"Brilliant - 9 out of 10."
author: Paul Kerr - Americana UK
Tremendous, ferocious slice of twisted country blues from Canada. Snapping at you from the off with acoustic guitars thrust out front, Doug Andrew snarls throughout the opening song (Come Down the Canyon) like some country cousin of Pere Ubu’s David Thomas. Instead of Ubu’s synths we get sinewy slide guitar snaking throughout. The lyrics are tough (He lit out with a vengeance/Like a comet down a sewer hole/Black eyed and bruised with a half broke/Smirk on his face/They hung a pretty good number on him) and are spat out with feeling. In similar vein the title song is another bruiser, thrashing around looking for trouble while Hearin’ My Footsteps is a mean dirty blues with gutbucket guitar.Sitting in a Darkened Room evokes memories of the late Kevin Coyne in his prime. Things slow down for a couple of tracks. When Christ Was a Cowboy is an epic ballad (nine minutes, all good) one could imagine several Nashville rebels wishing they had written. Henry William could be a traditional lament lifted from Harry Smith but as with all the songs, it was written by Andrew. Best of all is The Cucko’ which lifts its opening from the traditional song but goes on in a Dylanesque vein with a tremendous guitar solo that sobs and trembles until the band eventually coalesce into that rare “mercury sound” that few achieve these days. Brilliant. - Reviewers Rating: 9 out of 10.
Read more...
"Osoyoos", not "The Sault, yes!"
author: David Creery
I first heard "Come down the canyon" on the CBC Radio 3 podcast, and liked it so much I ordered the CD. The rest of the album is also excellent: alt country in the mould of early Blue Rodeo or Tragically Hip. See you waving is a touching, catchy ballad with a world weary Dylanesque feel (though I'm sure Circus in Flames could play it better live than Bob could: NB tone of recent Dylan concert disappointment). This is great stuff: get it before they go huge.
Read more...
"ready-to-explode folk rock"
author: Shawn Conner - The Georgia Straight
Nearly a decade after their debut, Doug Andrew and his band the Circus in Flames have lit the fuse on another disc of ready-to-explode folk rock. A Little Bit of Gasoline reintroduces Andrew’s distinctively weathered voice and the talents of multi-instrumentalist Brian Barr, who also played on the 1997 self-titled Circus in Flames debut. New to the fold are bassist Ron Allan, with whom Andrew played in Shanghai Dog back in the first wave of Vancouver punk, and in-demand drummer Ed Goodine.
The first Circus in Flames disc collected its share of rave reviews, and A Little Bit of Gasoline is bound to do the same. Andrew’s story-songs, backed here with generous helpings of mandolin and slide guitar and sung in an edge-of-madness warble, have a rough-hewn, raw groove. “Come Down the Canyon (Down Canyon Blues)”, a raucous tale about a guy escaping the confines of his narrow-minded hometown, sets the disc’s mood. The bittersweet “See You Waving” and the traditional-sounding folk of “Henry William” give the disc variety, while “When Christ Was a Cowboy” is an ambitious epic. But it’s the scary title track that really delivers. The fastest, punchiest tune here, it gives Andrew and his cohorts a chance to let loose in a way that makes you want to see what the Circus in Flames can do live.
Read more...
"Andrew is a great songwriter"
author: Tom Harrison - Vancouver Province
Andrew is a great songwriter with a cranky voice, while Circus In Flames are his extraordinarily sympathetic band, able to provide spare, understated backing to 'When Christ Was A Cowboy' or yowling blues-rock in the nerve-tingling title track. Here, they mix some Dylan-influenced originals with the folk of the traditional 'The Cuckoo.' The range of Andrew and his Circus occasionally brings to mind Violent Femmes, a weird mix of musical eclecticism built on a dark folklore.
Read more...