charlie rulz!
author: philip hauser
this is a great album. alittle different from his work with Dream theater in 1989, but very unique just the same. i suggest you pick it up if you're into more acoustic-based prog.
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Dominici lets it all hang out in long overdue release
author: Chris Abate
I, like many, had almost written off Charlie to retirement. His early work with Dream Theater set the foundation for the greatest prog rock band since Yes or Rush, and I've often been asked what he was doing and where he could be heard. Until last year, I didn't have an answer. That's when Charlie reunited with Dream Theater for one show and floored the audience with a performance that many feel 'upstaged' DT's current singer, James Labrie. I have to believe this overwhelming respone to Charlie prompted him to reacquire his love of music and give us "03 A Trilogy, Part One". The album in short, is fantastic. It's acoustic (metal fans beware!), and Charlie really delivers. He wrote and recorded the entire album himself, including guitars and harmonica. The concept starts out dark and progresses throughout (I'll pass on giving away more details than what's been said above), and really leaves the listener craving more and more. During each of my first 2 listens I was unable to stop the album without listening the entire way through. The production is solid and really captures the tonal qualities of Charlie's voice.
The bottom line? This release is a fresh break from the current prog environment and something that Dominici's fans will really enjoy. Charlie is truly at his best here and his voice is better than ever. I highly recommend it and look forward to the rest of the trilogy.
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An all acoustic, one man show by original DREAM THEATER vocalist Charlie Dominic
author: Dimitrios Fatouros /metal invader.com
This one is a "weird" one. An all acoustic, one man show by original DREAM THEATER vocalist Charlie Dominici. It's a completely acoustic effort, thus hardly rocking, but it's a sincere, beautiful, if not slightly monotonous way for Charlie Dominici to pour his soul out. I have to say it makes for a very bizarre listen, but it won me over after a couple of spins. I think that if the result was augmented by some strings it would have been much better, but it's still awesome. Charlie, (if I m allowed to call him by his first name) doesn't have to try and scream on top of a progressive metal orgy, thus a more earthly, sentimental singer comes to the fore. His voice is mature, deep and strong, and really manages to send shivers down ones spine. As much as I 'd love to hear some more adventurous, vocal acrobatics, I respect the choice of vocals and overall, style of O3. The stories and lyrics are either simple stories or political dare I say "protests" masqueraded as songs. A sort of Gandhi like - passive resistance, which could wield results by making people think. Think of a bizarre Rock singer, going Bob Dylan, especially during "The Dream" that easily recalls a less adventurous 115th., strumming his own guitar, quite capably too, dare I say and even playing some killer harmonica. It's a record, that some prog freak might dismiss, some "renowned" music critics might just not "get", some others might totally fall in love with, but as for me...? I’m allowing it to envelop me in an aural aura, while gazing towards the sea.
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literally one of first times the acoustic based singer/songwriter approach has b
author: Tommy Hash/ytsejam.com
Acoustic records that feature a technical approach with full blown emotion are hard to come by these days, but for Charlie Dominici, he goes way beyond the simplistic singer/songwriter mantra, this is by no means a folk record, it’s literally one of first times the acoustic based singer/songwriter approach has been brought to progressive rock, setting a new standard.
It’s not what we might have expected from Dream Theater’s first vocalist, the music is stripped down to it’s bare necessities, just Charlie Dominici and his acoustic guitar (with an occasional Harmonica), with no keyboards, no electric guitars, no orchestration, and no drums, and with such a unique collection of material, there is no need for them.
The music flows with the concept; with the record’s cinematic theme providing the storyline’s transitions track by track among the evolving story, where within the first installment of the trilogy, we get to know the character, we find out about his forced exile from his family, as well as the sense that something tragic has been bestowed upon him. For the musical prowess on the record, every cut has it’s own identity; “I Found My Love” mixes a dark sound with yet a lyrical content that speaks of fulfillment, kind of being a strange contrast; “The Order Comes” has it’s moments of anthem glory; “The Plan” is reminiscent of some of Zeppelin’s acoustic material; and “My New Land” which provides a more pop edge to the record.
The overall atmosphere on the record is fairly dark, provided the concept. The music itself, although acoustic, has a full embodiment to it, where there was a lot accomplished with just vocals and guitar; there is much more organically brought forth with this record, considering the minimalist approach. Not to mention that Dominici proves himself much worthy as a songwriter and musician in his own right, and his guitar playing is way beyond simple strumming where he plays intriguing riffs and occasional arpeggios that pull you in; and yes, his voice still holds up extremely well. So who knows where the next installment of this trilogy will bring Dominici in his musical endeavors, either way, it will be interesting.
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