Dan Bryk | Dan Bryk, Asshole

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Pop: Quirky Folk: Modern Folk Moods: Type: Lo-Fi
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Dan Bryk, Asshole

by Dan Bryk

Bittersweet and just plain acidic pop by a young suburbanite. "Bryk's forte is his Iyrics-as funny and smart as they are clever, and they can be wickedly clever in their wordplay and wry reworkings of romantic platitudes." -.*@# (Exclaim)
Genre: Pop: Quirky
Release Date: 

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Tracks

Available in: MP3, MP3-320, and FLAC file types.

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1. She Doesn't Mean A Thing To Me Tonight
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4:30 album only
2. Because I'm Spoiled
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3:22 album only
3. In Praise of Mark Turmell
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1:54 album only
4. Her Place
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2:16 album only
5. Singer Slash Songwriter
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2:54 album only
6. Right Behind Caroline
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2:22 album only
7. Plastic Surgery
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4:39 album only
8. Song of Forgiveness
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3:07 album only
9. She's Already Feeling Guilty
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2:29 album only
10. Private Party
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1:56 album only
11. The Trouble With Nice Guys
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14:04 album only
12. Gratuitous Bonus Track
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3:46 album only
13. Mandy, Mary Beth and Jen
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3:39 album only
14. Rehab
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3:23 album only
15. The Silence That Passes for Peace of Mind
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4:26 album only
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ABOUT THIS ALBUM


Album Notes
"Dan Bryk, Asshole" is the 1996 debut album that went a long way in establishing Bryk in his native Canada. Inspiring plaudits from a wide variety of press (Asshole made the Toronto Star "Discs of '96" list), a ton of Canadian college airplay and CBC exposure, culminating in Dan's 1996 CBC RealTime session, some of which eventually appeared on his long-delayed second album Lovers Leap. The slackly cult-hit version of "She Doesn't Mean A Thing to Me Tonight" appears here for thrill seekers.

Recorded piecemeal in numerous studios and contributor's homes, this 12-track release spans a wide range of sounds and influences. From the poisoned indie-rock bubblegrudge of She Doesn't Mean a Thing To Me Tonight to the grade nine confessional (In Praise of) Mark Turmell, these are catchy melodic pop songs whose immediate hooks reward repeated listenings with subtler and deeper meanings.

Deceptively simple piano and organ-based arrangements evoke classic pop and alt.rock low-fi, striking a rare balance between disciplined songcraft and punk-pop energy. Alternately melancholy and angry but almost always direct, Dan Bryk's awkward voice wraps itself around his songs like the sheath for a knife. The album was mixed and recorded with Toronto production hermit Jim English, who sculpts some timelessly unique sonic spaces for it.


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