Charlie Mosbrook | Something to Believe

Go To Artist Page

Recommended if You Like
Cat Stevens Greg Brown John Gorka

More Artists From
United States - Ohio

Other Genres You Will Love
Folk: Traditional Folk Country: Country Folk Moods: Solo Male Artist
There are no items in your wishlist.

Something to Believe

by Charlie Mosbrook

I came to folk music by way of the singer-songwriter genre of my childhood. I later discovered Woody, Dylan, and some recordings that Jerry Garcia had done later in life with David Grisman. There was a simple complexity to these performances that appealed to me in a way that nothing else ever had. Digging deeper I began to gravitate toward musicians like John Hartford, Norman Blake, and Doc Watson. Traditional folk music and instrumentation became far more relevant in my heart than any of the contemporary styles I was hearing in popular venues. With this record, I have written a collection of new songs for the 19th century. I am joined by an amazing group of musicians that have influenced me through the years. With them comes a sincere desire to pass these traditions onto generations to come. More than a reflection of the past, This music is a continued American experience.
Genre: Folk: Traditional Folk
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
just a few left.
order now!
Buy 2 or more of this title and get 10% off
Share to Google +1

Tracks

Available as MP3, MP3 320, and FLAC files.

To listen to tracks you will need to either update your browser to a recent version or update your Flash plugin.

Sorry, there has been a problem playing the clip.

  song title
share
time
download
1. Something to Believe
Share this song!
X
3:05 $0.99
2. A World Not Seen
Share this song!
X
4:21 $0.99
3. Blame
Share this song!
X
2:47 $0.99
4. Creepy
Share this song!
X
3:00 $0.99
5. Shining Through
Share this song!
X
4:33 $0.99
6. Erie Shore
Share this song!
X
4:00 $0.99
7. Hand Me Down My Walkin Cane
Share this song!
X
3:22 $0.99
8. Listen to a Woman
Share this song!
X
3:08 $0.99
9. Something to Lose
Share this song!
X
2:41 $0.99
10. Crooked Stick
Share this song!
X
3:00 $0.99
11. I Will Be Coming Home to You
Share this song!
X
2:46 $0.99
12. January Sky
Share this song!
X
2:49 $0.99
preview all songs

ABOUT THIS ALBUM


Album Notes
The Songs
1. Something To Believe
2. A World Not Seen
3. Blame
4. Creepy
5. Shining Through
6. Erie Shore
7. Hand Me Down My Walking Cane
8. Listen To A Woman
9. Something To Lose
10. Crooked Stick
11. I Will Be Coming Home To You
12. January Sky
Complete Lyrics-Click Here

The Musicians
Charlie Mosbrook- guitar, bass, vocals
Bill Lestock- fiddle, mandolin, guitar (4, 7, 8)
Avin Loki Baird- guitar, vocals (2, 3,11,12)
Shelby Lynn Sangdahl- cello (2, 4, 5, 12)
Cindy Langmack- vocals (4, 9, 12)
Matt Harmon- guitar, vocals (10)
Greg Alan Reese- banjo (1, 5, 9)
Steev Inglish- harmonica (1,11)
J. Scott Franklin- trumpet (12)
Abbey Blake- vocals (3, 5, 8)
Xe La- bass, vocals (1)
(Track numbers)


Reviews


to write a review

Anastasia Pantios

Cool Cleveland CD REVIEW: Charlie Mosbrook – Something to Believe
Charlie Mosbrook has been a constant presence in Cleveland’s folk/acoustic/singer-songwriter/open mic scene for 25 years now. The relationships and the respect he’s built are showcased on his latest album (his 10th), Something to Believe, with contributions from an array of talented area players. Why he’s built those relationships and that respect is showcased in the well-written tunes and in Mosbrook’s unaffected and affecting performances of them.

The album’s 12 tunes are full of soul-searching sentiments and lilting melodies that have an instant familiarity, well-served by the arrangements that, even when relatively complex, still have a spontaneous, friends-jamming-with-friends feel.

One of Mosbrook’s friends, Steve Inglish (once known on the blues circuit here as Mr. Downchild), kicks off the disc with a blast of harmonica, leading into the title tune whose gentle, bluesy melody and statement of purpose are accented throughout by Inglish’s harmonica and Greg Alan Reese’s banjo.

From there, the album moves smoothly through a series of high and low moods. Introspective tunes like “A World Not Seen,” and the lonely “Erie Shore,” which make you feel like you’re eavesdropping on someone thinking out loud, contrast with the more expansive “Something to Lose” and “Hand Me Down My Walking Cane,” the album’s only non-original song. Mosbrook, with Bill Lestock pitching in on fiddle, has transformed it into the sort of jaunty Celtic-style outing that gets coffeehouse crowds clapping and singing along. And “Shining Through” feels like a standard in the making — a generous love song that could be a jumping-off for a multitude of interpretations and arrangements.

The back-to-back “Blame” and “Creepy” offer two different attitudes toward self-examination. On the former, Abbey Blake’s serves almost as a conscience to Mosbrook’s lyric, as the idea of who’s to blame here seems to keep shifting, and it’s never clear whether the narrator is accepting blame or passing the buck. The airy “Creepy” injects some humor as it explores ideas of self-presentation and self-image, with lyrics like “I’m not as creepy as I feel right now.”

The album’s last three songs illustrate how much range Mosbrook has within the seemingly limited confines of the acoustic singer-songwriter genre. “Crook Stick” references the spinal injury he suffered a few years ago and his use of medical marijuana to relieve his pain. It’s not a polemic but a plain-spoken expression of personal experience.

He lightens the mood with the spirited drinking song “I Will Be Coming Home to You” which asserts, “Once I’m off the floor/I sweat I will have no more/I will be coming home to you.” It features lively harmonica from Inglish and vocal and guitar contributions from another talented area folkie and friend of Mosbrook’s, Avin Loki Baird. “January Sky” changes things up again, its sober but hopeful reflectiveness underscored by cello, a chorus of female harmony vocals, and a delicate filigree of trumpet.