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Sretenye : Medieval church choir music of Byzantine, Georgia and Rus
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This CD is the winner of 2004 JPF Music Awards (USA)in church choir music. Medieval praise and worship songs of the VIII-XV centuries.
Genre: Classical: Medieval
Release Date: 1999
Medieval church choir music of Byzantine, Georgia and Rus
Sretenye
Record Label: Origen Music
  • Buy CD - $12.95
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Preview Song Name Time Buy
1. To Thee We Sing '” Bulgarian Chant, Tone Legetos 3:01 + MP3 $0.99
2. Psalm 146 and O Thou the Only Begotten Son '” 3:21 + MP3 $0.99
3. Alleluia '” Georgian Chant 1:11 + MP3 $0.99
4. Come, Let Us Worship '” Strochnoi Chant 0:42 + MP3 $0.99
5. Trisagion (Holy God'¦) '” Strochnoi Chant 1:56 + MP3 $0.99
6. Thou Art Our Joy '” Znamenny Chant 4:10 + MP3 $0.99
7. The 1st Ode of the Easter Kanon 5:17 + MP3 $0.99
8. Fragment from the Divine Liturgy '” Strochnoy Chant 3:27 + MP3 $0.99
9. Christ is Risen 3:45 + MP3 $0.99
10. Thy Cross do We Adore '” Georgian Chant 1:53 + MP3 $0.99
11. O Theotokos the Virgin, Rejoice (Ave Maria) '” 31:34 + MP3 $3.99
12. Eucharist Canon (fragment) 3:24 + MP3 $0.99
13. Meet it is '” Bulgarian Chant 2:18 + MP3 $0.99
14. Praise Ye the Name of the Lord '” Bulgarian and Bizantine 5:23 + MP3 $0.99
15. O My Soul, rise! 2:27 + MP3 $0.99
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Album Notes

The true church choir music is an integral part of the Church tradition. It comes into being in co-creativity of ascetics and the Holy Spirit, and it is not so much music as a kind of prayer.

We can talk only approximately about the date and authorship of praise and worship songs represented on the disk. Some Greek and Bulgarian musicologists believe that Eastern Orthodox liturgical music originates from the singing of levites in ancient Israel. Making its way with Christianity and changing in the light of national features, Eastern Orthodox (Byzantine) church choir music has begun church-singing culture of Georgia, Bulgaria, Serbia and Rus.

Saint John the Damascene, who lived in the 8th century, established church "oktoechos" (eight tones) - common base of liturgical music, consisting of eight tonal-melodic systems. Also the Church attributes the Easter kanon's authorship to him. The first ode of the kanon is represented on the CD. Such names as John Glyka, St John Koukousel, John Klad and others marked the period of "Kalophonia" ("beautiful singing") in the 12-14th centuries. The works of Theodore of Phokea (the 18th century) are the best samples of kalophonia-music.

In Georgian church choir music there are two styles: Cartalin-Cahetian and Himertin-Gury. In certain theological sense the Orthodox Church has developed three-voice singing. So, due to the special motion, native Georgian polyphony and polyphonic thinking have developed.

The base of Russian Orthodox church choir music - Znamenny tune was usually called "Angel-like". It is mainly because of the power of prayer and spiritual purity of the echoi (tones) melodies, crystallized in standing of Holy Rus before the God. The 17th century was the golden age of Russian liturgical music. At the same time it was the beginning of its ousting by western-secular music, which caused spiritual decline of Slavonic church singing; though on the surface it was still magnificent. It is obviously, that canonical icon that is consorting with the Sacred Tradition is essential for the Orthodox Church. For the same theological reasons the church-singing tradition is in need of revival now.

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The ensemble of medieval church choir music "Sreteniye" ("Candlemas") was founded in 1990 in Kharkov, and originally consisted of the three graduates of Kharkov institute of beaux arts, who were joined together by the love of early church choir music. This love was not caused by the exotic character of the early praise and worship songs, but by the deeper accordance of this kind of singing with a spirit of prayer. Well-known Greek protopsalt L. Angelopoulos gave invaluable help to the ensemble "Sretenye". Not only he supplemented the repertoire of the choir with a number of very rare ancient praise and worship songs, but also what is the most important he shared his knowledge of Byzantine singing characteristic features.

The ensemble, consisting of three to five singers, takes part in Divine services, participates in festivals of church choir music, and gives concerts. In 1993 the choir became the winner of Archdeacon K. Rosov Moscow international festival, and in 1999 and 2000 - grand prix winner of all-Ukrainian church festival of choirs "Glas Pecherski " in Kiev.

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REVIEWS

Excellent CD
author: David Cundy
                            
The producer has gone to a lot of trouble to match the sound quality of each of the singers. The recording venue has a wonderful acoustic, the tuning was near perfect and the performance style was totally authentic. Mens' voices have a sombre quality which can't be matched by boys or women's voices, albeit beautiful in their own right. The pieces which employed a cantus firmus contained exquisite harmonies, delightful to the ear. The entire CD gives us a glimpse of how music was performed by ancient Byzantine, Georgian and Russian monks in the middle ages. Highly recommended.

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OUTSTANDING
author: Luke
                            
Very nice sounds--incredible. I enjoyed it. Thank you very much for providing this most excellent CD.

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Amazing
author: Angelo N.
                            
Right now this is the most amazing music I have ever heard.

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music from heaven
author: johanna from amsterdam
                            
With singing monks you never know what you're going to  get. Sometimes the monks use recording equipment from the middle ages, they may sing out of tune or they may not start and finish at the same time. That will all sound very authentic, of course, but it's not the best listening experience. On this cd, the singing is good and the sound is fantastic, straight from heaven!

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