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Byron Au Yong : Kidnapping Water: Bottled Operas
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Adventurous contemporary operatic performances with water percussion prompted by the I Ching (Book of Changes).
Genre: Classical: Opera
Release Date: 2008
Kidnapping Water: Bottled Operas Record Label: Byron Au Yong
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Preview Song Name Time Format Price Select
Hello Helicopter 2:04 Album Only
Lawn Sprinkler 1:54 Album Only
Plish 2:48 Album Only
I Float 1:48 Album Only
Abundai (Seven Operas) 9:37 Album Only
Puckered Skin 1:22 Album Only
I.C.E. 2:43 Album Only
Dust Away 1:37 Album Only
Bump And Grind 2:29 Album Only
Kun (Five Operas) 13:21 Album Only
I Am Felled 2:25 Album Only
Taking Time 2:39 Album Only
After The Stoning 2:42 Album Only
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Album Notes

"... exquisite darkness… whimsical lines… captivating experience." The Stranger

Kidnapping Water travels through warnings, prayers, fantasies, and whispers in a thematic review for future generations about an element older than man. Human voices (singers Josie Davis, Emily Greenleaf, Jeremiah Oliver, David Stutz) and splashing water (percussionists Stuart McLeod, Dean Moore, Benjamin Morrow, James Whetzel) cry out harder than the silent wisdom of hair turned white.

There is fear and longing in these Bottled Operas. Not a run-away-in-fear or humping-towards desire, more a pause-and-reflect terror and furrowed-brow hope that sends quiet shivers through the stomach. Breath senses water disappear. Ears caress aural mirages where the abundant waterways of the present hide a future of burning salt.

The libretti are prompted by the I Ching, one of the oldest Chinese texts, reinterpreted by eight contemporary writers Eugenie Chan, Bret Fetzer, Aaron Jafferis, Archana Kumar, Carola Luther, Caroline Murphy, Vivian Umino, and Edisa Weeks then shaped into operatic miniatures by composer Byron Au Yong.

The I Ching 易經 (Book of Changes) structures chaos by balancing dynamic opposites. There are 64 ways to configure broken and continuous six lines. The 64 hexagrams present a cosmology and philosophy for anticipating and accepting change. 23 of 64 Bottled Operas are included on this CD.

Kidnapping Water: Bottled Operas is thankful for support from Creative Capital’s Multi-Arts Production (MAP) Fund, supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation; 4Culture’s King County Site-Specific Performance Network; Bumbershoot Festival of the Arts; and Jack Straw Productions.

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REVIEWS

Innovative and thought-provoking
author: Kristofer Bergstrom
Au Yong's clever lyrics and the accomplished librettists pull off these pieces. For me, Au Yong draws the perfect balance of strange, unexpected moments and musically satisfying, accessible passages. The great revelation of this album: water makes a great percussion instrument! My favorite tracks are 6 "Puckered Skin", 10 "Kun", and 12 "Taking Time".
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author: Esther Sugai
Byron's music is much like Byron himself -- playful, imaginative and fun. These Bottled Operas frolic and sport with the theme of water in all its permutations. I love the combination of voice and water, played by percussionists using wood, stone, bamboo, bone and other materials. My favorite selection is Kun (five operas), which begins with Dean Moore's gong sounding in the water and Emily Greenleaf's evocative voice. I've been listening to the CD at work, and it uplifts my spirit.
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Kidnapping Water:Bottled Operas
author: Linda Krutenat
I felt that I was listening to a story leading to a tribal ritual of containment. I liked the feel of “I Float” that I disconnected with the peace I feel while floating. "Puckered Skin" was wonderfully aggressive!
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