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Chick is a veteran Canadian Blues musician/singer, who along with his band "Lowdown Ways" and some very special guests, pays a musical tribute to some of the great blues artists. From the 1920's to the 1990's.
Genre:
Blues: Blues Vocals
Release Date:
2004
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Blues: Jazzy Blues
Blue Turning Gray
Chick Roberts
© Copyright-Chick Roberts
(777320120229)
Record Label: Old Blue Goat
SPECIAL: 30% discount if you buy more than one copy of it today!
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With a resume that reads like a who's who of 20th century entertainment, consummate performer Chick Roberts is a veteran of theatre, film and the Canadian music scene.
Born Evan Hugh Roberts, and raised by Welsh parents in Toronto's Cabbagetown, Chick Roberts received his earliest musical training singing in choirs such as the Toronto Welsh Male Choir. He was first bitten by the blues as a teenager, when he proudly purchased his first '78, "How Long,How Long Blues." He then went on to sing with a show band performing imitations of Louis Armstrong, Jimmy Rushing, Billy Eckstine, Wynonie Harris and Frankie Laine, to name a few.
In 1956, Chick moved to England to build on the amateur drama and performance training he began in Toronto. However, he was soon sidetracked by movie and television acting jobs, among the first, a role in Charlie Chaplin's "A King in New York." He moved on to form one half of a comedy duo appearing on WelshTV and performed as an emcee and comedian before returning to North America to resume his musical career.
In the early 60s, with his newly minted stage name in hand, Chick Roberts performed around Canada & the USA as a solo folk artist, and with Amos Garrett, Jim McCarthy and Carol Robinson as The Dirty Shames. Primarily a Jug/String Band, they performed an eclectic variety of songs from the country, blues, jazz and pop repertoires.
Come 1965, Chick and The Dirty Shames moved to New York to cut several records on the Phillips label (sadly, never released in Canada). Following Jim McCarthy's departure, the Shames enlarged the band by adding Bass, Piano and drums and became the regular band at Andy Warhol's club "The Dom" and openers for The Velvet Underground at the "The Gymnasium."
In 1968, the Shames disbanded and Chick Roberts returned to Canada. A devoted member of the folk music community, he became one of the organizers of the Mariposa Folk Festival and helped start Mariposa In The Schools (MITS). For twenty five years, he used his talents as a raconteur, singer, guitarist, and all-around crowd pleaser to tour schools,libraries,festivals and bring Jug Band and Blues workshops to children across Ontario. His performaces can be heard on all three albums produced by MITS.
Ever adapting his musical style, Chick Roberts continued to perform blues, country and rock from 1970 onward with the Blues Collar Band. As venues and audiences for their music evolved so did they evolve their material, introducing swing and jazz to their blues sound and changing the band name to"The Lowdown Ways Band."
So it came to pass, that when the opportunity arose to record a CD with his long time musical cohort, Tony Quarrington, they decided to draw material from their blues and jazz repertoire. The resulting record, Blue Turning Gray, pays homage to Chick's vocal idols, and tips its hat to longtime musical accomplices and new friends.
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author:
Holger Petersen “Saturday Night Blues” CBC
Thanks for sending your advance CD. I really enjoyed listening and appreciate that you’ve worked with so many great players. I was
delighted to hear your fine harp playing, singing and selection of
material. I’ll be happy to play it on my blues show.
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This CD is a kind of snapshot of that bygone era of blues
author: Toronto Blues Society / Maple Blues
Chick Roberts Blue Turning Gray
Chick Roberts has been an active member of our folk scene for over forty years.
The folk scene, then perhaps more than now, was very much into blues and people
kept saying to Chick that he should do a blues album. He always responded by
saying he wasn’t old enough. Well, the album’s out now so I guess he’s old enough and he isn’t lying when he sings Eddie Vinson’s “Past 60 Blues”. This CD is a kind of snapshot of that bygone era. The Climax Jazz Band, who accompany Roberts on four songs, seems a perfect choice because that kind of instrumentation doing blues was a
more important part of the scene then. Amos Garrett plays on five songs; Eddie Baltimore brought his dobro and David Gogo his electric guitar among the many
other players. The glue for all of this is Tony Quarrington, who in addition to producing,
plays guitars, mandolin and tenor banjo. Roberts tackles old favourites of his and some other songs that are age-appropriate, such as the Fats Waller tune “Blue Turning Gray”
that gives the CD it’s title.
John Valeteyn Maple Blues Nov.2004
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