYAN AUSTIN: Can't Stop Dreaming

Bryan Austin

Can't Stop Dreaming

© 2004 Bryan Austin

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Old School R&B With A Twist Of New Flavor

tracks

1 Interview - With The Late M.J. Rasool
2 You Make Me Feel Brand New
3 Inflation Wolf
4 Yearnin'
5 The Girl's Alright With Me
6 My Love
7 Knock On Wood
8 Aria(edit)
9 Shoe - Shoe Shine
10 The Bump
11 I'll Love You Tomorrow
12 Knock On Wood(reprise)

notes

Bryan Austin
www.bryanakaaustin.com(website)
Bryan Austin is a singer-songwriter born and reared in St. Louis, MO where he first started to develop as a singer. Bryan later moved to Los Angeles to expand his development. In Los Angeles, Bryan studied under Dini Clark (who coached such talents as Al Jareau, Roberta Flack and Peobo Bryson) and under Bob Corff (1st Jesus in Broadway production of Jesus Christ Superstar). Some of Bryan's Los Angeles successes include a brief contract with Redd Foxx Productions, appearances at the Comedy Store, Sahara Hotel - Las Vegas and many, many other venues. After 17 years in Los Angeles, Bryan returned to his native St. Louis where he worked with some of St. Louis' finest musical talents, e.g., Oliver Sain and Ike Turner. Bryan has recorded for over 20 years and is recognized internationally and is often compared to some of R & B's best (Eddie Kendricks, Smokey Robinson, Stylistics, etc.). His current CD, "Can't Stop Dreaming", is being received well and predicted to be a great success. The son of a Baptist church deacon, Bryan now calls in Kansas City, MO home. Recently, Bryan has reached back into his roots to develop his Christian, Gospel music and believes that since he's gotten back into his roots, he's been blessed to grow from a person who sings well into a Singer. "Can't Stop Dreaming" gives you the best of Grown Folk's Music. Bryan's 3-½ octave range is a real treat to the ears. Don't miss it - check out Bryan Austin!!!!



>Bryan Austin teases audience with killer EP
>By M. Francis Solomon
>
>Bryan Austin
>I make no apologies-I'm pretty much ol' school when it comes to soul, R&B
>and blues. I grew up in a time singers sounded and acted like singers
>instead of runway models. True, I listen to my fair share of modern stuff,
>hip hop, some pop and rock, even a fair share of "alternative" country
>such as The Court & Spark and Wilco, but when it comes to soul, R&B or
>blues, make mine ol' school! Give me some folks who really know how to
>sing and not just moan through their nasal passages.
>
>For a long time, I thought real soul singing was a lost art, but in recent
>months, I've had a number of very pleasant surprises-most recently in the
>form of a killer four-song EP by St. Louis native Bryan Austin.
>
>I've been familiar with Austin's work for a number of years now, thanks
>primarily to some stunning demos that came my way via soul songwriting
>legend and performer Frank-O Johnson and an album of classic soul covers
>released by Austin several years ago. Needless to say, I was very
>impressed. After all, how many singers today have the wherewithal-and
>talent-to stand up and blow convincingly through an Eddie Kendricks
>classic without fumbling? Austin can. Like the Motown icon, Austin is
>blessed with a high, silky smooth voice-maybe not quite as high as
>Kendricks' but, in some ways (allow me to be a bit blasphemous here) maybe
>a bit smoother and, dare I say it, even more natural. Austin is the type
>of singer who could have stepped in front of a lot of groups back in the
>day, the Delfonics or Stylistics for instance. But, he's also got
>tremendous depth. As sweet as his voice is, he easily wrangles some
>rock-shattering power out of it without losing one bit of the phenomenal
>control that puts him among the top ranks of today's soul singers. Austin
>embodies the best of what made soul the music of choice in the genre's
>golden age of the past, but the good thing is, he's here today, doing it
>in fine fashion.
>
>Austin starts off this little teaser of a set with "Inflation Wolf," a
>politically, timely piece about a fairy tale monster come alive. It's the
>big bad wolf himself in the garb of inflation. Austin has composed a set
>of clever, biting lyrics:
>
>"The wolf is at my door, huffing and puffing at me/I went to my friends
>for help/They didn't have a dime to spare. If I can't afford to the
>music/How and the heck am I going to dance?/With that wolf/The inflation
>wolf is around my door. He's the meanest critter I've ever seen."
>
>And, if the opening growl of the wolf doesn't scare you, the groove, which
>is one of the nastiest funk outings you'll ever hear, certainly will.
>Devastating bass and wailing wah-wah guitars with a wicked clavinet and a
>punchy horn arrangement will get your heart pumping hard. Look for this to
>be the title track on Austin's next full length album.
>
>Austin follows up with "Yearnin'," a tune he says he wrote in the late
>'80s. Maybe it's just a touch of nostalgia, but this one sounds like
>something the late Rick James would have killed to get on his classic
>"Street Songs" album. Again, it's a mean funk groove, this time punctuated
>by a razor sharp clean rhythm guitar. Austin, of course, sings his tail
>off, as he always does.
>
>He chooses an Ashford and Simpson classic, "Shoe Shine," for the next
>track. A lovely little ballad, it's a perfect showcase for the singer's
>tender side. And, he excels here, giving the old song a fresh, but proper
>reading. The arrangement is also sweet.
>
>Austin closes the set with another classic, a funky dance reworking of the
>Eddie Floyd hit, "Knock On Wood," funking it up for a modern audience but
>without damaging the integrity the tune. It's another great vehicle for
>his talents and, in his hands, is the kind of tune that could turn out the
>house during a live gig.
>
>Well, the only thing I can do now is sit back and wait for the full-length
>version of this album, which is certain to be a monster-and hope that ol'
>inflation wolf stays at bay so I can afford to pick up a copy and dance to
>some great singing and music by a true soulster.

New Music News on the Scene
On The Scene is Music from Bryan Austin

A very fine voices that has a range you would not believe the Album just in to The Block Party Can't Stop Dreaming The Best of Bryan Austin and It just doesn't get any better. The CD has so Classic remakes on it but with Bryan's smooth
voice belting out a different silk-like style. My favorite on the CD Shoe - Shoe Shine take me back to a time that now I wish I could go back to after listening to his unmistable style. But like everything you can only go back in your mind.Also the first track ,The INTERVIEW is one that Bryan Show Must
Love to a Good,Good Friend of mine and his and I say that
because in this world you do NOT run in to many True Friends .
And M J Rasool was just that he's gone from us but not forgotten

SOUL AND BLUES REPORT
PSR RADIO NETWORK
FRANK-O JOHNSON 260.492.1985

1. I'M IN TOO DEEP ROY C.
2. BOOT-LEGGERS GIMMIE MY MONEY CARL MARSHALL
3. INFLATION WOLF BRYAN AUSTIN
4. LICK YOU LIKE LOLLIPOP ANTHONY WATSON
5. JEALOUS FRIENDS TENRY JOHNS
X: SHOULD'VE BEEN ARCHIE LOVE
X: IT'S JUST A PARTY CARL SIMS
X: LADIES NIGHT RICK LAWSON
X: SHAKE THE STEELERS
X: 5 MINUTES JODY STICKER
X: I INTEND TO TAKE YOUR PLACE PEGGY SCOTT ADAMS
X: TWO STRANGERS BILL AVERY
X: TELL ME WHAT YOU GONNA DO RUE DAVIS
X: SHAKLE WHAT YOU GOT OB BUCHANA
X: SLAP THAT BOOTY GARY BROWN

NEWS: THIS IS A PAID PREVIEW PROGRAMMING SERVICING OVER 50 STATES
IN THE USA/INT.



BRYAN AUSTIN
Can¹t Stop Dreaming
(US Art-Tist un-numbered)

Interview; You Make Me Feel Brand New; Inflation Wolf; Yearnin¹; The Girl¹s Alright With Me; My Love; Knock On Wood (+ reprise); Aria; Shoe Shoe Shine; The Bump; I¹ll Love You Tomorrow


This is sub-titled ŒBest Of...¹, doubtless because it reprises the deftly-arranged, tuneful ballads, ŒMy Love¹ and ŒI¹ll Love You Tomorrow¹, plus the forceful, funky dancer, ŒThe Bump¹ from his ŒStill Dreamin¹¹ set of 2000. Bryan never shies away from covers and he can afford to be confident in their making; his falsetto treatment of the Dynamic Superiors¹ ŒShoe Shoe Shine¹ is taking off on US radio stations and has received commendation from the song¹s composers, Nickolas Ashford and Valerie Simpson. It¹s definitely a personal highlight. The arrangement of the Stylistics¹ ŒYou Make Me Feel Brand New¹, brought very much up-to-date and on which Austin takes on the voices of all group members, is to be particularly commended, especially the thundrous opening, which rather shoots me in the foot for my consistent, negative comments about programming! There¹s a further cover in a reverent take on the Temptations¹ ŒThe Girls Alright With Me¹ and it¹s only with the two cuts of ŒKnock On Wood¹ - one with Oliver Sain on sax - that I think the arranger tries too hard to be different and ultimately creates a mess. The funky, sound-effect packed ŒInflation Wolf¹ is another cut that has found enormous favour with US radio stations and ŒYearnin¹¹ too keeps things hard-hitting. Two less than one-minute tracks also feature here: the opener, ŒInterview¹, introduces Bryan via Nashville¹s WFSK radio but ŒAria¹, an excerpt from a recital at the St. Louis Conservatory for the Arts, seems totally out of place here.
-----------------

I had the extreme pleasure of seeing Bryan Austin perform, at our
church. I am an actor/director for many local church and community
productions.
There is only 1 reason that I bring this up. Very few times do I meet
someone, whether they be actor or singer, that put everything they have
into,
whatever they do. Bryan Austin, does just that. He puts everything
into his performances. He has a passion that is very refreshing to see.
I would recommend that anyone who has a chance to witness this man
perform, they should jump at the chance. They will see what singing
should be,
a heart and soul experience. He has a stage presence and voice that
makes the listener, want to go willingly on the journey of the soul,
with him.
Give that man, 5 out of 5 stars.



Michael W.
Crowley
-----------------

Sent: Wednesday, April 06, 2005 7:02 AM
Subject: RE: PSR RADIO NETWORK (2)

1.1. BE WITH YOU TERRELL PEG

2.2. SLEEP WITH ONE EYE OPEN SHIRLEY BROWN MALACO

4.3. I INTEND TO TAKE YOUR PLACE PEGGY SCOTT ADAMS MARDI GRAS

3.4. SHOE SHOE SHINE BRYAN AUSTIN ART-TISTS

6.5. LIVE IN WOMAN PAT BROWN TAPNA

8.6. THINGS THAT LOVERS DO METRONE

7.7. IT'S JUST A PARTY CARL MARSHALL GIFFT

9.8. MACARONI SHEBA POTTS ECKO

10.9. LADIES NIGHT RICK LAWSON ECKO

16.10. 5 MINUTES JODY STICKER MARDI GRAS

23.11. HOT SPOT TYRONE DAVIS END ZONE

13.12. I CAN'T LET GO SLAUGHDA

14.13. YOU DON'T HAVE TO CRY RUE DAVIS SHOWTIME

5.14. I'M A NIBBLE MAN LEE SHOT WILLIAMS

19.15. KEEP STEPPIN WILLIE CLAYTON END ZONE

11.16. UNCLE ESAU BOBBY RUSH DEEP RUSH

12.17. BRING OUR TROOPS HOME ERNIE JOHNSON PHAT SOUND

15.18. MAKE IT TALK DR. FEELGOOD POTTS ECKO

17.19. MOVE WITH THE MOTION THEODIS EALEY IFGAM

19.20. SAMETHING IT TOOK SIR CHARLES HEP'ME

21.21. JEALOUS FRANK MENDENHALL WURST ACT

18.22. SLAP THAT BOOTY GARY BROWN GABBRO

20.23. HARD TIMES FRANK MENDENHALL WURST ACT

22.24. YOU'RE NOT SLICK JACKIE JACKSON EVE JIM

24.25. THE LETTER (GUILTY) SIR CHARLES JONES HEP'ME

26.26. STILL IN LOVE WITH YOU ANTHONY WATSON AMHERSH

27.27. SO CALLED FRIENDS ROSCOE ROBINSON SOUND MINDZ

29.28. IT'S JUST A PARTY CARL SIMS ECKO

28.29. I'M LOOKING FOR A REAL WOMAN CARL MARSHALL GIFFT

30.30. LICK YOU LIKE A LOLLIPOP ANTHONY WATSON AMHERSH

33.31. SHOULD HAVE BEEN THERE ARCHIE LOVE

31.32. MAKE SWEET LOVE SORRENTO USSERY

36.33. SIT DOWN ON IT MARVIN SEASE

37.34. I'M ALL GOOD JAMES MORGAN CARJOBEL

34.35. LORD HELP ME JEWEL WITH LOVE PARLIMENT

35.36. GUITAR MAN LITTLE MILTON MALACO

39.37. SHAKE WHAT YOU GOT O.B. BUCHANA ECKO

38.38. LARRY LICKER WILLIE B. HOT SPOT

32.39. TWO STRANGERS BILL AVERY SOUND MINDZ

---40. INFLATION WOLF BRYAN AUSTIN ART-TIST

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